No description available.

Made available in DSpace on 2018-08-01T23:44:00Z (GMT). No. of bitstreams: 1 tese_9965_Dissertação de Marcos Ramos - Versão Final.pdf: 601366 bytes, checksum: 3d18d4042767d83df47ed76792ea4367 (MD5) Previous issue date: 2016-06-24 / Esta   dissertação,   na   esteira   das   discussões   que   concernem   os   paradoxos   do   nacionalismo  literário,  pretende  se  debruçar  sobre as obras  Casa-Grande  &  Senzala   e  Grande  Sertão:  veredas,  a  primeira  de Gilberto  Freyre,  publicada  em  1933,  a   segunda,  publicada  em  1956,  de João  Guimarães  Rosa.  Os  horizontes  de  análise  que   norteiam   o   trabalho   e   que   por   fim   se   justapõem   em   uma   unidade   paradoxal e   interrogativa  podem  ser  resumidos  nas  seguinte  indagações: 1) Em que  medida  a  obra   de  Guimarães  Rosa  lida  com  a  questão inicialmente romântica  do  estabelecimento  de   uma  identidade  literária  nacional?;; 2) Em  que  medida  percebemos  no  Grande  Sertão:   Veredas  a  presença  de uma  arquitetura  freyreana    da  identidade  brasileira    a  saber: a Casa-Grande  como  reguladora  das  relações  no  sertão?

No description available.

Made available in DSpace on 2015-05-07T15:09:52Z (GMT). No. of bitstreams: 1 parte1.pdf: 2041329 bytes, checksum: 18897a484dae8655cb4095769a098dff (MD5) Previous issue date: 2008-11-04 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The following research paper discusses the educational practices of Casa Grande Foundation Homem Kariri Memorial, a NGO that works with education, communication, art and culture in the countryside of Ceará State. It consists of a bibliographical and ethnographical study, whose theoretical-methodological referential is the Oral History. During this work, it was searched to understand how a NGO, like Casa Grande Foundation, which is known for the fact that is managed by children, teenagers and young, who are protagonists of their teaching and learning processes, got the success as a consistent educational project, attracting the eyes of the world for it, over its fifteen years of existence. For this, an incursion was necessary in the complex world of NGOs and in the national and state policies of incentive to culture. We locate the interfaces of non-formal education in Casa Grande Foundation, with the patrimonial education, because it works with the local culture through researches, valorization and caring of Cariri Region Archeology, in Ceará. The patrimonial education in the everyday Casa Grande Foundation s knowledge and creations propitiate the development in boys and girls the feeling of making part a place, which can be reflected in practices of conscious and active citizenship for the preservation of immaterial and material patrimony in Cariri Region, Ceará, throughout their lives. / A presente pesquisa discute as práticas educativas da Fundação Casa Grande Memorial do Homem Kariri, uma organização não-governamental - ONG, que trabalha com educação, comunicação, arte e cultura no interior do estado do Ceará. Compõe-se de um estudo bibliográfico e etnográfico, tendo por referencial teórico-metodológico a História Oral. No decorrer desse trabalho, procurou-se entender como uma ONG, que tem por peculiaridade o fato de ser gerida por crianças, adolescentes e jovens protagonistas dos processos de ensino e de aprendizagem que desenvolvem, conseguiu, ao longo de seus quinze anos de existência, constituir-se como um consistente projeto educativo, atraindo para si os olhares do mundo. Para tanto, foi necessária uma incursão no complexo mundo das ONGs e também nas políticas nacionais e estaduais de incentivo à cultura. Localizamos as interfaces da educação não-formal na Fundação Casa Grande, com a educação patrimonial, posto que a ONG trabalha com a cultura local, pesquisando, valorizando e cuidando da arqueologia da região do Cariri Cearense. A educação patrimonial presente nos saberes e fazeres cotidianos da Fundação Casa Grande propicia aos meninos e meninas o desenvolvimento de um sentimento de pertença que, ao longo de suas vidas, pode se traduzir em práticas de cidadania consciente e atuante na preservação do patrimônio material e imaterial na região do Cariri cearense.

