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'Antigonos Gonatas: Coinage, Money and the Economy' is a presentation and systematic analysis of the precious metal coinages in the name of `king Antigonos'. Most of these issues, including (a) gold staters and silver tetradrachms with the types of Alexander III and (b) silver with individual Antigonid types (tetradrachms, `Pans' and 'Poseidons'; a few drachmae, `Pans' and 'Zeus'; pentobols, `Zeus'), are traditionally assigned to the Makedonian king Antigonos Gonatas (r. 283/277-239 BC). However, their relative chronology and their respective presence in hoards allow for their wider distribution from Gonatas to his later homonym, Antigonos Doson, and for their production at a single mint, demonstrating thus a strong sense of dynastic continuity among Gonatas' successors(chapter 2). It is argued that the numismatic iconography aligns itself with the main threads of the Antigonid international policy established by Gonatas: the Antigonids, following the example of the Temenids, deliberately emphasised their Hellenic identity and piety, in order to become assimilated to the military and political `debates' both in mainland Greece and on an international level. The introduction, in particular, of the second Antigonid tetradrachm type, the Poseidon-head, meant the resumption of the naval claims of Monophthalmos and Poliorketes in the Aegean concomitantly to Gonatas' victorious naval battle against the Ptolemaic fleet at Andros (chapters 2.1,2.4). The analysis of the numismatic material (chapters 3-6) is a prerequisite for a tentative estimation of its approximate quantity and for a better assessment of its distribution pattern. The disproportion between the low annual production rate of these issues and the Antigonid financial requirements may be explained by the use of other precious metal coinages following the Attic weight standard (chapter 7). It is therefore argued that the exercise by the Antigonids of pro-active economic and administrative control was limited and that the introduction of the Antigonid individual issues was inspired by political alongside economic forces.

Diss.--Tübingen. / Bibliography: p. 89-90.

Boston University. University Professors Program Senior theses. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-02

Thesis (Ph.D.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / This study investigates the relationship between Aphrodite's literary image and her cultic role in Athenian civic religion. The plays and fragments, especially those in the Aristophanic corpus, demonstrate that in Old Comedy the goddess not only holds the role of sexualized patroness of femininity, but also reflects the political associations of her Athenian cults. Chapter I investigates the cultic role of Aphrodite in Athens and her place within the Athenian religious and social system. At Athens, Aphrodite reveals aspects beyond her popular panhellenic position as a deity of love and overseer of marriage, but never displays the relationships to sacred prostitution claimed in some late-antique sources. Aphrodite's sanctuaries were associated with such putative pioneers of democracy as Theseus and Solon. The uniquely Athenian cult of Aphrodite Pandemos, worshipped in association with Peitho, emphasized her importance in the Athenian political system as a representative of (seductive) persuasion. Analysis shows that the "Platonic" dichotomy between Aphrodite Pandemos and Urania reflects later (mis)readings of Plato's Symposium. The fragments of Old Comedy (Chapter II) illustrate how Aphrodite aided the introduction of female protagonists onto the comic stage, both as hetaerae, who worshipped Aphrodite as their patroness, and Athenian wives, who were comically depicted as licentious and bibulous. Understanding Aphrodite's role as the mediator between comic raunchiness and female decorum helps explain the origins of the erroneous traditions regarding the dedication of prostitutes to the goddess. Chapters III and IV examine Aphrodite in the Aristophanic corpus, with Chapter IV entirely devoted to the Lysistrata. Aristophanes explores Aphrodite's comic persona to highlight the social and political issues of Athens, often associating the degeneration of the city with men's unnatural connection to Aphrodite. In the Lysistrata, Aphrodite plays her most extensive role in extant comedy and exhibits her political associations. The solidarity of the female protagonists depends on Aphrodite's role as a symbol of unification and social reform. The goddess in association with Athena successfully presides over Lysistrata's peace plot as the embodiment of the late fifth-century political slogan of "eros for the city" played out in the seduction of Kinesias by Myrrhine. / 2031-01-01

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Many contemporary classical scholars, such as Benjamin Isaac and Denise McCoskey, frame the ancient Athenian attitudes toward their slaves as akin to or the same as White American racism. In this thesis, I argue that Athenian literary representations of slaves, in comparative perspective, are actually only superficially similar to those constructed in White American literature. I survey ancient Greek comedy and tragedy’s representations of slaves and demonstrate that the genres’ slave stereotypes recognise that slaves share with citizens a common humanity. I survey White American literature from the antebellum and Jim Crow eras, and I establish that its stereotyping of Black slaves and freedmen dehumanises them through the construction of racial difference. I argue that this crucial difference between Athenian and White American representations of slaves indicates that the Athenian city-state’s social system did not feature racism as it is articulated by critical race theorists Eduardo Bonilla-Silva and Joe Feagin. / Graduate / 0294 / 0591 / 0579 / gbutler@uvic.ca

The goal of the thesis "The Greek and Roman reformers" is to establish representative summary and comparison of the actions of the most important political figures of ancient Greece and Rome, that significantly influenced the power structure of society, and also a comparison of then political systems as such. It is focused especially on concrete actions and legislative, especially constitutional, changes initiated by the selected reformers, it also deals with personal motivations and a brief biographical informations. The thesis is divided into two main parts. The first part deals with Greece, particularly Athens, and tracks the causes, origin, evolution and the victory of democracy, but also problems associated with it, and the main actors in this process, namely Solon, it's founder, who was not entirely consistent in suppressing the power of the wealthy ones, radical democrat Cleisthenes and his decisive steps towards equality and the removal of the aristocratic regime, and charismatic Pericles, who, though accused of populism and demagogy, gave a decisive impetus to the Athenian political, cultural and power development and within his epoch the democracy has achieved its peak. The second part is focused on the final period and definitive end of the Roman republic, which was, in spite of its...

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