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411	Like pilgrims to this moment : myth, history, and politics in the early writing of Seamus Heaney and Leonard Cohen Ward, Caitlin 23 December 2008 (has links) This thesis examines the early work of poets Leonard Cohen and Seamus Heaney in light of their treatment of mythology, ritual, and mythologization, moving either from personal to political awareness (Heaney), or from political to personal awareness (Cohen). Heaney, writing in the midst of the Irish Troubles throughout the late 1960s and 1970s, slowly works up to political awareness as the situation from which he is writing becomes more dire. By contrast, Cohen writes during the beginnings of the Quiet Revolution in Quebec, from the late 1950s to the mid-1960s, moving progressively farther away from the highly political and mythologized work of his first book. This thesis analyzes both poets first four books of poetry and how each poet addresses the politics of his historical time and place as a minority figure: an Irish Catholic in Northern Ireland, and an Anglophone Jew in Montreal, respectively. Ultimately, each poet chooses to mythologize and use traditional mythologies as a means of addressing contemporary horrors before being poetically (and politically) exhausted by the spiritual and mental exertion involved in the "poetry of disfigurement." Northern Irish poetry Belfast poetry Montreal poets Belfast poets Irish literature Canadian literature the Troubles Seamus Heaney Leonard Cohen Montreal Belfast Jewish poets Irish poets Irish Republican poetry Quiet Revolution Silent Revolution Irish poetry mythology bog poetry 20th century poetry English literature poetry 20th century studies ethnic minorities religious minorities mythologization Hebrew scripture Tollund Man North Let Us Compare Mythologies Death of a Naturalist Flowers For Hitler Wintering Out Door Into the Dark Spice-Box of Earth Parasites of Heaven
412	Wounded warriors: representations of disabled soldiers in Canadian fiction of the First World War / Images des traumatismes de la guerre dans le roman canadien du début du 20ème siècle Tector, Amy 14 May 2009 (has links) \ / Doctorat en Langues et lettres / info:eu-repo/semantics/nonPublished Sciences humaines Langues et littératures traumastisme First World War disability masculinity nationalism identity trauma guerre Canadian literature littérature canadien
413	Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetry Hiebert, Luann E. 11 April 2016 (has links) Contemporary Canadian prairie women poets write about the mother figure to counter maternal suppression and the homogenization of maternal representations in literature. Critics, like Marianne Hirsch and Andrea O’Reilly, insist that mothers tell their own stories, yet many mothers are unable to. Daughter and mother stories, Jo Malin argues, overlap. The mother “becomes a subject, or rather an ‘intersubject’” in the text (2). Literary depictions of daughter-mother or mother-child intersubjectivities, however, are not confined to auto/biographical or fictional narratives. As a genre and potential site for representing maternal subjectivities, poetry continues to reside on the margins of motherhood studies and literary criticism. In the following chapters, I examine the writing strategies of selected poets and their representations of mothers specific to three transformative occasions: mourning mother-loss, becoming a mother, and reclaiming a maternal lineage. Several daughter-poets adapt the elegy to remember their deceased mothers and to maintain a connection with them. In accord with Tanis MacDonald and Priscila Uppal, these poets resist closure and interrogate the past. Moreover, they counter maternal absence and preserve her subjectivity in their texts. Similarly, a number of mother-poets begin constructing their mother-child (self-other) relationship prior to childbirth. Drawing on Lisa Guenther’s notions of “birth as a gift of the feminine other” and welcoming the stranger (49), as well as Emily Jeremiah’s link between “‘maternal’ mutuality” and writing and reading practices (“Trouble” 13), I investigate poetic strategies for negotiating and engaging with the “other,” the unborn/newborn and the reader. Other poets explore and interweave bits of stories, memories, dreams and inklings into their own motherlines, an identification with their matrilineage. Poetic discourse(s) reveal the limits of language, but also attest to the benefits of extra-linguistic qualities that poetry provides. The poets I study here make room for the interplay of language and what lies beyond language, engaging the reader and augmenting perceptions of the maternal subject. They offer new ways of signifying maternal subjectivities and relationships, and therefore contribute to the ongoing research into the ever-changing relations among maternal and cultural ideologies, mothering and feminisms, and regional women’s literatures. / May 2016 Elegiac poetry Motherhood Maternity poetry Canadian poetry Women authors Poetics Maternal subjectivity Maternal theory Feminist poetry Prairie poetry Pregnancy Childbirth Mourning mother loss Mourning child loss Maternal lineage Mother poets Prairie women's poetry 21st century poetry Ariel Gordon Barbara Langhorst Canadian literature (English) Charlene Diehl-Jones Claire Harris Cultural transmission Cultural violence Culture and motherhood Domestic violence Elegy Hospitality and responsibility Jennifer Still Lisa Martin-DeMoor Literary criticism Louise Bernice Halfe Maternal discourse Maternal aesthetics Maternal inheritance Maternal silence Maternal writing Méira Cook Erín Moure Melanie Dennis Unrau Mother myths Postcolonial writing Motherhood studies Motherhood and feminism Prairie women poets Regional literature Rita Bouvier Sally Ito Sarah Klassen Su Croll Subjectivity Writing and motherhood Writing the other

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