Submitted by MARIA LIANEIDE SOUTO ARAUJO (lianeide.araujo@yahoo.com.br) on 2017-07-07T20:58:01Z No. of bitstreams: 1 tesecomfichacatalográfica.pdf: 13753526 bytes, checksum: 5453fe7b9a5de95dfb08fef7ef8a55f7 (MD5) / Approved for entry into archive by Monique Sasaki (sayumi_sasaki@hotmail.com) on 2017-07-13T18:28:17Z (GMT) No. of bitstreams: 1 araujo_mls_dr_rcla.pdf: 13753526 bytes, checksum: 5453fe7b9a5de95dfb08fef7ef8a55f7 (MD5) / Made available in DSpace on 2017-07-13T18:28:17Z (GMT). No. of bitstreams: 1 araujo_mls_dr_rcla.pdf: 13753526 bytes, checksum: 5453fe7b9a5de95dfb08fef7ef8a55f7 (MD5) Previous issue date: 2017-03-10 / A Fundação Casa Grande-Memorial do Homem Cariri (FCG-MHK), “Casa do Patrimônio” da Chapada do Araripe é o atrativo turístico mais visitado na sede de Nova Olinda, município do Cariri, região sul do Ceará. No Mapa do Programa de Regionalização do Turismo - Roteiros do Brasil de 2006, Nova Olinda ocupa uma posição de destaque, como um dos “65 Destinos Indutores do Desenvolvimento Turístico Regional”. O objetivo da pesquisa foi investigar o trabalho da FCG-MHK entre 2006 e 2016, em relação ao patrimônio cultural e ao turismo do lugar, contextualizado no espaço regional do Cariri. Optamos pela abordagem teórico-metodológica da nova geografia cultural. Articulamos a pesquisa bibliográfica com a documental e a observação participante. Os dados primários foram cole tados por meio de conversas informais, entrevistas semiestruturadas e registros fotográficos. A interpretação e análise do material nos permitiu inferir os seguintes aspectos: 1) a salvaguarda do patrimônio cultural do Cariri é a matriz estruturante do trabalho da FCG-MHK desde a sua instalação, em 1992; 2) o turismo é tratado de modo comunitário como alternativa de geração de renda para as famílias das pessoas vinculadas à FGC-MHK; 3) para o grupo social dos residentes-anfitriões da FCG-MHK, o turismo pressupõe a interação e a troca de saberes e fazeres entre turistas e residentes; 4) parte majoritária dos turistas atraídos para Nova Olinda, por meio da FCG-MHK, busca aprendizagem, formação, enriquecimento e trocas culturais; convivência com os residentes, características identificadoras do turismo cultural; 5) O trabalho da FCG-MHK resultou em benefícios diretos para melhoria da estrutura urbana da sede de Nova Olinda; Constatamos, no entanto, que malgrado todos os desafios, a FCG-MHK consegue executar um trabalho de elevado valor sociocultural há 24 anos, aliando a salvaguarda do patrimônio cultural com geração de renda para uma parcela significativa da população na sede do município, constituindo-se um núcleo de resistência ao modelo hegemônico de distribuição dos resultados econômicos do turismo. / The Casa Grande Foundation - People from Kariri Memorial (FCG-MHK), “Casa do Patrimônio” (Home of the Heritage) from Araripe Plateau is the most visited touristic attraction in Nova Olinda, a city in Cariri, located in the South of the State of Ceará. In the Regional Tourism Program Map – Brazil Destinations from 2006, Nova Olinda featured as one of the “65 Destinies inducers of Regional Touristic Development”. The objective of this survey was to investigate the work of the FCG-MHK between 2006 and 2016, in relation to the cultural heritage and local tourism, contextualized in the region of Cariri. We chose the theoretical-methodological approach from the new cultural geography. We articulated the bibliographical research with documents and participating observation. The primary data was collected by means of informal conversations, semi-structured interviews and photographs. The interpretation and analysis of the material led us to infer the following aspects: 1) The safekeeping of the cultural heritage from Cariri has been the main objective of the FCG-MHK since its creation in 1992; 2) The tourism is dealt in a community way as an alternative of income for the families in the FGC-MHK; 3) For the residents-hosts form the FCG-MHK, the tourism considers the interaction and knowledge and know-how exchange between themselves, visitors and tourists; 4) The majority of the tourists attracted to Nova Olinda through FCG-MHK, look for learning, formation, and cultural and enrichment exchanges; interaction with the residents, identifying characteristics of the cultural tourism; 5) The work form the FCG-MHK resulted in direct benefits to improve the urban structure of Nova Olinda; We found the even with all the challenges, the FCG-MHK has been able to make a high level job regarding the social cultural value in the past 24 years, joining protection and safekeeping the cultural heritage of Cariri with an informal education and income generation for a great deal of the population in the city, constituting as a resistance cell to the hegemonic model of distribution of touristic economic results.

