Faced with the ephemeral nature of the art of performance, performing arts archivists must decide whether it is appropriate for them to intervene to ensure the creation of documents, what documents should be created, and how they should be created. In order to adequately answer these questions, archival theory, with its traditional focus on objectivity and non-interference, must meet with theories of documentation from performance and theatre studies, which question the possibility of adequately capturing or saving performance given the subjective and perspective nature of both the work and documents arising from it. This study addresses these questions both theoretically and practically through a survey of performing artists and a case study observing an archivist interacting with a performing arts community to facilitate the preservation of its work. The artists surveyed in this study demonstrated both an interest in improved documentation of their own work and an understanding of the limits of documentation. The archivist in the case study, after experimenting with various levels of involvement in the creation of documentation, concluded that the best approach would be a focus on building connections between the archival and performing arts communities, providing artists with the education and support they need to document themselves, and giving them secure homes for the documents they choose to create. / text

Submitted by Priscilla Araujo (priscilla@ibict.br) on 2016-10-13T18:12:48Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Tese Ana Celeste.pdf: 1819216 bytes, checksum: 7bd315342da15424effc24f0d3cebcc7 (MD5) / Made available in DSpace on 2016-10-13T18:12:48Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Tese Ana Celeste.pdf: 1819216 bytes, checksum: 7bd315342da15424effc24f0d3cebcc7 (MD5) Previous issue date: 2013-04-04 / Examina as dimensões política e técnico-científica da avaliação de documentos de arquivo. O estudo analisa a atuação das Comissões Permanentes de Avaliação de Documentos dos órgãos e entidades do Poder Executivo Federal, no período de 2004 a 2012. Contextualiza o conceito de informação na Ciência da Informação e na Arquivologia. Identifica as características da informação pública e da informação governamental. Apresenta o surgimento do conceito de gestão de documentos e os princípios que norteiam o processo de avaliação de documentos de arquivo. Destaca na produção do conhecimento arquivístico as correntes de pensamento acerca do processo de avaliação, desde os clássicos até os pós-modernos. Adota um quadro conceitual sobre o Estado como campo informacional e sobre as políticas públicas arquivísticas. Apresenta os marcos legais sobre arquivos e acesso à informação no Brasil. Descreve os marcos institucionais da política arquivística do Governo Federal. Analisa a atuação do Arquivo Nacional na orientação técnica aos órgãos integrantes do SIGA. Entrevista os Presidentes das Comissões Permanentes de Avaliação de Documentos de órgãos integrantes do SIGA, sediados em Brasília e no Rio de Janeiro. Verifica a adoção dos instrumentos de classificação e avaliação de documentos pelos órgãos e entidades que constituem o universo da pesquisa. Expõe e analisa os depoimentos dos servidores públicos entrevistados para verificar como se desenvolve o processo de avaliação de documentos nos órgãos e entidades do Poder Executivo Federal. / This thesis analyzes the political and technical-scientific dimensions of the archival appraisal. The study analyzes the performance of the Permanent Commissions of Archival Appraisal of the Brazilian Federal Executive Branch, between 2004 and 2012. It presents the context in the Information Science and in the Archival Science of the concept of information. It identifies the characteristics of the public information and of the governmental information. It presents the concept of records management and the principles for the archival appraisal. It highlights in the archival theory the intellectual origins of knowledge about appraisal process, from the classic origins to the postmodernism ones. It adopts a conceptual vision on the State as an informational field and on the archival public policy. It presents the legal benchmarks on archives and information access in Brazil. It describes the institutional benchmarks of the Federal Government's archival public policy. It analyzes the performance of the Arquivo Nacional of Brazil in the technical orientation to the agencies of Federal Executive Branch. It presents interviews with presidents of the Permanent Commissions of Archival Appraisal of the agencies of Federal Executive Branch. It verifies the adoption of filing plans and records schedules by the entities that constitute the universe of the research. It exposes and it analyzes the declarations of the public employees interviewed in order of verifying how the appraisal process is developed in the Brazilian Federal Executive Branch.

