This study was designed to investigate the portrayal of violence on SABC Television News programmes, these being CCV News, presented at 19h.00 and TVI News at 20h.00. The literature reviewed reveals that Television News is an ideological construct that differs from one media organization to the other. This study focuses on the theories of media organizations which inform ideas about how Television News is produced. It is believed that to understand why Television News is presented the way it is, depends on ideologies applicable in the media organizations. It became difficult to write about violence without broadly looking at its producers. Data was obtained by comparative analysis between the SABC News broadcasts, CCV News and TV1 News, recorded at the Centre for Cultural and Media Studies at the University of Natal in Durban. The comparative analysis also included a reception study of the viewers from four areas. Two urban and three semi-urban areas were chosen as research sites using questionnaires, and interviews were conducted at Temba location which is a semi-urban area. The major findings of the study were that in its News broadcasts, the SABC appears strongly to favour certain parties, notably the African National Congress. There were few reports of ANC's involvement in the shooting of people. There was also a lack of consistency in the reporting of violent incidents. This is indicated by much reliance on the security forces and the police as News sources and the use of maps and graphics instead of showing video material of the actual incidents. The attitudes expressed by the respondents to the questionnaires reflected a dissatisfaction with the status quo and indicated that perhaps the SABC faced a mammoth task in covering both the election campaigns and violence. Some respondents suggested that the SABC could have extended its News programmes' duration to accommodate more crucial items. / Thesis (M.A.)-University of Natal, Durban, 1994.

The CBC Current Affairs program Sunday Morning is used as a case study to develop an appropriate theory and conceptual apparatus for the understanding of the relationship between the organisation of news-production and news-product. This relation is first identified as critical to the field of mass media studies in general, and news-research in particular. On the basis of this review a new model of news-as-discourse is proposed. In the examination of the radio program Sunday Morning this model and its conceptual categories are further developed and linked with other research in the sociology of news, the structuralist analysis of narrative, and the cultural study of artistic forms and practices. Sunday Morning is shown to employ discursive practices and formations, and production practices which result in power format radio.

This paper is a phonetic investigation of radio newsreading on the Canadian Broadcasting Corporation (CBC) from 1937 to 1987. Recorded newscasts from the first, third, and fifth decades of CBC history are examined. Brief histories of CBC Radio news and of the Office of Broadcast Language are included, and the bibliography brings together much scattered reference material on CBC language. Traditional auditory evaluations of selected aspects of voice quality settings, vowel quality, and voice dynamics are supplemented by instrumental measurements. The descriptive terminology of Laver (1980) is applied to identify the voice quality settings. The majority of newsreaders examined display the vocal settings of lowered larynx, open jaw, and the use of creaky phonation. This configuration enhances vocal resonance and is shown to be an established newsreading model, perceived as suitable to the authoritative presentation of information. The patterns of vocal settings identified for three test decades (1937-47, 1957-67, 1977-87) are supported by the results of acoustic analyses. Individual, group, and across-group statistical tests were executed on the results of acoustical waveform analyses of the peripheral vowels k n u/ produced by each newsreader. To test vowel quality as a sociolinguistic variable, the CBC formant data were compared with compatible /ae o u/ data from informants of the Survey of Vancouver English (Gregg, 1984). The results show that the speech of CBC Radio newsreaders cannot be associated with any particular SES class of the Vancouver Survey. As a result of the extensive variation in production found for both informant groups, the high back vowel phoneme /u/ remains ill-defined for Canadian English. The voice dynamic component in CBC Radio newscasts has changed over the years. Measurements of speech rate show that the duration of pauses post-1966 are dramatically shorter than those pre-1966. Sentence length is shown not to have changed considerably, but phrases have been lengthened and pauses shortened. A marked reduction in the percentage of silent time within the newscast has been the result. It is suggested that pitch fluctuations are now used more extensively than pausing to structure the text orally. Despite the changes in continuity, the articulation rate of the newsreaders, measured in syllables per second, has remained constant. These results indicate that the newsreaders are exceptionally skilled speakers. The prevalent voice settings and the averaged acoustic measurements for CBC vowels are presented as representative of a readily identifiable and publicly recognized standard of formal spoken Canadian English.

No description available.

Zugl.: Dresden, Techn. Univ., Magisterarbeit

No description available.

Thesis (M.J.)--Carleton University, 2001. / Includes bibliographical references (p. 134-145). Also available in electronic format on the Internet.

Thesis (M.A. (Journalism and Media Studies))--Rhodes University, 2006. / A thesis submitted in partial fulfilment of the requirements for the degree of Masters in Journalism and Media Studies.

Competition in many market-driven media systems in advanced industrial countries can sometimes compromise traditional public service broadcast values such as programming for diversity, citizenship, minority interests and national identity. This study investigates the presence and effects of commercial-logic in a state-owned broadcaster in a developing country: the Malawi Broadcasting Corporation. Using indepth interviews and analysis of records on finance and programme schedules, the study finds overwhelming indicators of the presence of commercial logic, not driven by competition, but a commitment to provide a public service under deteriorating financial conditions. Distinguishing between the impacts of advertising and sponsorship markets on media output, the study finds contradictory effects of commercialisation. Some effects confirm some of the adverse effects of commercialisation such as heavy sponsorinfluence on programme content, self-censorship among programme producers who avoid injuring sponsors and producers paying more attention to sponsored programmes at the expense ofthe quality of some non-sponsored public service programmes. However, effects are not always contrary to public service broadcasting but may Indeed reinforce such broadcasting. Commercialisation in some instances has led to the sustenance of a range of non-sponsored public service programmes including programmes to promote culture and civic rights. In general, this study highlights the need to focus on what is realistically possible within the dynamics of the Malawi Society as a precondition for a proactive and elaborate strategy for commercialisation ofthe country's public broadcaster.

M.Com. (Business Management) / This study is aimed at highlighting the main components involved in the construction or development of a entrepreneurial cultural model for the South African Broadcasting Corporation (SABC). In attaining the above, focus is placed on entrepreneurship, requirements for a successful transformation of culture, the status quo of the SABC, and possible action steps that can be taken in the management of cultural changes. Entrepreneurship is aconcept that is relevant not only in the small one-man operation, but also in big corporate enterprises. Rosabeth Moss Kanter's Post-Entrepreneurial Model is used to shed some light on some important issues. Kanter's Model is based on the following main strategies: • First the business enterprises should restructure with the aim to reach synergy • After synergy is reached, strategic alliances can be formed to strengthen the business enterprise's overall position • New ideas, innovations and creativity must be encouraged to be more entrepreneurial. • Lastly, the bureaucratic hierarchy must be broken down. In the SABC there is evidence of a change in culture, though it is not a change towards a more entrepreneurial approach. This change should be managed with the following in mind: • Planning of the process • Create the change agent • Get commitment of Top Management • Develop an activity plan