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The concepts of editorial independence and public accountability are necessary in public broadcasting service as they help make a distinction between a public service broadcaster, a government and a commercial service broadcaster. This is because public service broadcasters are tasked with the responsibility of serving the interests of the general public. To do this, the above mentioned concepts have to be in place. This study examines these issues (editorial independence and public accountability) with reference to a case study of the editorial policies of the South African Broadcasting Corporation (SABC). Using public broadcasting theory, policy theory and qualitative research methods, the study examines the genesis of these editorial policies in 2003/2004 and how they provide the SABC with a means of balancing the tensions of editorial independence and public accountability. In analysing the SABC’s editorial policies, the study deals only with those policies whose principles are directly related to editorial independence and public accountability. Although some of these policies are found to be in line with public broadcasting service trends, others are found lacking. Various recommendations are made. The case study demonstrates the importance of an integrated and elaborated policy perspective in setting out how a public service broadcaster can manage editorial independence and public accountability. It also highlights the importance of using international ‘role models’ in ways that are appropriately adapted for the specific country concerned.

This treatise employs comparative analysis to examine the content of television main news bulletins as broadcast on SABC 1 in the Nguni group of languages and on SABC 3 in English. Specific emphasis is placed on the extent of uniformity in news construction and presentation techniques applied across news bulletins in the two channels. This research was conceived in the light of endeavours which began in 1994 to transform the corporation into public service broadcasting; given its history of manipulation of its activities more especially in the news departments, by previous governments. From racial divides to language groupings as core requisites for channel divisions; this treatise saw the policy shift as providing a unique window in a moment of transition in public broadcasting in relation to rapid social and political change. Empirical data in the form of recorded news bulletins was collected between 13 July and 13 August 1998. The findings did not reveal any substantial differences in the news construction techniques that are applied on both SABC 1 and SABC 3 news bulletins. The project is organised into five sections. Section one is a brief historical overview of the SABC 's channel division structure from 1992 to 1998. This section also outlines the changes that have taken place during the past year at Television News due to the impact of the SABC 's public mandate to transform from state to public broadcaster. Section two carries a definition of television news. In this section a body of media theories and models are reviewed and their relevance to the present treatise is highlighted. Section three talks about the methodology and research employed. These included daily recordings of news bulletins on SABC 1 and SABC over a period of one month , as well as both telephonic and personal interviews with role players at the SABC. Section four contains an analysis of the recorded data. This data is tallied with the SABC' s policy documentation. Section five concludes the study. / Thesis (M.A.)-University of Natal, Durban, 1998.

Thesis (MMus)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: The current study documents the procedures used by the South African Broadcasting Corporation (SABC) from 1974 to 1996 in the censorship of music. The disquisition argues that the SABC, as a national broadcaster, served as the most prominent censor of musical production and dissemination during that time. In addition, the study attempts to show that the censorship of music by the SABC was inherently connected with apartheid ideology in both moral and political terms but also that the SABC Acceptance Committees for radio broadcasts attempted to align themselves with more general state methods of censorship (although often inconsistent). This relationship, although not directly connected with the state censorship apparatus, functioned as the state's chief censor in the restriction of music. The study reports on a visit to the SABC Radio Library and Sound Archives in February 2012 and provides an analysis and discussion of documents found in the archive as well as how these findings relate to the broader arguments supplied in the thesis. / AFRIKAANSE OPSOMMING: Die huidige studie dokumenteer die prosedures wat deur die Suid-Afrikaanse Uitsaaikorporasie (SAUK) tussen 1974 en 1996 in die sensuur van musiek toegepas is. Die tesis argumenteer dat die SAUK, as nationale uitsaaier, tydens hierdie periode die belangrikste agent van musieksensuur was. Verder poog die studie om te bewys dat die sensuur van musiek deur die SAUK inherent met apartheidsideologie in beide morele en politiese terme verbind was, maar ook dat die SAUK Aanvaardingskommittees vir radio-uitsending probeer het om meer formele sensuurregulasies in stand te hou. Hierdie verhouding tussen die SAUK en die staat, alhoewel dit nie die SAUK direk met staatssensuur koppel nie, het beteken dat die SAUK as die staat se hoofsensor gefunksioneer het in die beperking van musiek. Die studie doen verslag van 'n besoek aan die SAUK Radio Biblioteek en Klankargiewe in Februarie 2012 en voorsien 'n uiteensetting en bespreking van dokumente wat in die agief gevind is, asook hoe hierdie bevindinge veband hou met die breër argument oor sensuur en musiek wat in die tesis ontwikkel word.

