This research examines the relationship between British accents and their stereotypes. It looks specifically at the ratings of British and American subjects for a variety of British regional and standard accents, and examines them in contrast with observed stereotypes about these accents. The purpose of this paper is to compare the reactions of British and American participants in order to understand whether the stereotypes associated with these accents are purely socially constructed by British society, or whether qualities of each accent support these stereotypes. Results found a similar trend in the ratings of both American and British participants, though it is hypothesized that this is due to confounding variables.

Sociolinguistics studies on language perception have shown that listeners form different attitudes toward speakers based on the speakers’ language varieties (Lukes and Wiley 1996, Lippi-Green 2012, Thompson, Craig, and Washington 2004). Just from hearing a voice, listeners form opinions, and these opinions are often informed by societal archetypes, as well as societal stereotypes. For example, Standard American English is generally perceived with more prestige and respect than non-standard varieties. Unfavorable perceptions of non-standard varieties can, and in many documented cases does, lead to inequitable and/or discriminatory situations (Baugh 2003). Non-standard and standard varieties are found in language use in music. The emergence of the Internet and music playing platforms, as well as more diverse musicians getting mainstream radio play and pay, leads to non-standard varieties reaching new listeners in a new format. In this thesis, I survey the types of music to which people listen, and their perceptions to speakers of Standard American English, Southern American English, and African American English to investigate how the music people listen to connects to their language attitudes. The results show that overall, listeners of any genre have more favorable attitudes toward Standard American English; and, that listeners of rap and/or hip-hop have more favorable attitudes than other groups of listeners toward the non-standard varieties.

Among various fan sites dedicated to pop stars, GagaDaily is one prominent online collective that centers around Lady Gaga. This study is a piece of ethnographic research focused on two claims – GagaDaily constitutes a Community of Practice (Eckert, 2006) in an online setting, and the regular use of humor by users fulfills social and pragmatic roles in the discourse. Communicative phenomena (both textual and graphic) that characterize the linguistic repertoire of GagaDaily members were catalogued from the first 100 pages of one thread within the forums. These data were grouped into categories corresponding to different dimensions of language use as well as media/literary devices. Alongside a quantitative analysis of various tokens and types of data, a qualitative examination of selected excerpts from the sample confirm the veracity of the two main claims. When analyzed with regard to Wenger’s definition of a Community of Practice (Wenger, 2009), GagaDaily meets all three of his requirements. Likewise, the analysis of humor reveal that GagaDaily users regularly engage in the first dichotomy of the tactics of intersubjectivity, adequation and distinction (Bucholtz & Hall, 2004) and incorporate GIF images in their humor to express their alignment with stance objects (DuBois, 2007) and other members.

This thesis analyzes how Taylor Swift has changed the way she expresses her Southern identity, specifically her dialectal features, over the course of her career and through her switch from country music to pop music. There were two processes to assess the change in Swift’s speech: the production of /ai/ tokens in interviewed speech and the perception of dialectal change by fans in the comment sections of the interviews on YouTube. Seven interviews on YouTube and their comment sections were used as the data source for this study. Production of /ai/ was measured through an auditory analysis to determine whether tokens were monophthongal, diphthongal, or somewhere in the middle. Perception was evaluated by scraping the comments from the YouTube videos and running key word searches related to accent. The results of the production portion of the study confirm that there has been a decrease in monophthongal tokens of /ai/ from 2007-2019 in Swift’s speech. The results from the perception part of the study show that fans do notice a change in “sounding Southern” and try to explain that change through either labeling Swift as “fake” or by positing other theories related to Swift’s individual life experiences (such as moving around the country). The implications of this study point to how dialectal features are linked with identity performance, and also how non-linguists justify changing dialectal features.

The purpose of this project is to understand how humor works in expert-novice identity construction in podcasts. I employ a Community of Practice (Lave and Wenger, 1989) framework to examine the social hierarchy among the participants of a regular podcast. I am particularly concerned with uncovering how novice members construct themselves and are constructed by expert members through humor, as well as how expert members socialize novice members to participate in the kinds of humor practices that index membership in the Community of Practice (CoP). Rooster Teeth is an internet-based entertainment production company. They produce a weekly podcast which they make available for free on the internet. The podcast participants represent a small CoP with expert/novice differentiation. Combining a corpus linguistic approach with an ethnographic approach, I collected, transcribed, and studied several podcasts that were recorded over a two-year period, beginning with the first few podcasts where founding members established the practices and their roles as experts. Then, I examine the performances of three novices over time. Two of them follow a periphery to core trajectory and become regular members of the podcast while one remained on the periphery. I discovered that teasing and modeling are the primary tools that the experts use to socialize novices and that within Rooster Teeth, novices have the power to negotiate practice from the periphery of the community. This study demonstrates the power that novices may wield within CoPs, and reveals how powerful a socializing tool humor can be.

This descriptive study focuses on expressions of politeness in the Japanese language and their relevance to social structure and intercultural communication. The study is designed to help students of the Japanese language learn rules of politeness which fall outside the domain of grammatical rules.

Thesis--University of Michigan. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 378-395). Bibliography addenda : leaf 396.

Thesis (Ph. D.)--University of Texas at Austin, 2003. / Supervisors: Brian M. Stross and Nikolai K Grube. Vita. Includes bibliographical references. Available also from UMI Company.

Thesis (M. Ed.)--University of Adelaide, 1988. / Typescript. Includes bibliographical references (leaves 242-251).

Inaug.-Diss.--Barcelona, 1990. / Includes bibliographical references.