This project examines the foreign policy rhetoric of Bill Clinton in the post-Cold War world. My reading of Clinton’s rhetoric reveals that a change/order binary underwrote his oratory. Clinton defined change as being the underlying guidepost of the post-Cold War international setting. Order was defined through how he could guide, shape, direct, and manage American foreign policy in a sea of change, represented through his use of what I call America’s foreign policy vocabulary. This lexicon is based on three rhetorical components—the definitions of America’s role in the world, identification of the enemies we face, and the grand strategy we use to achieve American interest—have been a resource for presidential foreign policy discourse since America’s founding. Clinton’s use of this vocabulary maintained continuity in its use with his predecessors, but he also modified it in key ways to deal with the changes of the global environment. These modifications positioned Clinton to direct and manage the change to serve American interests which offered a semblance of order for American foreign policy in a sea of international disorder.

abstract: The historiography of the Vietnam War's effect on American society and culture often focuses on the public image of its veterans. Historians and other scholars credit liberal and apolitical Vietnam veterans for reshaping Americans' opinions of those who served. These men deserve significant recognition for these changes; however, historians consistently overlook another aspect this topic. Conservative Republicans in the mid-1970s through the early 1990s made a concerted effort to alter how Americans viewed Vietnam veterans and their performance in the conflict. The few scholars who have examined this issue suggest conservatives wanted to quell Americans' distaste for military endeavors after the loss in Southeast Asia, a concept known as the Vietnam Syndrome. This dissertation argues conservatives' efforts were more complex than simply wanting to break down the syndrome. The war and its loss threatened their understandings of the exceptional nature of the United States. This notion of exceptionalism stemmed from the immense success of the country territorially, economically, and in the international system, accomplishments realized with the assistance of the American military. The performance of the military establishment and its soldiers in the Vietnam War and the negative international and domestic opinions of the country in the wake of this loss threatened those elements of American success that conservatives viewed as imperative to maintaining the idea of exceptionalism and the power of the United States. As a result, a disparate group of conservative Republicans in the post-Vietnam era attempted to alter American understandings of the nation's martial tradition and the concept of martial masculinity, both ravaged by the war. This dissertation adds another layer to the historiography of the effects of the Vietnam War by arguing that conservatives not only shored up Americans' belief in the martial tradition and reshaped the definition of martial masculinity, but that they also significantly influenced Americans' newfound positive opinions of Vietnam veterans. / Dissertation/Thesis / Doctoral Dissertation History 2014

Image of religion in Bioshock: Infinite computer game Master's thesis - Bc.Jiří Kothera Few mainstream computer games have caused such controversy as Bioshock: Infinite (Irrational Games, 2013). The third installment of the Bioshock series is set in the fictional city of Columbia in an alternate history of early twentieth century, which at first glance appears to be a perfect social utopia. After a while, however, the narrative begins to uncover the multilayered problems of society oppressed by a fraction of the white elite and religious fanaticism embodied by the character of Z.H.Comstock, the charismatic leader of the whole community. The popularity of the game and its stable position at the top of the various popularity charts are not only due to the attractive audiovisual processing and complex game mechanics. It is primarily a story that uses (for a mass audience product) an unprecedented amount of religious symbolism - especially Christian, historical references, polysemic story elements and the story based on the concepts of Frontier myth and American exceptionalism. This work deals with the analysis of narrative and religious-social phenomena appearing in the game, especially those that are directly related to the religious and nationalistic topics in the United States.

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This thesis discusses the impact of the Haitian Revolution on the United States as a lens through which to view the transnational nature of American exceptionalism. It concludes with an articulation of the necessity of incorporating this relational nature of United States identity development into high school coursework, and advocates for teaching about the Haitian Revolution as an effective means through which to do this.

<p>This dissertation explores the philosophical, cultural, and political implications of the discourse on humanity and human subjectivity in the time of the Anthropocene that engages a wide geographic and temporal range. Specifically, I examine the ways in which three selected literary works of Daniel Defoe from England, Toni Morrison from America, and Arundhati Roy from India interact with the intricately contested notions of what it means to be a human being sharing the earth’s natural habitats with another entity traditionally defined as “other,” categorized around species, gender, race, ethnicity, nationality, sexuality, class, and even religion.</p><p>I argue that Defoe’s <i>Robinson Crusoe</i>, the allegedly first modern novel, inaugurates the reigning understanding of human being as <i>homo sapiens</i> represented by Crusoe’s rationalized humanity, the essential feature of which has come to engender a threatening condition both for the nonhuman and non-European world; that Morrison’s <i>Paradise</i> and Roy’s <i>The God of Small Things</i> each in their own way not only problematize and challenge the overall tenet of Defoe’s metaphysical rationality in Euro-American and Anglophone cultures, but also investigate a more secular and thereby alternative idea of human subjectivity as <i>homo ecologicus</i>, so as to either (re)construct or restore a vibrant and sustainable community based on a notion of human not as hierarchically superior to “other” entities, but more horizontally and inclusively situated within one larger common habitat called the planet Earth.</p><p>Postulating the conviction that one cannot fully understand the aforementioned alternative conceptualization of human being as <i>homo ecologicus</i> within the confines of divisive identity politics based upon racial, ethnic, national, religious, gender, and sexual orientation categories, it is a pivotal concern of my thesis to bridge the ostensibly unquestioned bifurcation between human beings and Nature: that between the West and the East, that between male and female, that between reason and intuition, and that between knowledge and life. In performing these wider ecological inquiries into radical modes of human existence, I place the core value of nonfoundationalist thoughts of Friedrich Nietzsche, Alfred North Whitehead, Martin Heidegger, Michel Foucault, and Edward Said, among many others, in critical dialogue with the study of literature with a view to thematizing the broader question of how a literary narrative as a historical and cultural institution imaginatively reframes our self-consciousness of the precarious condition of the Anthropocene. In conclusion, I argue that the study of literature and other humanities that valorize a vital interconnectedness between humans, objects, and the environment offers the potential for an inexhaustible and enduring habitat in which <i>homo ecologicus</i> continues to, in the words of Nietzsche, “remain faithful to the earth,” embracing <i>homo sapiens</i>.</p>

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