Cette thèse a ses origines dans notre pratique artistique et se caractérise par la curiosité inlassable envers le rapport entre l'art et la technologie numérique. Son idée fondamentale est d'examiner les possibilités offertes par l'intelligence artificielle dans le contexte de l'art. L'hypothèse de cette recherche est que les œuvres d'art dotées d'intelligence artificielle présentent une problématique commune et identifiable dans le panorama général des œuvres numériques. Notre but est de comprendre comment la notion d'intelligence est mise en œuvre dans certains projets d'art, et de quelle manière les techniques d'intelligence artificielle enrichissent du point de vue conceptuel et formel les productions artistiques actuelles. Nous proposons d'abord une étude sur l'art assisté pal l'ordinateur, ses principales définitions et tendances actuelles. Puis, nous développons une définition de l'œuvre d'art dotée d'intelligence artificielle. Ensuite, nous présentons nos projets artistiques et leurs problématiques respectives.Dans le cadre de cette thèse. nous avons développé deux projets qui investissent une réflexion artistique sur le langage naturel comme interface de la communication homme-machine, aussi bien que sur les notions d'automate et d'agent intelligent considérés dans le contexte de l'art numérique. / This thesis finds its origins in the way we are making art, and it is marked by our unflagging interest in the relationship between art and digital technology. Its primary idea consists in examining the possibilities offered by artificial intelligence in the context of art. The hypothesis of this study suggests that artworks endowed with artificial intelligence present a type of problematic that is common and identifiable in the general landscape of computer works of art. Our aim is to understand how the notion of intelligence is evoked by the behavior of certain artworks, and in what way current art productions are enriched from a conceptual and formal point of view, by techniques of artificial intelligence. At first we propose a study about the computer art main definitions and current trends. Next, we develop a definition of artworks endowed with artificial intelligence. Then, we present our artistic projects and their respective problematic. As part of this dissertation we have developed two projects that engage in an artistic reflection on natural language as a interface of the communication between man and machine, as well as on the notion of automaton and intelligent agents in the context of computer art.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This paper discusses the practice and theory of expography an art exhibition and digital technology. It is based on the experiences of this author, as an exhibitions designer, in conjunction with the research on the history, theory and criticism of art. It presents the development of a design through procedural strategies, techniques and exhibition to discuss exhibition with digital technology in the field of art. This research analyzes some pioneering exhibitions in art and digital technology, takes some practice and conceptions in the area from experience and analysis to perform the expography FACTORS 1.0 and FACTORS 2.0. / Esta dissertação aborda a prática e a teoria da expografia em mostras de arte e tecnologia digital. Fundamenta-se nas vivências desta autora, como designer de exposições, em articulação com a pesquisa em história, teoria e crítica da arte. Apresenta o desenvolvimento de um projeto expográfico, através de estratégias processuais, técnicas e expositivas para problematizar as mostras com tecnologia digital no campo da arte. Esta investigação analisa algumas exposições pioneiras em arte e tecnologia digital, retoma algumas práticas e concepções na área a partir de vivência e análise, para realizar a expografia do FACTORS 1.0 e FACTORS 2.0.