Submitted by Iara Menezes (menezes.iara@yahoo.com.br) on 2015-04-22T20:25:24Z No. of bitstreams: 1 Dissertação (final) - Iara.pdf: 622036 bytes, checksum: f760eb68649ae345c3742090afe7a6ca (MD5) / Approved for entry into archive by Rafael Aguiar (rafael.aguiar@fgv.br) on 2015-05-04T19:58:54Z (GMT) No. of bitstreams: 1 Dissertação (final) - Iara.pdf: 622036 bytes, checksum: f760eb68649ae345c3742090afe7a6ca (MD5) / Approved for entry into archive by Marcia Bacha (marcia.bacha@fgv.br) on 2015-05-05T18:23:18Z (GMT) No. of bitstreams: 1 Dissertação (final) - Iara.pdf: 622036 bytes, checksum: f760eb68649ae345c3742090afe7a6ca (MD5) / Made available in DSpace on 2015-05-05T18:23:40Z (GMT). No. of bitstreams: 1 Dissertação (final) - Iara.pdf: 622036 bytes, checksum: f760eb68649ae345c3742090afe7a6ca (MD5) Previous issue date: 2015-03-27 / Esta dissertação tem como objetivo refletir sobre a teoria e as práticas que envolvem a avaliação arquivística, a partir da análise de alguns autores influentes no tema. Apresenta um breve histórico sobre a Gestão Documental e destaca os princípios norteadores da avaliação arquivística, na visão de alguns teóricos, sobressaindo o conceito de arquivo, documento e o perfil do arquivista. Debate a questão das possibilidades de leitura/interpretação nas práticas arquivísticas, e por consequência na avaliação de documentos, destacando alguns fundamentos da Teoria do Discurso de linha francesa. Apresenta os marcos legais em relação à avaliação e a estreita relação com a constituição da memória. Busca-se observar, através da análise de entrevistas os principais fundamentos e as práticas envolvidas no processo de avaliação de documentos.

Depuis quelques décennies, l'intérêt pour l’étude de la fonction d’évaluation s’est diversifié pour approfondir les principes théoriques (Jenkinson, 1922; Schellenberg, 1956; Samuels, 1992; Cook, 1992b; Eastwood, 1992b; Duranti, 1994; Couture, 1999), les stratégies (Booms, 1972; Samuels, 1986; Cook, 1992b; Eastwood, 1992b; Couture, 1999) et les dispositifs de leur processus d’application (Ham, 1984; Boles & Young, 1991; Cook, 2001a, 2001b). Mais, toutes ces contributions n'ont pas encore étudié la nature des résultats de l'évaluation que sont les archives définitives. Du point de vue patrimonial, l’absence d’études sur la définition et la mesure des qualités des archives définitives ne permet pas de vérifier si ces archives constituent un patrimoine documentaire significatif. Sur le plan administratif, l’état actuel de la pratique de l'évaluation n'a pas encore investi dans l'examen méticuleux de la nature de ses résultats. Au plan économique, le manque de méthodes et d'outils pour la mesure des qualités des archives ne permet pas de juger si ces archives valent l’investissement matériel, technique, financier et humain que leur conservation implique. Du point de vue professionnel, l’absence de méthodes et d’instruments d’évaluation des qualités des archives ne permet pas aux professionnels d’appuyer leur décision en matière d’évaluation des archives. Afin de remédier à cette situation, notre recherche vise à définir et à mesurer les qualités des archives définitives issues de l’évaluation. Pour ce faire, nous privilégions une méthodologie quantitative de nature descriptive, appropriée lorsqu’il s’agit d’étudier un sujet peu abordé (Fortin, 2006) tel que l'opérationnalisation des qualités des archives définitives. La stratégie de la recherche a comporté deux phases. La phase conceptuelle a permis d’identifier et de définir quatre qualités soit l’« Unicité », la « Preuve crédible », l’« Exploitabilité » et la « Représentativité ». La phase empirique consistait à vérifier la mesurabilité, à titre d’exemple, des variables découlant de deux des quatre dimensions de qualité dans le contexte des archives définitives, soit la « Preuve crédible » et l’« Exploitabilité ». Le mode de collecte des données réside dans l’application d’une grille de mesure conçue spécialement aux fins de cette étude. La réalisation de la collecte de données qui s’est déroulée à Bibliothèque et Archives nationales du Québec a permis l’opérationnalisation de 10 indicateurs spécifiques sur 13 appartenant à deux dimensions de qualité : la « Preuve crédible » et l’« Exploitabilité » des archives définitives. Ainsi, trois indicateurs spécifiques sur l’ensemble de 13 sont restés sans mesures à cause d’une certaine faiblesse liée à leur mesure que nous avons pu identifier et vérifier lors des pré-tests de la recherche. Ces trois indicateurs spécifiques sont le « Créateur » dans le cadre de la dimension de la « Preuve crédible », ainsi que la « Compréhensibilité » et la « Repérabilité » dans le cadre de la dimension de l’« Exploitabilité ». Les mesures obtenues pour les 10 indicateurs ont mené à l’identification des avantages