Made available in DSpace on 2014-12-17T14:19:56Z (GMT). No. of bitstreams: 1 AndersonCS_DISSERT.pdf: 532771 bytes, checksum: 56fde51862ec785fa2fe37c368fdb789 (MD5) Previous issue date: 2009-03-05 / Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico / This essay discusses the race issue, emphasizing the racial concept in Casa-Grande & Senzala. We discussed the Brazilian intellectual scene of the 1920s and 1930s, also the decadence of the analysis based on the variables of race, geographical environment and climate, emphasizing the ascent of new approaches, structured cultural diversity in the capitalist economy and exclusionary. We use the concept of racialism, understanding it as any narrative that classifies the types of people in a racial criterion / Este ensaio discute a tem?tica racial, enfatizando a concep??o racial presente no livro Casa-Grande & Senzala. Neste sentido, discutimos o cen?rio intelectual brasileiro dos anos 1920 e 1930, na perspectiva de assinalar a decad?ncia das an?lises fundamentadas nas vari?veis de ra?a, meio geogr?fico e clima, salientando a acens?o de novas abordagens, estruturadas na diversidade cultural e na economia capitalista excludente. Utilizamos o conceito de racialismo, compreendendo-o como toda e qualquer narrativa que classifica os tipos humanos segundo um crit?rio racial

This report summarizes information on the prehistoric, historic, and ethnographic foundations for the cultural affiliation of burials and associated funerary objects from Casa Grande Ruins National Monument in Casa Grande, Arizona. This study was commissioned by the National Park Service’s Applied Ethnography Program in Washington, D.C., to identify American Indian tribes potentially affiliated with the human remains and associated funerary objects from Casa Grande Ruins National Monument. This study is one of the responses by the National Park Service to the requirements stipulated in the Native American Graves Protection and Repatriation Act of 1990. The report should provide sufficient criteria for determining potentially affiliated individuals and tribes to be contacted for future consultation. This research determined the following Native American ethnic groups are affiliated to the national monument: Akimel O'odham, Tohono O’Odham, Zuni, Hopi, and Maricopa.

Gilberto Freyre's Casa-grande & senzala (1933) (The Masters and the Slaves) and William Faulkner's Absalom, Absalom! (1936) revisit and reevaluate Romantic notions of history, especially national progress and attendant accounts of racial purity and whiteness of "the people." The plantation home emerges in their texts as the common locus of historical and cultural experiences and as the principle symbol and metaphor for the domination of colonial forces. This dissertation explores how Freyre and Faulkner both take up the contemporary issue of miscegenation as the primary theme in their respective works. They elaborate this theme and explore its ramifications through the central, grounding image of the plantation home, which they approach through a historical sensibility and from a historical perspective. Freyre and Faulkner work from within paradigms from Europe to rewrite them, as they re-think the legacies of colonialism and of the plantation organization in non-national, non-ethnic, non-Hegelian, generative, deterministic terms. Their works seek to offer viable and independent counter-discourses to the dominant European cultural models -- new, non-nationalist narratives of historical destiny based on culture and economics rather than on any overarching political-historical destiny, as the epics of Europe's nations had been told in the era. This dissertation hopes to contribute to the scholarship that questions the essentialist notions of race and nation, as they were conceived on the plantation in rural regions of the New World. This project recovers a transnational tradition of political opposition -- a tradition that roots itself in the anthropology of experience rather than in the determinism of origin and inheritance. It will also argue for disciplinary realignments in the literature of the Americas, by proposing that further efforts be made to study the New World plantation and its effective geography. On the basis of the discussion on Faulkner, Southern literature ought to observe a new division between the Upper South and the Lower South, demarcated by the border between North and South Carolina, on the basis of the demographics, economics, and, in turn, self-understanding of these respective regions. / text

No description available.

No description available.