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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 3 of 3 (0.042 seconds)Spelling suggestions: "subject:"[een] PRET-A-PORTER"" "subject:"[enn] PRET-A-PORTER""
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[en] FASHION DRAWING CUTS AND SEWS SIXTY S CULTURAL REVOLUTION: JORNAL DO BRASIL S ROLE IN THE BRAZILIAN FASHION FORMATION / [pt] DESENHO DE MODA RECORTA E COSTURA REVOLUÇÃO CULTURAL DA DÉCADA DE 60: O PAPEL DO JORNAL DO BRASIL NA FORMAÇÃO DA MODA BRASILEIRAGILDA MARIA CAROLLO CHATAIGNIER 03 August 2005 (has links)
[pt] O objetivo dessa dissertação - Desenho de Moda Recorta e
Costura a
Revolução Cultural da Década de 60 / O Papel do Jornal
do
Brasil na Formação
da Moda Brasileira - registra-se no desenho de moda,
observado como uma forma
de expressão visual, artística e cultural - destacando-
se
a sua relevância na
imprensa. Origens, conceitos, inter-relações com várias
disciplinas, especialmente
o design, são observadas neste trabalho. Nosso objetivo
nesta dissertação é tentar
mostrar como os anos 1960, com suas revoluções culturais
e
comportamentais,
são responsáveis indiretamente pelas mudanças ocorridas
na
moda e suas imagens
- através das quais documenta-se a moda como um sistema
peculiar caracterizado
pela futilidade e pela efemeridade, não menos do que
pela
sedução. / [en] This dissertation s subject - Fashion Drawing Cuts and
Sews Sixty s
Cultural Revolution / Jornal do Brasil s Role in the
Brazilian Fashion Formation -
enrolls itself in fashion drawing, seen as a visual
expression form, as well as an
artistic an a cultural one - where one can emphasizes its
relevance among press.
Origins, concepts and inner relations are established,
especially in which concerns
design. Our intent is try showing how twenty century s
sixty decade, within all its
cultural and behavior, is indirectly responsible for the
changes observed in fashion
and its images - through what fashion is documented as a
peculiar system, marked
by its trifle and ephemeral way, not less than by
seduction.
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[en] CELESTE MODAS AND THE BOUTIQUES IN COPACABANA IN THE 1950S: DISTINCTION, MODERNITY AND THE PRODUCTION OF PRÊT À PORTER / [pt] A CELESTE MODAS E AS BUTIQUES DE COPACABANA NOS ANOS 1950: DISTINÇÃO, MODERNIDADE E PRODUÇÃO DO PRÊT À PORTERANA CLAUDIA LOURENCO FERREIRA LOPES 11 March 2015 (has links)
[pt] Esse trabalho tem por objetivo jogar luz sobre o comércio de moda feminina em Copacabana no final dos anos 1940 e anos 1950, dando enfoque principalmente à Celeste Modas. A partir de entrevistas com pessoas que trabalharam com moda nessas décadas; da pesquisa em jornais e na revista Rio Magazine; e de fotos antigas das lojas mais renomadas do Centro da Cidade, então principal comércio de moda feminina no Rio de Janeiro, buscou-se entender o quanto as casas que surgiram em Copacabana no período se basearam no modelo físico e na forma de produção de vestuário estabelecidas pelas distintas lojas do Centro; e o quanto elas se adaptaram ao imaginário simbólico de Copacabana e às ideias de modernidade e distinção do período. / [en] This work aims to enlighten about the womenswear retail businesses in Copacabana in the late 1940s and 1950s, in particular about Celeste Modas. Drawing from interviews with professionals who worked in fashion at the time; going through newspapers from the period and Rio Magazine; and using antique photos of Rio s most renowned shops in the city Centre (the main shopping area at the time), it aimed to understand to which extent the Copacabana boutiques relied on the retail and production model already in place in the Centre, and how much they adapted their retail businesses to fit into the symbolic conception of Copacabana and the ideas of modern and luxury of the period.
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Female Friendship Films: A Post-Feminist Examination of Representations of Women in the Fashion IndustryGeloğullari, Gülin 12 1900 (has links)
This thesis focuses on three fashion industry themed female friendship films: Pret-a-Porter/Ready to Wear (1994) by Robert Altman, The Devil Wears Prada (2006) by David Frankel, and The September Issue (2009) by R.J. Cutler. Female interpersonal relationships are complex – women often work to motivate, encourage and transform one another but can just as easily use tactics like intimidation, manipulation, and exploitation in order to save their own jobs and reputations. Through the lens of post-feminist theory, this thesis examines significant female interpersonal relationships in each film to illustrate how femininity is constructed and driven by consumer culture in the fashion industry themed films.
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