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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

De boutique em butique: Ipanema, juventude e moda nos anos de 1960 e 1970

Silva, Isis Sena 15 September 2017 (has links)
Submitted by Geandra Rodrigues (geandrar@gmail.com) on 2018-04-10T12:06:21Z No. of bitstreams: 1 isissenasilva.pdf: 6860099 bytes, checksum: 61a8d79bc96b1b25db8ccc923bb94153 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-04-10T12:16:01Z (GMT) No. of bitstreams: 1 isissenasilva.pdf: 6860099 bytes, checksum: 61a8d79bc96b1b25db8ccc923bb94153 (MD5) / Made available in DSpace on 2018-04-10T12:16:01Z (GMT). No. of bitstreams: 1 isissenasilva.pdf: 6860099 bytes, checksum: 61a8d79bc96b1b25db8ccc923bb94153 (MD5) Previous issue date: 2017-09-15 / Transformações econômicas, políticas e sociais em curso desde os anos de 1950 tiveram consequências importantes na cultura e no estilo de vida da juventude ocidental. Como eco dessas transformações, a moda, que até então esteve atrelada aos modelos da altacostura e às elites socioeconômicas, passou por uma metamorfose e assumiu novos contornos. Nesse momento a moda passou a revelar mais sobre o indivíduo, mostrando sua identidade, seu gosto, sua raça, seu posicionamento político e cultural. Diante desse cenário um novo protagonista entrou em cena: o jovem. Assim, é diante deste panorama que se observou o nascimento de uma moda produzida no Brasil que se baseia em novos signos de elegância e beleza: a moda das boutiques de Ipanema. / Economic, political and social transformations under way since the 1950s have had important consequences on the culture and lifestyle of Western youth. As an echo of these transformations, fashion, which until then was tied to couture models and socioeconomic elites, underwent a metamorphosis and took on new contours. At that moment the fashion began to reveal more about the individual, showing his identity, his taste, his race, his political and cultural position. Before this scenario a new protagonist entered the scene: the young. Thus, it is in front of this panorama that the birth of a fashion produced in Brazil is observed that is based on new signs of elegance and beauty: the fashion of the boutiques of Ipanema.
2

[en] CELESTE MODAS AND THE BOUTIQUES IN COPACABANA IN THE 1950S: DISTINCTION, MODERNITY AND THE PRODUCTION OF PRÊT À PORTER / [pt] A CELESTE MODAS E AS BUTIQUES DE COPACABANA NOS ANOS 1950: DISTINÇÃO, MODERNIDADE E PRODUÇÃO DO PRÊT À PORTER

ANA CLAUDIA LOURENCO FERREIRA LOPES 11 March 2015 (has links)
[pt] Esse trabalho tem por objetivo jogar luz sobre o comércio de moda feminina em Copacabana no final dos anos 1940 e anos 1950, dando enfoque principalmente à Celeste Modas. A partir de entrevistas com pessoas que trabalharam com moda nessas décadas; da pesquisa em jornais e na revista Rio Magazine; e de fotos antigas das lojas mais renomadas do Centro da Cidade, então principal comércio de moda feminina no Rio de Janeiro, buscou-se entender o quanto as casas que surgiram em Copacabana no período se basearam no modelo físico e na forma de produção de vestuário estabelecidas pelas distintas lojas do Centro; e o quanto elas se adaptaram ao imaginário simbólico de Copacabana e às ideias de modernidade e distinção do período. / [en] This work aims to enlighten about the womenswear retail businesses in Copacabana in the late 1940s and 1950s, in particular about Celeste Modas. Drawing from interviews with professionals who worked in fashion at the time; going through newspapers from the period and Rio Magazine; and using antique photos of Rio s most renowned shops in the city Centre (the main shopping area at the time), it aimed to understand to which extent the Copacabana boutiques relied on the retail and production model already in place in the Centre, and how much they adapted their retail businesses to fit into the symbolic conception of Copacabana and the ideas of modern and luxury of the period.

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