- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 41 to 50 of 60 (0.03 seconds)Spelling suggestions: "subject:"label"" "subject:"babel""
| 41 |
Kudy k řeči: s Martinem Heideggerem k tématu řeči / Which way to language: to the theme of language with Martin HeideggerHustáková, Vendula January 2016 (has links)
This thesis deals with the issue of language in order to reach at least halfway through - to the word as word and the crucial role of reading. Therefore I deliberately begin with seemingly unrelated topics such as science, art and technology. This should clear the way to the tongue to be showed at the end that the language is not only in the actual speaking, but primarily lie in such call, which is reading.
|
| 42 |
Isaak Bábel e o seu Diário de Guerra de 1920 / Isaak Babel and his war diary of 1920Malarenko, Henady 25 April 2011 (has links)
O Diário escrito por Isaak Bábel, durante sua participação na guerra russo-polonesa de 1920, serviu de base para a sua obra mais importante Konármia ou O Exército de Cavalaria. A existência desse material permite entrever os bastidores da técnica criativa de um dos grandes mestres do conto russo do século XX, conforme foi visto na análise de alguns trechos do Diário, comparados com os de Konármia. No entanto, o Diário de 1920, de per si, não deixa de representar, hoje, uma obra com marcantes características literárias. Assim, o nosso objetivo foi, inicialmente, fazer uma tradução direta do Diário de Bábel, do russo para o português. A seguir, ao lado de sua breve biografia, uma análise e uma discussão de sua maneira de construir o que hoje é considerada uma obra literária. / The Diary written by Isaak Babel, during his participation in the Russian-Polish war of 1920, was the basis for his most important work Konarmia also called The Red Cavalry. The existence of this material allows us to foresee the backstage of the creative technique of one of the great Russian short story masters of the XX century, as we saw analysing some parts of the Diary and comparing them to the short stories of Konarmia. However, the 1920 Diary, is considered today by itself a literary work, with relevant artistic characteristics. Therefore, our goal was initially the direct translation of the Diary from Russian into Portuguese. Afterwords, beside his short biography, an analysis and discussion of his method of constructing the Diary as a literary piece.
|
| 43 |
Isaak Bábel e o seu Diário de Guerra de 1920 / Isaak Babel and his war diary of 1920Henady Malarenko 25 April 2011 (has links)
O Diário escrito por Isaak Bábel, durante sua participação na guerra russo-polonesa de 1920, serviu de base para a sua obra mais importante Konármia ou O Exército de Cavalaria. A existência desse material permite entrever os bastidores da técnica criativa de um dos grandes mestres do conto russo do século XX, conforme foi visto na análise de alguns trechos do Diário, comparados com os de Konármia. No entanto, o Diário de 1920, de per si, não deixa de representar, hoje, uma obra com marcantes características literárias. Assim, o nosso objetivo foi, inicialmente, fazer uma tradução direta do Diário de Bábel, do russo para o português. A seguir, ao lado de sua breve biografia, uma análise e uma discussão de sua maneira de construir o que hoje é considerada uma obra literária. / The Diary written by Isaak Babel, during his participation in the Russian-Polish war of 1920, was the basis for his most important work Konarmia also called The Red Cavalry. The existence of this material allows us to foresee the backstage of the creative technique of one of the great Russian short story masters of the XX century, as we saw analysing some parts of the Diary and comparing them to the short stories of Konarmia. However, the 1920 Diary, is considered today by itself a literary work, with relevant artistic characteristics. Therefore, our goal was initially the direct translation of the Diary from Russian into Portuguese. Afterwords, beside his short biography, an analysis and discussion of his method of constructing the Diary as a literary piece.
|
| 44 |
Satire and Social Criticism in C. S. Lewis' That Hideous Strength / Satir och samhällskritik i C. S. Lewis Vredens tidÖsterberg, Marika January 2012 (has links)
The essay at hand is a New Historicist reading of C. S. Lewis’ dystopian fantasy novel That Hideous Strength. According to New Historicist theory it is informed by many disciplines, namely, philosophy, history, literary theory, theology, social science, and psychology, and it attempts to lessen injustices of race and class. The essay examines how satire operates in the novel, focusing on its societal targets: totalitarianism, laboratory animals, and education. Lewis’ philosophical idea expressed in his “The Abolition of Man” – that a society that averts from what he calls universal, timeless, objective values will eventually lead to a loss of that which is truly humane – is a main theme of the novel as well as for this essay. Another, complementary, main theme is that a cultivation of the heart is necessary for individuals of society since childhood if society is going to stay humane.
|
| 45 |
Le film choral : étude des composantes cinématographiques, des particularités littéraires et de la réception théorique de certaines oeuvres emblématiques depuis Short Cuts (1993) de Robert AltmanLabrecque, Maxime 17 April 2018 (has links)
Avec la parution de l'emblématique Short Cuts (1993) de Robert Altman, le film choral commence à se faire connaître davantage. Ce mémoire fait l'étude des éléments constitutifs du film choral, en le positionnant clairement par rapport à d'autres genres. La forme de ce type de film, où de multiples fils narratifs, thématiques ou stylistiques s'entrecroisent et où le montage alterné, tout comme le montage parallèle, occupent une importance de premier plan, n'est pas sans rappeler certains recueils de nouvelles, séries télévisées ou encore oeuvres polyphoniques littéraires et musicales. Il s'agit d'un genre cinématographique de plus en plus populaire, où le spectateur est grandement sollicité. Tel que prôné par l'approche sémio-pragmatique, les oeuvres chorales ne doivent pas seulement être étudiées du côté de la production. En regard de ces considérations, trois oeuvres sont analysées : Babel (2006) d'Alejandro Gonzalez Inârritu, Coeurs (2006) d'Alain Resnais et Continental, un film sans fusil (2007) de Stéphane Lafleur.