et des points à améliorer concernant différentes variables liées au créateur, au service de conservation ou encore à l’état et à la nature du support. Cibler l’amélioration d’un produit ou d’un service représente, comme démontré dans la revue de la littérature, le but ultime d’une étude sur les dimensions de qualité. Trois types de contributions découlent de cette recherche. Au plan théorique, cette recherche offre un cadre conceptuel qui permet de définir le concept de qualité des archives définitives dans une perspective d’évaluation archivistique. Au plan méthodologique, elle propose une méthode de mesure des qualités applicables aux archives définitives ainsi que les instruments et le guide qui expliquent sa réalisation. Au plan professionnel, d'une part, elle permet d’évaluer les résultats de l’exercice de l’évaluation archivistique; d'autre part, elle offre aux professionnels non seulement une grille de mesure des qualités des archives définitives déjà testée, mais aussi le guide de son application. / Some decades ago, interest in studying the archival appraisal function was diversified to deepen theoretical principles (Jenkinson, 1922; Schellenberg, 1956; Samuels, 1992; Cook, 1992b; Eastwood, 1992b; Duranti, 1994; Couture, 1999), strategies (Booms, 1972; Samuels, 1986; Cook, 1992b; Eastwood, 1992b; Couture, 1999) and their implementation process - techniques, instruments and criteria - (Ham, 1984; Boles & Young, 1991; Cook, 2001a, 2001b). However, all these contributions have not yet studied the nature of appraisal results that compose historical archives. The following four elements explain the nature of this problem. First, from the perspective of documentary heritage, the lack of studies on the definition and measurement of the quality of historical archives prevents verification as whether archive materials are significant. Second, at the administrative level, the current practice of appraisal does not yet invest in a meticulous examination of the nature of its results. Third, in economic terms, the lack of methods and tools used to measure the quality of archives, affects whether these records are judged to be worth the material, technical, financial and human investment that their preservation requires. Finally, from a professional standpoint, the absence of methods and instruments to assess the quality of archives prevents professionals from supporting their decisions on archival appraisal. To remedy this situation, our research seeks to define and measure the quality of archives resulting from their appraisal. For the implementation of the research, we use a quantitative descriptive methodology, and apply it to an unexplored topic (Fortin, 2006) as the operationalization of archival quality. Two phases constitute the strategy of research. A conceptual phase, in which four quality dimensions of historical archives have been identified and defined. Then an empirical phase aimed to verify the measurability of variables derived from two quality dimensions in the context of historical archives. The data collection was based on the application of a historical archives measurement grid. The completion of data collection which took place at the Bibliothèque Archives nationales du Québec and their processing has enabled the operationalization of 10 specific indicators out of 13 belonging to two dimensions of quality: "Credible evidence" and "Exploitability" of archives. This means that three specific indicators out of 13 were without measures because of some weakness related to their measurement that we have identified and verified during pre-testing research. These three specific indicators are the "Creator" in the context of the size of the "Credible evidence" and "Comprehensibility" and "Findability" in the dimension of "Exploitability". The measurements were conducted to identify weaknesses and improve several variables related to the creator, the conservation office or the state and the nature of the support. Targeting the improvement of a product or service is, as demonstrated in the literature review, the ultimate goal of a study on the dimensions of quality. Our research promises three significant benefits. In theory, it develops a conceptual framework that offers the definition of the dimensions of the concept of historical archival quality derived from the appraisal process. At the methodological level, it offers a method for measuring the quality of historical archives already tested in the context of a government agency. At the professional level, firstly, it allows the assessment of the results of the exercise of archival appraisal; furthermore, it provides professionals with not only a measurement grid for measuring historical archival qualities already tested, but also the guide that facilitates its application.

