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Zugl.: Duisburg, Essen, Universiẗat, Diss., 2006.

Thesis (Ph.D.) - University of St Andrews, January 2007.

Thesis (Ph. D.)--University of Chicago, The Divinity School, August 2002. / Includes bibliographical references. Also available on the Internet.

Thesis (M.A.)--Emmanuel School of Religion, 2004. / Vita. Includes bibliographical references (leaves [42]-43).

Texte remanié de: Diss.--Universität Marburg, 1995. / Bibliogr. p. 241-257. Index.

abstract: ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory. / Dissertation/Thesis / April Whirlwind by Daniel Dorff / Nocturne Caprice by Daniel Dorff / 9 Walks Down 7th Avenue by Daniel Dorff / D.M.A. Music 2010

What do Plato, Jean-Jacques Rousseau, Thomas Hobbes, Rene Descartes, John Locke, David Hume, Ludwig Wittgenstein, Gilbert Ryle, Immanuel Kant, and the Marquis de Sade have in common? Spanning centuries and - when it comes to Plato - millennia, they are key figures of Western philosophy who have discussed ideas of reality, knowledge, existence, the state of nature, and morality, ideas which are central to Angela Carter's novels. In this thesis, I position Carter as a (de)philosophiser, and argue that she deconstructs the pivotal theories of Western philosophy, while also philosophising on the same concepts, contributing a female voice to this overwhelmingly androcentric discipline. In doing so, I contribute the first in- depth discussion of Carter's philosophical intertextuality to Carter criticism, going beyond Carter's explicit references that, to date, have been acknowledged by Carter scholars; although this is an original topic, the originality of my argument is boosted by my references t) the archival material that comprises the Angela Carter Papers Collection. The thesis is structured according to Carter's engagement with the range of Western thinkers aforementioned, focusing on Plato's impact on Heroes and Villains (1969), The infernal Desire Machines of Doctor Hoffman (1972) and The Passion of New Eve (1977) in Chapter One, while Chapter Two is dedicated to Carter's analysis of Hobbes and Rousseau's arguments in Heroes and Villains. In Chapter Three I discuss Descartes (in relation to Doctor Hoffman), Locke (vis-a-vis Shadow Dance, 1966, New Eve, and Nights at the Circus, 1984), and Hume, with reference to Several Perceptions (1968) and Love (written 1969, published 1971). Wittgenstein and Ryle's impact on Doctor Hoffman and Carter's time in Japan are examined in Chapter Four. The fifth and final chapter concentrates on Carter and moral philosophy, paying particular attention to Kant and Sade and discussing Shadow Dance, Several Perceptions, and Love, as well as Doctor Hoffman and The Sadeian Woman (1979).

Yes / Objectives: Younger people with dementia face significant challenges in gaining access to age- and needs-appropriate support. In this paper, we tell the story so far, of the ANGELA Research Project, which seeks to develop guidance to improve the ‘dementia journey’ for younger people with dementia and their families/supporters. Design: Our story is one of a research group aiming to conduct clinically relevant research to achieve positive changes for younger people with dementia. Our research journey will last 3 years and is now almost one year in. In this article, we aim to convey some of the decisions we have made to date, and what lies ahead for a successful implementation. Methods: So far, we have been forming as a research group and turning our initial ideas into plans that will work in the real world. Our methods for ensuring all elements of the project work well have involved internal and external aspects and processes. These have included involvement with and feedback from experts-by-experience and an advisory panel. Results: To date we have generated a protocol for all the key elements and have launched the Improving Support and Service Use Survey; a national survey gathering evidence from younger people with dementia and their supporters. In this article, we present how we aim to move forward to bring positive real-life changes to the lives of those affected by young onset dementia. Conclusions: There is a cautiously happy ending to this first phase, as we are now collecting data. However, the judgement of whether the Angela Project is a success overall will depend on whether it makes a difference at its conclusion to younger people with dementia and their supporters. / Alzheimer’s Society (ref: 278 AS-PG 15b-034).

Essa dissertação visa estudar a formação do que veio a ser conhecido como o mito Shakespeariano e sua relação com a produção literária contemporânea, exemplificada pelo romance Wise Children, da romancista inglesa Angela Carter. Tal objetivo pretende ser alcançado por meio uma revisão teórica de elementos relacionados à concepção de mito desenvolvida pelo filósofo francês Roland Barthes, tais quais a concepção tradicional de mito, o Estruturalismo, o Pós-estruturalismo, a crítica ideológica marxista e os Estudos Culturais. Um estudo dos processos históricos que deram origem ao e ajudaram a propagar o mito Shakespeariano também é levado a cabo nessa dissertação: a apropriação da figura e da obra de William Shakespeare feita pelos pré-românticos e pelos românticos em geral; a associação da figura de Shakespeare com a identidade nacional do Império Britânico; o advento da industria Shakespeariana e o papel das adaptações das peças de Shakespeare na propagação do mito Shakespeariano / This dissertation aims at studying what came to be known as the Shakespeare myth and its relation to the contemporary literary production, exemplified by English novelist Angela Carters novel Wise Children. Such objective intends to be achieved by a theoretical revision of elements related to French philosopher Rolan Barthess concept of myth, such as the traditional concept of myth, Structuralism, Post-structuralism, Marxist ideological critique, as well as Cultural Studies. A study of the historical processes which led to and helped propagate the Shakespeare myth is also carried out in this dissertation: the pre-Romantic and the Romantic appropriation of the figure and works of William Shakespeare; the association of the figure of Shakespeare with the British Empires national identity; the advent of the Shakespeare industry; and the role the adaptation of the Shakespearean play had in the propagation of the Shakespeare myth