Global ETD Search

1	Tribos urbanas e moda de rua : análise de imagens de frequentadores do Baixo Augusta / Urban tribes and street style: Image analysis of goers of Lower Augusta Marangoni Neto, Moacyr 24 October 2016 (has links) A presente dissertação busca delimitações de termos mais legitimados - a partir da indústria da moda e da cultura hegemônica - para então compreender indefinições e alguns de seus fluxos aparentemente incoerentes. Partindo de uma compreensão dos estudos de moda e da linguagem legitimada de moda, investigará as possibilidades de modas ditas alternativas, suas nuances e formalizações. Para isso são capturadas e analisadas imagens de frequentadores da região do Baixo Augusta na cidade de São Paulo, levando em consideração e como contextualização conceitualizações como sociologia da moda e do consumo, difusões de tendências, cultura e subcultura, tribos urbanas, moda e anti-moda, imagem, processos de dados, complexidade e emergência / The present work seeks delineations of the most legitimized terms - on the fashion industry and the hegemonic culture - and then understand uncertainties and some of their apparently incoherent flows. Beginning with an understanding of fashion studies and fashion industry legitimated language, investigate the possibilities of so-called alternative fashions, nuances and formalizations. For this, are taken and analysed images of goers of Baixo Augusta area in Sao Paulo city, taking into account and as contextualization concepts in sociology of fashion and consumption, broadcasts trends, culture and subculture, urban tribes, fashion and anti-fashion, image, data processes, complexity and emergence Complexidade e emergência Complexity and emergence Consumo Consumption Cultura e subcultura Culture and subculture Fashion and anti-fashion Moda e anti-moda Tribos urbanas Urban tribes
2	Tribos urbanas e moda de rua : análise de imagens de frequentadores do Baixo Augusta / Urban tribes and street style: Image analysis of goers of Lower Augusta Moacyr Marangoni Neto 24 October 2016 (has links) A presente dissertação busca delimitações de termos mais legitimados - a partir da indústria da moda e da cultura hegemônica - para então compreender indefinições e alguns de seus fluxos aparentemente incoerentes. Partindo de uma compreensão dos estudos de moda e da linguagem legitimada de moda, investigará as possibilidades de modas ditas alternativas, suas nuances e formalizações. Para isso são capturadas e analisadas imagens de frequentadores da região do Baixo Augusta na cidade de São Paulo, levando em consideração e como contextualização conceitualizações como sociologia da moda e do consumo, difusões de tendências, cultura e subcultura, tribos urbanas, moda e anti-moda, imagem, processos de dados, complexidade e emergência / The present work seeks delineations of the most legitimized terms - on the fashion industry and the hegemonic culture - and then understand uncertainties and some of their apparently incoherent flows. Beginning with an understanding of fashion studies and fashion industry legitimated language, investigate the possibilities of so-called alternative fashions, nuances and formalizations. For this, are taken and analysed images of goers of Baixo Augusta area in Sao Paulo city, taking into account and as contextualization concepts in sociology of fashion and consumption, broadcasts trends, culture and subculture, urban tribes, fashion and anti-fashion, image, data processes, complexity and emergence Complexidade e emergência Consumo Cultura e subcultura Moda e anti-moda Tribos urbanas Complexity and emergence Consumption Culture and subculture Fashion and anti-fashion Urban tribes
3	Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough Tattoos Chan, Karen Bic Kwun 31 August 2012 (has links) Using interpretive methods of social inquiry, this thesis explores the socio-political significance of body tattoos made of Chinese-like text, which have recently become popular Western phenomena. It theorizes how contemporary Western tattooing complicates bodily and social boundaries, providing context to interrogate ideas of authenticity. Coining the term "Chinesenough" (from “Chinese” and “enough”), I describe how many such tattoos do not reflect in Chinese what many wearers and viewers assume they do. I contrast how Chinesenough tattoos (re)produce whiteness to the multiple and contradictory Chinesenesses that are also (re)produced. Reading Chinesenough flash art on tattoo studio walls as objects constituting social space, I consider the social meaning of their English subtitles and manner of organization. I theorize the body’s absence from Chinesenough flash art while articulating my body’s sense experience of encountering the same. Finally, I produce and theorize five illustrations that carnivalize Chinesenough iconography to disrupt and transform the phenomenon. Authenticity Hybridity Chineseness Chinese Chinese Tattoos Tattooing Body Modification Flash Art Arts Informed Inquiry Arts Informed Research Whiteness Hanzi Kanji Diasporic Studies Interpretive Social Inquiry Carnivlesque Cultural Appropriation Chinese Canadian Social space Subtitling Sense Experience Absent Body Third Space Anti-fashion Asian Studies Asian American Studies Asian Canadian Studies Cultural Studies Visual Culture Phenomenology 0631 0626 0344 0515 0534 0326 0304 0305 0332
4	Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough Tattoos Chan, Karen Bic Kwun 31 August 2012 (has links) Using interpretive methods of social inquiry, this thesis explores the socio-political significance of body tattoos made of Chinese-like text, which have recently become popular Western phenomena. It theorizes how contemporary Western tattooing complicates bodily and social boundaries, providing context to interrogate ideas of authenticity. Coining the term "Chinesenough" (from “Chinese” and “enough”), I describe how many such tattoos do not reflect in Chinese what many wearers and viewers assume they do. I contrast how Chinesenough tattoos (re)produce whiteness to the multiple and contradictory Chinesenesses that are also (re)produced. Reading Chinesenough flash art on tattoo studio walls as objects constituting social space, I consider the social meaning of their English subtitles and manner of organization. I theorize the body’s absence from Chinesenough flash art while articulating my body’s sense experience of encountering the same. Finally, I produce and theorize five illustrations that carnivalize Chinesenough iconography to disrupt and transform the phenomenon. Authenticity Hybridity Chineseness Chinese Chinese Tattoos Tattooing Body Modification Flash Art Arts Informed Inquiry Arts Informed Research Whiteness Hanzi Kanji Diasporic Studies Interpretive Social Inquiry Carnivlesque Cultural Appropriation Chinese Canadian Social space Subtitling Sense Experience Absent Body Third Space Anti-fashion Asian Studies Asian American Studies Asian Canadian Studies Cultural Studies Visual Culture Phenomenology 0631 0626 0344 0515 0534 0326 0304 0305 0332

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