Depuis quelques décennies, l'intérêt pour l’étude de la fonction d’évaluation s’est diversifié pour approfondir les principes théoriques (Jenkinson, 1922; Schellenberg, 1956; Samuels, 1992; Cook, 1992b; Eastwood, 1992b; Duranti, 1994; Couture, 1999), les stratégies (Booms, 1972; Samuels, 1986; Cook, 1992b; Eastwood, 1992b; Couture, 1999) et les dispositifs de leur processus d’application (Ham, 1984; Boles & Young, 1991; Cook, 2001a, 2001b). Mais, toutes ces contributions n'ont pas encore étudié la nature des résultats de l'évaluation que sont les archives définitives. Du point de vue patrimonial, l’absence d’études sur la définition et la mesure des qualités des archives définitives ne permet pas de vérifier si ces archives constituent un patrimoine documentaire significatif. Sur le plan administratif, l’état actuel de la pratique de l'évaluation n'a pas encore investi dans l'examen méticuleux de la nature de ses résultats. Au plan économique, le manque de méthodes et d'outils pour la mesure des qualités des archives ne permet pas de juger si ces archives valent l’investissement matériel, technique, financier et humain que leur conservation implique. Du point de vue professionnel, l’absence de méthodes et d’instruments d’évaluation des qualités des archives ne permet pas aux professionnels d’appuyer leur décision en matière d’évaluation des archives. Afin de remédier à cette situation, notre recherche vise à définir et à mesurer les qualités des archives définitives issues de l’évaluation. Pour ce faire, nous privilégions une méthodologie quantitative de nature descriptive, appropriée lorsqu’il s’agit d’étudier un sujet peu abordé (Fortin, 2006) tel que l'opérationnalisation des qualités des archives définitives. La stratégie de la recherche a comporté deux phases. La phase conceptuelle a permis d’identifier et de définir quatre qualités soit l’« Unicité », la « Preuve crédible », l’« Exploitabilité » et la « Représentativité ». La phase empirique consistait à vérifier la mesurabilité, à titre d’exemple, des variables découlant de deux des quatre dimensions de qualité dans le contexte des archives définitives, soit la « Preuve crédible » et l’« Exploitabilité ». Le mode de collecte des données réside dans l’application d’une grille de mesure conçue spécialement aux fins de cette étude. La réalisation de la collecte de données qui s’est déroulée à Bibliothèque et Archives nationales du Québec a permis l’opérationnalisation de 10 indicateurs spécifiques sur 13 appartenant à deux dimensions de qualité : la « Preuve crédible » et l’« Exploitabilité » des archives définitives. Ainsi, trois indicateurs spécifiques sur l’ensemble de 13 sont restés sans mesures à cause d’une certaine faiblesse liée à leur mesure que nous avons pu identifier et vérifier lors des pré-tests de la recherche. Ces trois indicateurs spécifiques sont le « Créateur » dans le cadre de la dimension de la « Preuve crédible », ainsi que la « Compréhensibilité » et la « Repérabilité » dans le cadre de la dimension de l’« Exploitabilité ». Les mesures obtenues pour les 10 indicateurs ont mené à l’identification des avantages et des points à améliorer concernant différentes variables liées au créateur, au service de conservation ou encore à l’état et à la nature du support. Cibler l’amélioration d’un produit ou d’un service représente, comme démontré dans la revue de la littérature, le but ultime d’une étude sur les dimensions de qualité. Trois types de contributions découlent de cette recherche. Au plan théorique, cette recherche offre un cadre conceptuel qui permet de définir le concept de qualité des archives définitives dans une perspective d’évaluation archivistique. Au plan méthodologique, elle propose une méthode de mesure des qualités applicables aux archives définitives ainsi que les instruments et le guide qui expliquent sa réalisation. Au plan professionnel, d'une part, elle permet d’évaluer les résultats de l’exercice de l’évaluation archivistique; d'autre part, elle offre aux professionnels non seulement une grille de mesure des qualités des archives définitives déjà testée, mais aussi le guide de son application. / Some decades ago, interest in studying the archival appraisal function was diversified to deepen theoretical principles (Jenkinson, 1922; Schellenberg, 1956; Samuels, 1992; Cook, 1992b; Eastwood, 1992b; Duranti, 1994; Couture, 1999), strategies (Booms, 1972; Samuels, 1986; Cook, 1992b; Eastwood, 1992b; Couture, 1999) and their implementation process - techniques, instruments and criteria - (Ham, 1984; Boles & Young, 1991; Cook, 2001a, 2001b). However, all these contributions have not yet studied the nature of appraisal results that compose historical archives. The following four elements explain the nature of this problem. First, from the perspective of documentary heritage, the lack of studies on the definition and measurement of the quality of historical archives prevents verification as whether archive materials are significant. Second, at the administrative level, the current practice of appraisal does not yet invest in a meticulous examination of the nature of its results. Third, in economic terms, the lack of methods and tools used to measure the quality of archives, affects whether these records are judged to be worth the material, technical, financial and human investment that their preservation requires. Finally, from a professional standpoint, the absence of methods and instruments to assess the quality of archives prevents professionals from supporting their decisions on archival appraisal. To remedy this situation, our research seeks to define and measure the quality of archives resulting from their