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Autenticita herce / Actor's authenticitySmetana, Vojtěch January 2021 (has links)
The diploma thesis juxtaposes Heidegger's concept of authenticity and the notion of an actor supported by the most prominent theories of acting in the 20th century. In an attempt to explore the actor's relationship to authenticity, the thesis also tries to find the common areas of phenomenology and theater studies. The main question of the work is if the theory of authenticity of Dasein can be applied to an actor. The question is answered by the text itself in an effort to apply Heidegger's authenticity to an actor.
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Comparative analysis of A.P. Chekhov's and I.A. Bunin's short story techniques = Masterstvo tekhniki rasskaza u A.P. Chekhova i I.A. BuninaAdrianow, Alla January 1974 (has links)
No description available.
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Transforming Actor Training: Michael Chekhov's Psycho-Physical TechniqueWion, Brenda 12 May 2008 (has links)
No description available.
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Comment vivre? connaissance, identité et communication dans La mouette d'Anton TchékhovBoivin, Marie-Soleil January 2001 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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Bodily Awareness: The Theatre Writings of Michael Chekhov and Tadashi SuzukiRust, Colin Michael 01 August 2007 (has links)
No description available.
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An Actor's ProcessRussell, Robert W. 22 April 2009 (has links)
No description available.
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The Prison Worlds of Dostoevskii, Tolstoi, and ChekhovOrmiston, Gregory 21 September 2017 (has links)
No description available.
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Creating Kate from an Inspired State: Application of the Michael Chekhov Technique in Musical TheatreBond, Alisha J. 02 August 2017 (has links)
No description available.
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Women and ChekhovBallnath, Eva Amalia. January 1979 (has links)
No description available.
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Siberia revealed through the travel narrative: a Russian, American and British perspectiveVan Zyl, Estelle 05 March 2015 (has links)
This study examines how travelogues by the Russian author Anton Chekhov, an American, George Kennan and a British citizen, Harry de Windt, contributed towards establishing the image of Siberia towards the end of the 19th century, juxtaposing their individual views against the commonly perceived view of the region at the time.
In examining the texts, a literary analysis is merged with elements of other approaches, through a strong thematic focus, centring on the cultural and ideological assumptions implied in the texts.
The findings reveal that both native inhabitants and foreigners are capable of expressing a justifiable opinion on a locality, resulting in different versions of what is observed, from divergent points of view. Although the three writers in this study appear to support a negative view of Siberia, closer investigation show evidence of optimism about the eventual destiny of a region in a stage of transition. / Linguistics and Modern Languages / M.A. (Russian)
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