The concept evolves in two layers, in response to nature of the location and the theme. Characteristics of the floodplain forest landscape in the basin of river Morava and the essence of archeologicaly valuable area. Museum is a longitudinal object, in local landscape as natural as a tree-trunk drifted ashore in a spring submersion. The volume of the archeological centre is attached loosely as a branch captured by its weight. Orientation of the museum provides a composed view of the archeological park.

The main idea was to create dignified and functional building of new museum with captivating exposition and also with functions such as laboratiories, workshops and depsitory and thus serve the whole process of archeological work. To provide the area with demanding visitor supply are also designed functions such as wellness, restaurant and tourist accomodation. Also accomodation for emplyees is designed and could be rent for visitors when not used. The whole area should create new center in Znojmo Hradiště.

Dès l'indépendance, l'Algérie traça une politique culturelle visant la prise en charge globale de son patrimoine culturel. L'état des lieux montra des conditions de développement culturel déplorables, héritées de l'époque coloniale. Une politique d'institutionnalisation des différents aspects du patrimoine national fut progressivement mise en œuvre, accompagnée d'un dispositif juridique important. Les débuts de l'archéologie algérienne se singularisent par des pratiques empiriques, eu égard aux carences en ressources humaines qualifiées, à l'absence de savoir-faire dans le domaine des métiers du patrimoine. Une attention particulière fut accordée à l'archéologie musulmane eu égard au retard accusé par rapport à l'époque antique. Cependant, des difficultés inhérentes aux approches et stratégies mises en œuvre (mode de gestion centralisée, carence en formation, insuffisance de moyens,...) ont contribué à maintenir le développement du secteur patrimonial à un cap qui n'eut pas l'ampleur souhaitée par les acteurs de la culture. Une étude de cas porte sur deux musées de sites, les musées archéologiques de Cherchel ; l'un est de conception et de création coloniale ; l'autre est de programmation algérienne. Cette étude de cas met en exergue les stratégies, les approches et les pratiques muséologiques algériennes. / After the independence, Algeria developed a cultural policy for the overall management of its cultural heritage. An assessment of the former indicated deplorable cultural development conditions which were inherited from the colonial era. A policy of institutionalization of the different aspects of the national heritage was implemented gradually, accompanied by the implementation of important laws. The beginnings of Algerian archeology were characterized by empirical practices that typically arose from the lack of qualified human resources. A special attention was given to the Islamic archeology with regard to the significant delay that occurred in the ancient times. However, the difficulties inherent to the implementation of training, insufficient resources, etc...) have contributed to maintain the development of the heritage sector, unfortunately no to the desired extent. A case study that focuses on two the museums, the archeological museums of Cherchel ; the first site museum is of colonial design and creation and the second one is of an Algerian design. This case study highlights the strategies, approaches and practices of the Algerian museums.

El proyecto está ubicado en Supe Pueblo, en la zona de San Nicolás. El planteamiento es de una arquitectura que respeta el paisaje con una volumetría simple, que no plantea desaparecer en la topografía sino mostrarse, presentando materiales, recorridos y visuales que fortalezcan el enlace entre arquitectura y su entorno. La ubicación responde a una zona en donde no existen obstrucciones visuales debido a construcciones aledañas, ya que se encuentra rodeado de zonas agrícolas y de dos cerros, La Cruz y el Chimucapac. Cabe resaltar que se utiliza una pequeña parcela como parte de la exposición. El proyecto muestra una clara sectorización con respecto a las áreas complementarias ubicadas en el primer nivel del proyecto. Las áreas de servicio se plantean en la parte posterior al proyecto junto con la zona de investigación; y finalmente la zona de recorrido museográfico que se encuentra a partir del segundo nivel hacia arriba. El acceso se hace por una sola vía en doble sentido, la Av. San Nicolás, la cual te lleva hacia la carretera Panamericana y hacia Supe Pueblo. La edificación considera que todos los recorridos se realicen a través de rampas. La idea del proyecto es que el usuario vaya descubriendo visuales hacia el entorno conforme vaya recorriendo su arquitectura. La edificación es claramente visible, sin embargo, se utilizan distintos niveles en la volumetría para no afectar de una manera invasiva el paisaje. Además, se consideran miradores a distintos niveles para exponer el entorno y comprender la importancia del valle para la civilización Caral. / The project is located in Supe Pueblo, in the San Nicolás area. The approach is of an architecture that respects the landscape with a simple volumetry, which doesn´t propose to disappear in the topography but to show itself, presenting materials, routes and visuals that strengthen the link between architecture and its environment. The location responds to an area where there are no visual obstructions due to nearby buildings, since it is surrounded by agricultural areas and two hills, La Cruz and Chimucapac. It should be noted that a small plot is used as part of the exhibition. The project shows a clear sectorization with respect to the complementary areas located in the first level of the project. The service areas are raised in the back part of the project together with the research area; and finally the museum tour area that is from the second level upwards. Access is by a single two-way street, Av. San Nicolás, which takes you to the Panamericana Highway and to Supe Pueblo. The building considers that all routes are carried out through ramps. The idea of ​​the project is for the user to discover visuals towards the environment as they go through its architecture. The building is clearly visible, however, different levels are used in the volumetry so as not to affect the landscape in an invasive way. In addition, viewpoints are considered at different levels to expose the environment and understand the importance of the valley for the Caral civilization. / Tesis

El tema de tesis fue elegido principalmente para mejorar la puesta en valor del centro ceremonial de Cahuachi, dicho centro posee una amplitud de 25 km2 por lo cual es considerada la capital teocrática de barro más grande del mundo, ubicado en la ciudad de Nasca, Ica. Busca además incentivar el estudio de la cultura Nasca, de la cual actualmente no existen planes de estudio y restauración. El proyecto toma como punto de partida conceptual la misma adaptación que buscaban los Nascas cuando realizaban sus obras arquitectónicas aprovechando las pendientes de los cerros, esta partida conceptual se ve representada en la altura del edificio siendo menor a la del centro ceremonial, el acabado de la fachada la cual logra mimetizarse con el entorno y en las visuales que se obtienen a lo largo del recorrido del museo las cuales enaltecen el centro ceremonial y no le restan protagonismo. Para lograr un diseño eficiente se realizó un trabajo de investigación obteniendo referentes tipológicos y parámetros urbanísticos, además de una investigación de campo con los ejemplos nacionales más cercanos a la zona de intervención. / The thesis topic was chosen mainly to improve the enhancement of the ceremonial center of Cahuachi, said center has an amplitude of 25 km2 which is why it is considered the largest theocratic mud capital in the world, located in the city of Nasca, Ica . It also seeks to encourage the study of the Nasca culture, of which there are currently no curricula and restoration. The project takes as conceptual starting point the same adaptation that the Nascas sought when they carried out their architectural works taking advantage of the slopes of the hills, this conceptual heading is represented in the height of the building being less than that of the ceremonial center, the finish of the facade which manages to blend in with the surroundings and in the visuals that are obtained along the route of the museum which exalt the ceremonial center and do not detract from prominence. To achieve an efficient design, a research work was carried out obtaining typological references and urban parameters, in addition to a field investigation with the national examples closest to the intervention area / Tesis