|
| 46 |
Babel, babble, and Babylon : reading Genesis 11:1-9 as mythOosthuizen, Neil T. 25 August 2009 (has links)
The story of the Tower of Babel (Gen 11: 1-9) has been interpreted in various ways down through the centuries. However, most commentators have ignored the genre of the text, and have not sought to interpret it within its mythological framework - therefore most interpretations are nothing short of babble. A working text is ascertained, and the complexity of the text investigated. The text is then identified as 'myth': within its mythological framework the tower is seen as a temple linking heaven and earth, ensuring the continuation of the royal dynasty (i e 'making a name'). When used by the Yahwist Levites during the Babylonian Exile, our story was inserted in the great Pre-History as polemic against the Babylonian concept of creation, temple, and dynasty; and served
as both a warning and an encouragement to the Exiles. The post-exilic Priestly Writer re-interpreted our story as a warning to the returning exiles that their society, and their temple, should be reconstructed as YHWH determines.
Interpreting the story as myth enables it, finally, to speak clearly into our context today, especially that of South Africa. / Biblical and Ancient Studies / D. Th. (Old Testament)
|
| 47 |
Babel, babble, and Babylon : reading Genesis 11:1-9 as mythOosthuizen, Neil T. 25 August 2009 (has links)
The story of the Tower of Babel (Gen 11: 1-9) has been interpreted in various ways down through the centuries. However, most commentators have ignored the genre of the text, and have not sought to interpret it within its mythological framework - therefore most interpretations are nothing short of babble. A working text is ascertained, and the complexity of the text investigated. The text is then identified as 'myth': within its mythological framework the tower is seen as a temple linking heaven and earth, ensuring the continuation of the royal dynasty (i e 'making a name'). When used by the Yahwist Levites during the Babylonian Exile, our story was inserted in the great Pre-History as polemic against the Babylonian concept of creation, temple, and dynasty; and served
as both a warning and an encouragement to the Exiles. The post-exilic Priestly Writer re-interpreted our story as a warning to the returning exiles that their society, and their temple, should be reconstructed as YHWH determines.
Interpreting the story as myth enables it, finally, to speak clearly into our context today, especially that of South Africa. / Biblical and Ancient Studies / D. Th. (Old Testament)
|
| 48 |
Palimpsestic writing and crossing textual boundaries in selected novels by A.S. Byatt / Therina van der WesthuizenVan der Westhuizen, Therina January 2014 (has links)
This dissertation examines three novels by the author and critic A.S. Byatt, namely
Possession (1990), Babel Tower (1996) and The Biographer’s Tale (2000), using a
hermeneutic method of analysis. The investigation pays specific attention to the structure of
the novels and how this compares to the structure of the ancient palimpsest. Theoretical
information on the palimpsest as model is based on relevant writings by Thomas Carlyle
(1830, 1833), Thomas De Quincey (1845) through to Josephine McDonagh (1987), Gérard
Genette (1997) and Sarah Dillon (2007). The ensuing argument is that Byatt’s use of
postmodernist pseudo-intertextuality and intertextuality cause her novels to have a
palimpsestic structure of various layers, with the effect that textual boundaries are
transgressed. Ultimately Byatt’s writing strategies result in ontological uncertainty for the
reader. / MA (English), North-West University, Potchefstroom Campus, 2014.
|
| 49 |
Stavba Babylonské věže (anylýza hebrejského textu Geneze 11) / The Building of the Tower of Babel (analysis of hebrew text genesis 11)Říhová, Kristýna January 2012 (has links)
ANOTATION The work deals with translation and interpretation of the original Hebrew text of Genesis 11, making the use of synchronous exegetical method. The method focuses mostly on careful observation of multi-layered meanings of Hebrew terms, direct speeches, macrosyntactical markers, parallelisms and sentence constituents. To reach deeper dimension of the text, the work also takes into account the original non-vocalized text, graphical form of the text, consonances and metathesis. One of the most significant features of this work is the attention paid to the timeless nature of Hebrew verbs, which allows to read the narrative about human desire, pride, non-hearing, illusions, inner decay and the way back to God not as a story from the past, but as a lively anthropological message.
|
| 50 |
Geology, petrology, mineral and whole-rock chemistry, stable and radiogenic isotope systematics and Ni-Cu-PGE mineralisation of the Nebo-Babel intrusion, West Musgrave, Western AustraliaSeat, Zoran January 2008 (has links)
The Nebo-Babel Ni-Cu-platinum-group element (PGE) magmatic sulphide deposit, a world-class ore body, is hosted in low-MgO, tube-like (chonolithic) gabbronorite intrusion in the West Musgrave Block, Western Australia. The Nebo-Babel deposit is the first significant discovery of a nickel sulphide deposit associated with the ca. 1078 Ma Giles Complex, which is part of the Warakurna large igneous province (LIP), now making the Musgrave Block a prime target for nickel sulphide exploration. The Musgrave Block is a Mesoproterozoic, east-west trending, orogenic belt in central Australia consisting of amphibolite and granulite facies basement gneisses with predominantly igneous protoliths. The basement lithologies have been intruded by mafic-ultramafic and felsic rocks; multiply deformed and metamorphosed between 1600 Ma and 500 Ma. The Giles Complex, which is part of the Warakurna LIP, was emplaced at ca. 1078 Ma and consists of a suite of layered mafic-ultramafic intrusions, mafic and felsic dykes and temporally associated volcanic rocks and granites. The Giles Complex intrusions are interpreted to have crystallised at crustal depths between 15km and 30km and are generally undeformed and unmetamorphosed.
|
Page generated in 0.0662 seconds