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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

A festa de casamento contemporânea como ritual de consumo e da memória: uma análise das imagens da festa no Instagram / The festival of contemporary marriage as ritual consumption and memory : an analysis of party pictures on Instagram

Lira, Penélope Maria Melo e 25 March 2015 (has links)
Submitted by Odilio Hilario Moreira Júnior (odilio@espm.br) on 2016-11-28T19:14:58Z No. of bitstreams: 1 Penelope Maria Melo e Lira.pdf: 6012549 bytes, checksum: 8706ef8ecc9277cbee7d4c362baaf506 (MD5) / Approved for entry into archive by Odilio Hilario Moreira Júnior (odilio@espm.br) on 2016-11-28T19:15:08Z (GMT) No. of bitstreams: 1 Penelope Maria Melo e Lira.pdf: 6012549 bytes, checksum: 8706ef8ecc9277cbee7d4c362baaf506 (MD5) / Approved for entry into archive by Debora Cristina Bonfim Aquarone (deborabonfim@espm.br) on 2016-11-28T19:17:08Z (GMT) No. of bitstreams: 1 Penelope Maria Melo e Lira.pdf: 6012549 bytes, checksum: 8706ef8ecc9277cbee7d4c362baaf506 (MD5) / Made available in DSpace on 2016-11-28T19:17:33Z (GMT). No. of bitstreams: 1 Penelope Maria Melo e Lira.pdf: 6012549 bytes, checksum: 8706ef8ecc9277cbee7d4c362baaf506 (MD5) Previous issue date: 2015-03-25 / The work objective was to investigate the consumption material, symbolic and affective present in the wedding party, and to recognize the consumer goods such as social and ritual this time exposed on Instagram markers, understanding the wedding party as a privileged space of consumption and memory. This is a qualitative research whose research instruments were the literature, the main theoretical frameworks work of Douglas and Isherwood, understanding the consumer as ritual; Rose Rocha, on consumer images and still articulated the concept of memory culture, ritual and celebration, through the work of Yuri Lotman, of Jerusha Ferreira, Monica Nunes, Ecléa Bosi, among other authors that link the interconnection of memory autobiographical and cultural; documentary research, which consisted of the removal of the wedding party photos on Instagram. Two brides Instagram users were chosen by purposive sampling, because they have in their profiles significant amounts of pictures of the wedding party to be analyzed, exposing the various wedding ritual steps on Instagram and other festivities that are part of it. By studying the images, it was observed that the brides memories bolster a logic of consumption, in which the goods and objects contribute to this joint. It was possible to conclude that the images shared by brides can reveal aspects of a symbolic consumption and equipment belonging to the party and, likewise, update the circulation of this text memory of culture. / O objetivo do trabalho foi investigar o consumo material, simbólico e afetivo presente na festa de casamento, bem como reconhecer os bens de consumo como marcadores sociais e de tempo deste ritual expostos no Instagram, entendendo a festa de casamento como um espaço privilegiado do consumo e da memória. Trata-se de uma pesquisa qualitativa, cujos instrumentos de pesquisa foram a pesquisa bibliográfica, tendo como marcos teóricos principais os trabalhos de Douglas e Isherwood, entendendo o consumo como ritual; Rose Rocha, sobre consumo de imagens e ainda o conceito de memória articulado à cultura, ao ritual e à festa, por meio dos trabalhos de Iuri Lotman, de Jerusa Ferreira, Mônica Nunes, Éclea Bosi, entre outros autores que apontam a interconexão da memória autobiográfica e cultural; a pesquisa documental, que consistiu no levantamento das fotos de festa de casamento no Instagram. Foram escolhidas duas noivas usuárias do Instagram, como corpus desta pesquisa, mediante amostragem intencional, por terem em seus perfis quantidades significativas de fotos da festa matrimonial para serem analisadas, expondo as diversas etapas do ritual do casamento no Instagram, bem como de outras festividades que dele fazem parte. Através do estudo das imagens, observou-se que as memórias das noivas se amparam numa lógica do consumo, em que os bens e objetos contribuem para essa articulação. Os resultados encontrados permitem concluir que as imagens compartilhadas pelas noivas podem revelar aspectos de um consumo simbólico e material pertencentes à festa e, do mesmo modo, atualizar a circulação da memória deste texto da cultura.
2

Arukwahaw: uma etnografia do casamento Suruí à luz da etnologia ritual

SANTOS, Bárbara Dias dos 04 June 2014 (has links)
Submitted by Irvana Coutinho (irvana@ufpa.br) on 2017-02-03T14:47:16Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_ArukwahawEtnografiaCasamento.pdf: 4185438 bytes, checksum: 170f4d1c68224b68016a21b781e07c54 (MD5) / Approved for entry into archive by Irvana Coutinho (irvana@ufpa.br) on 2017-02-03T15:21:48Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_ArukwahawEtnografiaCasamento.pdf: 4185438 bytes, checksum: 170f4d1c68224b68016a21b781e07c54 (MD5) / Made available in DSpace on 2017-02-03T15:21:48Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_ArukwahawEtnografiaCasamento.pdf: 4185438 bytes, checksum: 170f4d1c68224b68016a21b781e07c54 (MD5) Previous issue date: 2014-06-04 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / A presente pesquisa analisa por meio da lente do ritual a cerimônia do casamento da etnia indígena Suruí, residente na terra indígena Sororó localizada na região sudeste do Estado do Pará nos municípios de São Geraldo do Araguaia e de Brejo Grande. Onde, através da metodologia da etnografia, com a observação do cotidiano da aldeia, dos costumes culturais, e sociais intrínsecos aos Suruí e a cerimônia do casamento. Realizei entrevistas abertas, registros fotográficos e de vídeos, afim de compreender o casamento à luz da etnologia ritual na perspectiva de Richard Schechner e nas entrelinhas da antropologia com conceitos de Adrienne Kaeppler e Gertrude Kurath. Acredito que a importância dessa pesquisa volta-se para o estudo da cultura indígena amazônica, em especial a cultura dos Suruí, reafirmando que, apesar de todo o processo de desenvolvimento e agregação cultural dessa etnia ter sido desigual, desrespeitoso e, desumano, muitas das vezes, os valores e tradições permanecem e são dignos de estudos nas mais variadas vertentes, como no caso desta pesquisa, a vertente das Artes. Além da importância do registro cultural em vias escritas, tanto para a própria sociedade Suruí, quanto para as outras sociedade indígenas e para as não-indígenas. / This research analyzes the lens rises the ritual of the marriage ceremony Surui indigenous ethnic group residing in indigenous land Sororó located in the southeastern region of the state of Pará in the municipalities of São Geraldo do Araguaia and Great Swamp . Where , through the methodology of ethnography , with the observation of everyday village , cultural and social customs intrinsic to Surui and wedding ceremony , performed open interviews , photographic records and videos in order to understand the marriage ritual in the light of anthropology through the perspective of Richard Schechner and the lines between anthropology and concepts of Adrienne Kaeppler and Gertrude Kurath . I believe the importance of this research turns to the study of Amazonian indigenous culture , especially the culture of the Surui , reaffirming that although the whole process of cultural development and aggregation of this ethnic group have been uneven, disrespectful and inhuman , many of times , values and traditions remain and are worthy of study in various areas, such as in the case of this study , the slope of the Arts. Besides the importance of the cultural record in written copies, both for the company itself Surui , as for other indigenous society and non - indigenous.

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