appraisal. For the implementation of the research, we use a quantitative descriptive methodology, and apply it to an unexplored topic (Fortin, 2006) as the operationalization of archival quality. Two phases constitute the strategy of research. A conceptual phase, in which four quality dimensions of historical archives have been identified and defined. Then an empirical phase aimed to verify the measurability of variables derived from two quality dimensions in the context of historical archives. The data collection was based on the application of a historical archives measurement grid. The completion of data collection which took place at the Bibliothèque Archives nationales du Québec and their processing has enabled the operationalization of 10 specific indicators out of 13 belonging to two dimensions of quality: "Credible evidence" and "Exploitability" of archives. This means that three specific indicators out of 13 were without measures because of some weakness related to their measurement that we have identified and verified during pre-testing research. These three specific indicators are the "Creator" in the context of the size of the "Credible evidence" and "Comprehensibility" and "Findability" in the dimension of "Exploitability". The measurements were conducted to identify weaknesses and improve several variables related to the creator, the conservation office or the state and the nature of the support. Targeting the improvement of a product or service is, as demonstrated in the literature review, the ultimate goal of a study on the dimensions of quality. Our research promises three significant benefits. In theory, it develops a conceptual framework that offers the definition of the dimensions of the concept of historical archival quality derived from the appraisal process. At the methodological level, it offers a method for measuring the quality of historical archives already tested in the context of a government agency. At the professional level, firstly, it allows the assessment of the results of the exercise of archival appraisal; furthermore, it provides professionals with not only a measurement grid for measuring historical archival qualities already tested, but also the guide that facilitates its application.

Memento Mori, Latin for “remember thy death,” implores us to be mindful that death is both inevitable and inescapable. What of the records created during the process of dying and about death? Based upon wide-ranging archival research into primary documents, this thesis explores the rich sources of both official, public records, and personal, private ones, relating to mortality on the small-town Canadian frontier before 1950. The community of Red Lake, Ontario, which was established on the frontier as the result of the Red Lake gold rush of 1926, is the subject of a case study. Rather than merely cataloguing sources, this thesis illustrates that by adapting aspects from such archival appraisal methodologies as macroappraisal and documentation strategy, one is able to make available to researchers a wider range of sources relevant to the themes of dying and death. Specifically, by employing a documentation strategy methodology to identify and illuminate the records of human activities surrounding the functions of dying and death, archivists can offer to researchers the opportunity to locate relevant records wherever they may physically be. Since this is an Archival Studies thesis, it does not provide an historical analysis of dying and death, but is an archival study of the types of records related to the theme of mortality on the Canadian frontier: how those records were created, their character, and their capture and preservation in a small community. This thesis is organized into three chapters and a conclusion. Chapter One explores some relevant trends in the secondary literature of three fields: archival appraisal and description, small town or local development on the frontier, and dying and death as human activities. Chapter Two sets the context in which the thesis analyzes mortality on the frontier by outlining the relevant history of the Red Lake District of Northwestern Ontario and its pioneers. The focus is especially on the gold-mining boom years from the mid-1920s until shortly after the Second World War. The heart of the thesis, Chapter Three, is a case study of the various records creators, human activities, and resultant records related to mortality. It is organized according to three phases or functional categories surrounding dying, death, and memorialization. The conclusion summarizes the usefulness of the case study, in light of the literature review in Chapter One. It also suggests areas of further research, including aspects not covered herein, of the records of dying and death on the Canadian frontier. The documentation strategy, adapted from the original methods employed by archivists Helen Samuels and Richard Cox, was found to work best when deployed as a research and descriptive tool for exploring and documenting the records of mortality, more so than its original purpose as an acquisition tool. The strategy has wide-ranging usefulness discovering and then describing a “virtual” documentation universe relating to record-generating human functions and activities. / February 2008

