Th.--Sci. phys.--Paris 6, 1978.

This thesis is concerned with the ways in which Ebony magazine sought to recover, popularise and utilise black history between the late 1950s and the late 1980s. The dominant scholarly approach to Ebony has focused on the magazine's bourgeois values and visual aesthetics, and has ignored its importance as a creator and disseminator of black history. By contrast, I highlight the multiple ways in which black history became central to Ebony's content from the late 1950s onwards. Far from viewing Ebony as peripheral to or simply reflective of popular debates into the black past, I place the magazine at the heart of contestations between the corporate, philosophical and political uses of black history during the second half of the twentieth century. In Ebony, this shift was quarterbacked by Lerone Bennett Jr., the magazine's senior editor and in-house historian. Bennett's emergence as a prominent black historian and intellectual, and his increased desire to present history 'from a black perspective', was paralleled by Ebony's broader move from a more politicised to a more market-driven moment. Rooted in my unique position as the first scholar to look at Bennett's unprocessed papers at Chicago State University, and one of the first researchers to examine Bennett's collections at Emory University, this thesis sheds new light on the work of Bennett, on Ebony's significance as a 'history book' for millions of readers, and on the magazine's place at the centre of post-war debates into the form and function of African-American history.

abstract: The Victorian era was the age of museum development in the United States. In the wake of these institutions, another important figure of the nineteenth century emerged--the flâneur. The flâneur represents the city, and provided new mechanisms of seeing to the public. The flâneur taught citizens how to gaze with a panoptic eye. The increasing importance of cultural institutions contributed to a new means of presenting power and interacting with the viewing public. Tony Bennett's exhibitionary complex theory, argues that nineteenth-century museums were institutions of power that educated, civilized, and through surveillance, encourage self-regulation of crowds. The flâneur's presence in the nineteenth century informed the public about modes of seeing and self-regulation--which in turn helped establish Bennett's theory inside the museum. The popular writing and literature of the time provides an opportunity to examine the extent of the exhibitionary complex and the flâneur. One of the most prominent nineteenth-century authors, Henry James, not only utilizes museums in his work, but he often uses them in just the manner Bennett puts forth in his theory. This is significant because the ideas about museums in James's work shaped the minds of an expanding literary public in the United States, and further educated, civilized, and regulated readers. James also represents the flâneur in his writing, which speaks to broader cultural implications of the both exhibitionary complex on the outside world, and the effects of broader cultural influences on the museum. Beyond the impact of James's work, in the late nineteenth century American culture increasingly became centered around the printed word. The central position of books in American culture at the end of the nineteenth century allowed books and libraries to appropriate the exhibitionary complex and become tools of power in their own right. The book and the library relate to the museum as part of a larger cultural environment, which emerged as a result of modernity and a response to the ever-changing nineteenth-century world.   / Dissertation/Thesis / M.A. History 2011

This study focuses on the institutional problems involved in planning for large-scale energy and resource projects in B.C. Fundamental to planning for these projects is the resolution of the tension between economic growth and environmental quality. Concern is expressed that, to date, planning has stressed economic values at the expense of environmental values held in society. A more equitable planning structure is needed whereby interested groups in society may present informed views to the planners and decision-makers to help them achieve solutions that more nearly represent the public interest. To reach a solution that reflects the public interest an advocacy approach to planning is suggested in Chapter Two. This approach stresses interest group participation in the "planning process" to conduct planning that meets public expectations. In order that environmental interests are incorporated into the planning and decision-making for major power and resource projects, an environmental review agency is proposed. This agency would have the power to conduct is own investigations into issues that might affect the environment and advocate its findings in the debate over the proposed Projects. To test the suitability in British Columbia of the advocacy approach a number of criteria are developed, The criteria reflect some basic democratic values held in our society and the problems associated with institutional design. The criteria include public participation and representation, information generation, efficiency, equality, professional humility, natural justice, liberty and political leadership. The characteristics of B.C.'s political milieu are examined in Chapter Three to see what problems the implementation of the advocacy approach for environmental and resource planning might face in the province. Three characteristics of the political milieu are seen as possible constraints on the effective implementation of a review agency - materialist values held in the province, lack of strong interest groups and the dependence on resource extraction for economic prosperity. A case study of the planning and decision-making for the Bennett Dam on the Peace River, presented in Chapter Four, outlines the inadequacy of the planning process. Even though there have been some changes in planning procedures since the initial planning for the Peace project, two principal deficiencies remain - there is virtually no scope for public involvement in the planning process and the information produced is too highly technical to make for effective public participation. As a consequence major energy and resource planning will likely produce results that favour energy and development interests. / Applied Science, Faculty of / Community and Regional Planning (SCARP), School of / Graduate

