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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 2 of 2 (0.075 seconds)Spelling suggestions: "subject:"tror hjorth"" "subject:"tror 1north""
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Upp till kvinnokamp : Skildringen av arbetarklassens kvinnor i konsten / Up to women's fight : The portrayal of working-class women in artBjörk, Anna January 2022 (has links)
Throughout history men and women have not always been given the same opportunities to work. As a result of prevailing politics and norms, women have been relegated to household chores. To portray women and the working-class in the same picture can therefore be contradictory - how do you portray the working-class through those who do not work? The aim of this study is to explore, with help from Panofsky’s iconology as a method for image analysis, how women from the working-class are being portrayed in art. The study is focused on artworks made by a group of Swedish artists active during the first half of the 20th century. The group’s main motifs were the working-class and social injustices, and they used their art as a form of activism against the ongoing world war, capitalism and patriarchy. Common for the portraits of women by all of the artists is that they portray women as housewives and mothers. Explanations for this are searched, and found, in Ulla-Britt Tillman’s theory about women as a motif in working-class art and Laura Mulvey’s Male gaze theory.
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”Att göra ett minnesmärke över livet” : En komparativ utställningsanalys av två svenska konstnärshem / "Making a memorial of life" : A comparative exhibition analysis of two Swedish artists' homesTegbrant, Hanna January 2023 (has links)
This essay investigates and compares two Swedish artist homes made into museums using an applied version of Danish scholar Rune Gade’s exhibition analysis method. The homes that were chosen for the study are Tallbo, in the region of Gästrikland, the home of Swedish painter Ecke Hedberg (1868-1959) and Bror Hjorths Hus in the city of Uppsala, the home of Swedish painter and sculptor Bror Hjorth (1894-1968). The essay focuses on the permanent exhibitions of the artists private homes and ateliers, and the interior and artworks that are shown. This essay answers the questions of which objects have been chosen for the exhibitions (with a presentation of the interior and art in both homes), how the objects are organized and curated, how the objects are presented and in which public context the exhibition functions in. The latter question is answered within the frame of intermediation, musealization, cultural heritage and identity connected to Australian historian and curator Linda Young’s theories of historical homes. / I denna studie undersöks och jämförs två svenska musealiserade konstnärshem utifrån en tillämpad användning av den danske konsthistorikern Rune Gades metod för utställningsanalys. Konstnärshemmen som valts ut för studien är Tallbo i Gästrikland, hem till konstnären Ecke Hedberg (1868-1959) och Bror Hjorths Hus i Uppsala, hem till konstnären och skulptören Bror Hjorth (1894-1968). Fokus ligger på interiören och konstverken i de permanenta utställningarna. Studien svarar på frågor som rör vilka objekt som valts ut för utställningarna, hur föremålen är organiserade, hur föremålen är presenterade och i vilken offentlig kontext som utställningarna fungerar. Detta besvaras utifrån perspektiv som förmedling, musealisering, kulturarv och identitet kopplat till den australiensiska historikern och curatorn Linda Youngs teorier om historiska hem.
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