Academisch proefschrift - Amsterdam. / Issued also without thesis statement.

Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2016-04-20T14:40:34Z No. of bitstreams: 2 Dissertação - Clidney de Amorim Couteiro - 2012.pdf: 19479695 bytes, checksum: 3b86f8132363b5719ea96e5399a23166 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-04-20T14:42:08Z (GMT) No. of bitstreams: 2 Dissertação - Clidney de Amorim Couteiro - 2012.pdf: 19479695 bytes, checksum: 3b86f8132363b5719ea96e5399a23166 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2016-04-20T14:42:08Z (GMT). No. of bitstreams: 2 Dissertação - Clidney de Amorim Couteiro - 2012.pdf: 19479695 bytes, checksum: 3b86f8132363b5719ea96e5399a23166 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2012-04-04 / The purpose of this research is the elaboration of four arranges for the 8-strings guitar, aiming the demonstration and exploration of the potentialities of this instrument in the accompaniment of popular singing. In order to compose this article transcriptions of the songs “Consolação” by Baden Powell and Vinicius de Moraes (1913-1980) and “Capitu” by Luiz Tatit were used, which provided the base for the creation of the four arranges. Besides that, the forms of utilization of the 7-strings guitar in “choro” and “samba” were investigated, as well as the use of the bass beat in MPB, among other musical constructions typical of the guitar role in the tradition of MPB as a way of subsidize the proposed arranges. / Esta pesquisa tem como proposta a elaboração de quatro arranjos para o violão de 8 cordas, objetivando demonstrar e explorar as potencialidades desse instrumento no acompanhamento do canto popular. Para a realização deste artigo foram utilizadas transcrições das canções “Consolação” de Baden Powell e Vinicius de Moraes (1913-1980) e “Capitu” de Luiz Tatit (1951), que forneceram a base para a criação dos quatro arranjos. Além disso, foram investigadas as formas de utilização do violão de 7 cordas no choro e no samba, bem como o uso das “levadas” do contrabaixo na MPB, entre outras construções musicais típicas do papel do violão na tradição da MPB como forma de subsidiar os arranjos propostos. !!

This master thesis focuses on founding and forming of czech scouting. The main source are printed documents because of lack preserved archive documents. The main method is textological and comparative analysis. At first the history of world and czech scouting is presentend. To find out the essential differences between english and czech scouting I compared two basic manuals: Scouting for Boys and Základy junáctví. In the following part of the thesis I determine three areas in which the reception of scouting in czech environment is investigated. These areas are scout value system, attitude to nation and state and relation to the Sokol organisation. In thesis are also analyzed the results of international research concerning the origin of scouting in other european countries. The results are then copared with the situation in czech lands. The thesis also includes three following attachments: set of short biographies of mentioned personalities, edition of scout laws and filled research questionnaires.

a)Objetivos: Traçar um perfil dos procedimentos melódicos modais presentes nas manifestações étnicas e populares do nordeste brasileiro afim de verificá-los em autores ligados à música popular do Brasil na década de 1960, cotejando os diferentes procedimentos harmônicos realizados. b)Métodos: O principal método utilizado foi o da análise a partir da transcrição de exemplos em áudio. A partir dessas análises uma série de comparações com materiais similares encontrados na bibliografia foi realizada. c) Resultados: Como resultado dessa pesquisa foram apontados os principais modos e traços cadenciais utilizados no repertório étnico e popular escolhido do nordeste brasileiro. Esses traços foram importantes na construção das canções aqui selecionadas, características da chamada MPB da década de 1960 apresentando, a partir dessas análises, os principais procedimentos harmônicos desses autores relacionados aos modos e traços cadenciais encontrados. / e)Objectives: Delineating a profile of the modal melodic procedures present in the ethnic and popular manifestations of the Northeast region of Brazil in order to verify them in authors connected to the Brazilian popular music from the 1960s, comparing the different harmonic procedures produced. f)Methods: The main method used was the analysis of transcripts of audio samples. From these analyses a series of comparisons with similar materials found in the bibliography was made. g)Results: As a result of this research, the main modes and cadential traces used in the ethnic and popular repertoire chosen from the Northeast of Brazil were indicated. These traces were important in the construction of the songs here selected, characteristics of the so-called MPB of the 1960s presenting, from those analyses, the main harmonic procedures of those authors related to the cadential modes and traces found.

a)Objetivos: Traçar um perfil dos procedimentos melódicos modais presentes nas manifestações étnicas e populares do nordeste brasileiro afim de verificá-los em autores ligados à música popular do Brasil na década de 1960, cotejando os diferentes procedimentos harmônicos realizados. b)Métodos: O principal método utilizado foi o da análise a partir da transcrição de exemplos em áudio. A partir dessas análises uma série de comparações com materiais similares encontrados na bibliografia foi realizada. c) Resultados: Como resultado dessa pesquisa foram apontados os principais modos e traços cadenciais utilizados no repertório étnico e popular escolhido do nordeste brasileiro. Esses traços foram importantes na construção das canções aqui selecionadas, características da chamada MPB da década de 1960 apresentando, a partir dessas análises, os principais procedimentos harmônicos desses autores relacionados aos modos e traços cadenciais encontrados. / e)Objectives: Delineating a profile of the modal melodic procedures present in the ethnic and popular manifestations of the Northeast region of Brazil in order to verify them in authors connected to the Brazilian popular music from the 1960s, comparing the different harmonic procedures produced. f)Methods: The main method used was the analysis of transcripts of audio samples. From these analyses a series of comparisons with similar materials found in the bibliography was made. g)Results: As a result of this research, the main modes and cadential traces used in the ethnic and popular repertoire chosen from the Northeast of Brazil were indicated. These traces were important in the construction of the songs here selected, characteristics of the so-called MPB of the 1960s presenting, from those analyses, the main harmonic procedures of those authors related to the cadential modes and traces found.

The thesis compares two educational systems: the Salesian preventive system of John Bosco and Scouting. It presents the personality of the founders, than characterizes the recipients, mission, principles, aims, methods and tools of these educational systems. This comparison focuses on the moral values, virtues and value attitudes advenced by the systems. The thesis looks for elements which the two education systems sharediffer in and attempts to highlight those elements which could be mutually inspirative in the pursuit of the ideal of integral education of a young person.