No description available.

No description available.

The ubiquity of "things" in Victorian fiction tempts the reader to let them remain hidden in the domestic background, but in overlooking these objects both cultural context and historical meaning are lost. Elaine Freedgood's foundational work, The Ideas in Things, calls for a reading of objects in Victorian novels that follows them beyond the pages of the text; following this, I consider two specific objects of empire—diamonds and tea—in light of Jane Bennett's theory of vibrant matter, which posits that things engage with people in ways that "impede or block the will and designs" of humans and calls for a "cultivated, patient, sensory attentiveness to ... things and their affects" (xiv). Alongside Bennett, I employ Sianne Ngai's notion of ugly feelings to explore the affects that attach to diamonds and tea. Ngai argues that ugly feelings like envy, irritation, and boredom stall rather than instigate action and that their stagnating effects make them "far better suited to interpreting ongoing states of affairs" than bigger, louder affects such as fear and anger (27), allowing "texts to become ‘readable in new ways' and generate fresh examinations of historically tenacious problems" (8). My investigation of Wilkie Collins's The Moonstone (1868) and Elizabeth Gaskell's Cranford (1853) reads their objects as vibrant matter while attending to minor dysphoric affects running underneath the grander emotions of the narratives. Placing them in conversation with the periodical press and household manuals that sought to justify imperial control, I argue that the ugly feelings in these novels expose a fraying English moral fabric and undermine the framing of empire as a civilizing mission. By tracing currents of irritation and anxiety that circulate around the diamond in The Moonstone and by reading resignation and regret in the dregs of tea in Cranford, I uncover subtle critiques of empire.

Rapidly assembled tent structures are temporary enclosures used to house people or goods. Their uses vary to include recreation, refugee housing, and military shelters. The structural concepts applied in these shelters are as variable as their uses. Some make use of a tensioned fabric and pole system to provide structural strength. Others have a load-bearing frame with attached fabric skin. Further variants make use of inflatable arches or consist of modular containers. Analysis of a number of different types of rapidly assembled tent structures reveals an area where innovation can occur. Conflicts in the last ten years suggest that rapidly assembled shelters for both military purposes and humanitarian relief have the greatest need for innovative solutions. Existing shelters used by the military lack the versatility and speed of deployment necessary in modern conflict. The lack of scalability in the designs makes it difficult to use an existing tent in different situations. They are slow to construct, heavy, and difficult to transport in large numbers. These problems suggest that there is a need for new shelters that better meet the needs of the military. The application of deployable structures technology meets military's needs for structures with the advantages of a small compacted volume, rapid assembly, and ease of deployment. This makes them ideal for application to shelter structures. The aim of this dissertation was to develop a new type of deployable, long-span shelter frame based upon tiled Bennett mechanisms. An overlapping combination of equilateral Bennett mechanisms yields a structure that opens into a half-cylinder shape, providing an enclosed space useful and applicable to the problem of deployable shelters. The specific application considered in the design portion of this process will be a long-span deployable shelter capable of housing military helicopters. This report details the development of the Bennett Shelter concept. Its deployed and compacted geometries are explored, and a procedure for determining structural properties and dimensions is presented. The full concept for the structure, from outer covering to foundation support is then detailed. Loads affecting the structure are determined, and the process of modelling and analysing the structure is then considered. Optimisation of the structure with respect to weight and serviceability requirements is conducted using a number of different materials, and full analysis of the optimal geometries is completed. As no method exists for evaluating the effect of imperfections on the deployment of overconstrained mechanisms, a procedure is derived. The effects of manufacturing imperfections on deployment of the Bennett mechanism are then explored using the method. A full examination of the variation of energy within the Bennett Shelter during deployment provides valuable insight into the performance of the structure. With the above analysis complete, it is shown that the Bennett Shelter is viable as a long-span deployable shelter.