Memento Mori, Latin for “remember thy death,” implores us to be mindful that death is both inevitable and inescapable. What of the records created during the process of dying and about death? Based upon wide-ranging archival research into primary documents, this thesis explores the rich sources of both official, public records, and personal, private ones, relating to mortality on the small-town Canadian frontier before 1950. The community of Red Lake, Ontario, which was established on the frontier as the result of the Red Lake gold rush of 1926, is the subject of a case study. Rather than merely cataloguing sources, this thesis illustrates that by adapting aspects from such archival appraisal methodologies as macroappraisal and documentation strategy, one is able to make available to researchers a wider range of sources relevant to the themes of dying and death. Specifically, by employing a documentation strategy methodology to identify and illuminate the records of human activities surrounding the functions of dying and death, archivists can offer to researchers the opportunity to locate relevant records wherever they may physically be. Since this is an Archival Studies thesis, it does not provide an historical analysis of dying and death, but is an archival study of the types of records related to the theme of mortality on the Canadian frontier: how those records were created, their character, and their capture and preservation in a small community. This thesis is organized into three chapters and a conclusion. Chapter One explores some relevant trends in the secondary literature of three fields: archival appraisal and description, small town or local development on the frontier, and dying and death as human activities. Chapter Two sets the context in which the thesis analyzes mortality on the frontier by outlining the relevant history of the Red Lake District of Northwestern Ontario and its pioneers. The focus is especially on the gold-mining boom years from the mid-1920s until shortly after the Second World War. The heart of the thesis, Chapter Three, is a case study of the various records creators, human activities, and resultant records related to mortality. It is organized according to three phases or functional categories surrounding dying, death, and memorialization. The conclusion summarizes the usefulness of the case study, in light of the literature review in Chapter One. It also suggests areas of further research, including aspects not covered herein, of the records of dying and death on the Canadian frontier. The documentation strategy, adapted from the original methods employed by archivists Helen Samuels and Richard Cox, was found to work best when deployed as a research and descriptive tool for exploring and documenting the records of mortality, more so than its original purpose as an acquisition tool. The strategy has wide-ranging usefulness discovering and then describing a “virtual” documentation universe relating to record-generating human functions and activities.

Memento Mori, Latin for “remember thy death,” implores us to be mindful that death is both inevitable and inescapable. What of the records created during the process of dying and about death? Based upon wide-ranging archival research into primary documents, this thesis explores the rich sources of both official, public records, and personal, private ones, relating to mortality on the small-town Canadian frontier before 1950. The community of Red Lake, Ontario, which was established on the frontier as the result of the Red Lake gold rush of 1926, is the subject of a case study. Rather than merely cataloguing sources, this thesis illustrates that by adapting aspects from such archival appraisal methodologies as macroappraisal and documentation strategy, one is able to make available to researchers a wider range of sources relevant to the themes of dying and death. Specifically, by employing a documentation strategy methodology to identify and illuminate the records of human activities surrounding the functions of dying and death, archivists can offer to researchers the opportunity to locate relevant records wherever they may physically be. Since this is an Archival Studies thesis, it does not provide an historical analysis of dying and death, but is an archival study of the types of records related to the theme of mortality on the Canadian frontier: how those records were created, their character, and their capture and preservation in a small community. This thesis is organized into three chapters and a conclusion. Chapter One explores some relevant trends in the secondary literature of three fields: archival appraisal and description, small town or local development on the frontier, and dying and death as human activities. Chapter Two sets the context in which the thesis analyzes mortality on the frontier by outlining the relevant history of the Red Lake District of Northwestern Ontario and its pioneers. The focus is especially on the gold-mining boom years from the mid-1920s until shortly after the Second World War. The heart of the thesis, Chapter Three, is a case study of the various records creators, human activities, and resultant records related to mortality. It is organized according to three phases or functional categories surrounding dying, death, and memorialization. The conclusion summarizes the usefulness of the case study, in light of the literature review in Chapter One. It also suggests areas of further research, including aspects not covered herein, of the records of dying and death on the Canadian frontier. The documentation strategy, adapted from the original methods employed by archivists Helen Samuels and Richard Cox, was found to work best when deployed as a research and descriptive tool for exploring and documenting the records of mortality, more so than its original purpose as an acquisition tool. The strategy has wide-ranging usefulness discovering and then describing a “virtual” documentation universe relating to record-generating human functions and activities.