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Large-scale portfolio assessment: Pitfalls and pathwaysGilbert, Candace June 01 January 1999 (has links)
No description available.
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Metacognition in adolescent writersShub, Samantha Jo 01 January 1998 (has links)
No description available.
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The artist scholars: E pluribus unum: An integration of the arts into middle school curriculaSmith, Shawn Kevin 01 January 2001 (has links)
The artist scholars: E pluribus unum is an exploratory curriculum designed to be implemented into middle schools. Adolescents experience a period of chaotic and emotional changes that can be both confusing and challanging. This cummiculum seeks to give adolescents a means of expressing themselves. By introducing students to performing arts, the literary arts, and the visual arts, adolescents will begin to answer the basic questions of being human: who are we? Where do we come from? How is knowledge constructed, used, and valued? Each unit consists of lesson plans intended to introduce students to the basic elements of the arts.
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Danny Daniels: A life of dance and choreographyFossum, Louis Eric 01 January 2003 (has links)
The career of Danny Daniels was significant for its contribution to dance choreography for the stage and screen, and his development of concept choreography. Danny's dedication to the art of dance, and the integrity of the artistic process was matched by his support and love for the dancers who performed his choreographic works.
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A Comparative Study of G. Stanley Hall's Philosophy of the Practical Arts and His Influence on the Philosophy of Industrial Arts in the United States TodayLowe, E. L. 08 1900 (has links)
The predominate purpose of this study is to compare G. Stanley Hall's philosophy of adolescence and practical arts with the accepted philosophy of teaching industrial arts in the secondary schools of the United States today. This thesis is a comparative study of G. Stanley Hall's philosophy, with emphasis placed on practical arts, to show how his philosophy has influenced the philosophy of present-day industrial arts in the secondary schools of the United States.
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Worlds collide: integrating writing center best practices into a first year composition classroomSherven, Keva N. 29 July 2010 (has links)
Indiana University-Purdue University Indianapolis (IUPUI) / As an undergraduate, I had the opportunity to work in the University Writing Center (UWC) at IUPUI. This opportunity influenced my life in many ways, but none more important than my teaching. Looking back on my time in the UWC, I did not realize the connection between writing centers and composition classrooms. As a graduate student, I began to read literature that defined composition classrooms and writing centers as separate worlds. However, once I was an instructor, these two worlds were seamless weaving in and out of each other to the point that I couldn’t separate them. In fact, I didn’t understand how one could. I had read literature defining composition classrooms and writing centers as different worlds but was having experiences in the classroom that contradicted this perception, so I wanted to investigate how these experiences influenced my teaching. I sought out literature that explored the writing center-composition classroom connection to look at specific elements of my teaching and how they tied to UWC practices. This case study grew out of the initial challenges I faced as a new instructor, which led me on a journey to find my own approach to teaching composition. That journey resulted in the implementation of writing center best practices, that I learned as a tutor, into my teaching philosophy, and this background equipped me to approach writing instruction as a facilitator, guiding students to become better writers.This case study examines which writing center practices, gleaned from my experiences in the UWC at IUPUI, I’ve incorporated into my classroom, why I’ve chosen these practices, and what student feedback reveals about these practices.
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A Study of Industrial Arts Programs of the Teacher Training Institutions of Oklahoma to Determine if the Teachers of Industrial Arts in the High Schools of Oklahoma are Receiving Adequate TrainingEnderby, David R. 01 1900 (has links)
The purpose of this study is to determine to what extent the high school teachers of industrial arts in the State of Oklahoma are being used and trained to meet the apparent needs and trends in the field of industrial arts; and to make the results available in a helpful way to all persons interested in working in the field, or in preparing for, or preparing others for service in the field.
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The Influences of the Manual Labor Movement on Industrial Arts in AmericaShipp, Owen T., Jr. 01 1900 (has links)
This is a study of the influences of the Manual Labor Movement in Europe and in America on industrial arts taught in the secondary schools of the United States.
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A Study of the Philosophy of Rousseau Concerning the Practical Arts and His Influence on the Philosophy of Industrial Arts in the Secondary Schools of the United StatesAnderson, William J. 08 1900 (has links)
This thesis is a comparative study of Rousseau's philosophy on education, with emphasis placed on the practical arts, to show how his philosophy of practical arts has influenced the philosophy of present day industrial arts in the secondary schools of the United States.
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A Survey to Determine if the Vocational Education and Industrial Arts Program of the Orange Public Schools is Meeting the Needs of the CommunityPippin, Carroll Bryant 08 1900 (has links)
The purpose of this study is to determine if the industrial arts and vocational education program of the Orange Public Schools is meeting the needs of the pupils, parents, and industries of the community.
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