This essay aim to explore how human and nature is presented in Bröderna Lejonhjärta and Ronja Rövardotter, by Astrid Lindgren. It also tries to answer the question how the relationship between the two is shaped; can any hierarchic structures be exposed in the relationship, and how do these, in that case, appear? The essay also problematize words and concepts along the way, such as nature, anthropocentrism and ecocentrism. The method for this study is an ecocritical theoretical base, with thematic analyzes of the books, regarding plot, relationships between characters and their surroundings, and also linguistic narratological techniques, such as the use of metaphorical elements. The different thematic episodes are put in relation to theories about vital materialism, presented in Vibrant Matter – A Political Ecology of Things, by Jane Bennett. I also do a comparative analysis between the two books by Lindgren, with the purpose of highlighting important differences and similarities. The essay ends by discussing how the main characters can be seen as very caring in their relationship to their surroundings, and how one, by applying the theories presented by Bennett, can interpret this caring as a strive towards existing in harmony with, and equal to, nature; a sort of mode or view that Bennett describes as a horizontal position. During the discussion I describe how this strive and position is expressed, and how these are interacting with cyclical systems such as the changes of the seasons and shift between life and death. The books as literature for children, and the main characters as children, is discussed in relation to this, supported by the text “När du är bättre än vi – Jantelagen, skammen och barnlitteraturen” by Maria Jönsson, from the book Du ska inte tro att du är något – Om Jantelagens aktualitet. / Denna uppsats behandlar och syftar till att undersöka hur människa och natur skrivs fram i Bröderna Lejonhjärta och Ronja Rövardotter, av Astrid Lindgren. Den försöker även att svara på hur relationen mellan dessa ser ut; huruvida man kan se hierarkiska strukturer i förhållandet, samt hur dessa i så fall ter sig. Uppsatsen gör det även till sin uppgift att längs vägen problematisera begrepp som bl.a. natur, antropocentrism, ekocentrism. Metoden för studien är en ekokritisk hållning, som går ut på olika tematiska nedslag i de båda verken, där handling, karaktärers förhållande till varandra och till sin omgivning, samt språkliga berättartekniska grepp så som användning av metaforiska inslag, lyfts och analyseras. De olika tematiska avsnitten prövas även mot Jane Bennetts vitala materialitetsteorier som presenteras i Vibrant Matter – A Political Ecology of Things. En komparativ analys görs mellan de båda verken av Lindgren, i syfte att synliggöra viktiga likheter och skillnader. Uppsatsen avslutar med att diskutera hur man kan se ett, hos huvudkaraktärerna, påtagligt vurmande för omgivningarna, samt hur man genom att applicera Bennetts teorier kan tolka detta vurmande som en slags strävan mot att existera likställt med naturen, ett slags läge som Bennett beskriver som det horisontella planet. Under diskussionen lyfter jag hur denna strävan och detta läge yttrar sig, samt hur dessa samspelar med cykliska system, så som årstidernas växlande, samt skiftet mellan liv och död. Verken som barnlitteratur och huvudkaraktärerna som barn lyfts och diskuteras i relation till detta med hjälp av Maria Jönssons ”När du är bättre än vi – Jantelagen, skammen och barnlitteraturen”, ur Du ska inte tro att du är något – Om Jantelagens aktualitet.

Thesis--Uppsala. / Extra t.p. with thesis statement inserted. Bibliography: p. 342-349.