M.Comm. / Sedert die ontstaan van TV-Nuus in 1975 het die organisasiestruktuur verskeie kere verander. Tydens die vorming van sake-eenhede in 1990 en die transformasieproses van 1994/95 het die struktuur aansienlike veranderinge ondergaan. Die huidige struktuur wat deur die transformasieproses tot stand gebring is, voldoen in meeste gevalle aan die organiseringsbeginsels wat in hoofstuk twee (punt 2.4) bespreek is. Daar is egter duidelike bewys dat van die organiseringsbeginsels soos, die skep van 'n duidelike gesagslyn en die beginsel van enkelskakeling, nie te alle tye nagekom word nie. Ten einde bestuur in staat te stel om die eise van die pas aangekondigde herstrukturering van die SABC die hoof te bied (Sisulu, 1996: 28 - 29), is bestuur van riglyne voorsien om TV-Nuus in 'n buigbare en aanpasbare onderneming te omskep. In die laaste hoofstuk, hoofstuk ses, word 'n finale oorsig van die studie aangebied en voorstelle om die ernstige gebrek aan 'n duidelike gesagslyn in die Nuusredaksie aan te spreek word verskaf.

A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, for the degree of Doctor of Philosophy / The thesis critically analyses the potential of digital technologies – in particular, digital terrestrial television – to enable substantive diversity of programming in a public service broadcaster, the South African Broadcasting Corporation. The thesis deploys critical political economy of the media approaches. These approaches argue for a social constructivist approach to technology and not a celebratory determinist approach, which confuses the potential of technology with what actually happens in ‘real world’, contested policy contexts. The research uses qualitative methodologies, specifically thematic analyses of policy texts and in-depth interviews with policy actors and informants. Ultimately, the thesis finds that the changing political context in South Africa, which has moved away from participatory policy making processes, has resulted in missed opportunities to harness the digital potential to diversify programming. The thesis finds that with the government’s deployment of more authoritarian ‘statist’ and market-orientated policies, the policy space has narrowed, ultimately limiting the possibilities for the delivery of substantive diversity of content and programming. Finally, the thesis finds that to begin to reverse these trends in the digital, multi-channel environment, the government needs to (re)commit to consultative policy making processes and to regulation and public funding in the public interest. / XL2018

Student Number: 9603346N. Master of Arts in Translation. School of Literature and Language Studies / This research focuses on the translation of the South African Broadcasting Corporation’s (SABC) news bulletins from English into Sotho languages, particularly Sepedi. The main aim of this study is to analyse the strategies, methods and approaches used by the translators. The study also tests Stephen Maphike’s 1992 hypothesis which states that the news translators translate literally or word for word, instead of translating conceptually. In order to achieve these aims both the English and Sotho versions of the news were recorded over a period of approximately two weeks, from 22nd September to 5th October 2003. The study falls within the framework of Descriptive Translation Studies, and the analysis is based on translation theories and strategies proposed by authors such as Mona Baker (1992), Peter Newmark (1991), Christiane Nord (1991 & 1997) and Gideon Toury (1980). The conclusions drawn regarding the appropriateness or otherwise of the strategies used are intended to increase an awareness of the problems involved and the solutions available to translators.

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Thesis (M.S.)--Ohio University, November, 2009. / Title from PDF t.p. Includes bibliographical references.