Thesis (M. Phil.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 507-535).

Thesis (M.Phil.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 507-535) Also available in print.

Houston Stewart Chamberlain (1855-1927) was born an Englishman but adopted Germany as his home. Chamberlain was a publicist for "fin de siecle" ideas about art and politics which were tempered by both late nineteenth century Imperialism and by World War One. As an old man he endorsed Adolf Hitler and has been credited as an important synthesizer for the ideology of National Socialism. This study examines Chanber1ain' s life in terms of his involvement with art and politics. It utilizes his work as a popularizer and his conversion into an exponent of Deutschturn to discuss broad social questions. While it is acknowledge that Chamberlain was an important figure in the Gerrrany of his day, this study attempts to place him and his idol, Richard Wagner, in the larger context of intellectual and cultural history. Insofar as Chamberlain was a "rootless" intellectual, he was a paradigm. Accordingly, he is useful in considering the problems faced by intellectuals in the modem age of nationalism, technology, mass culture and alienation. The works consulted were primarily Chamberlain's own publications and a variety of secondary accounts. other research leads have been noted, but these would have to be pursued in Europe. Most of Chamberlain's life up to 1914 has been discussed by recent scholars. This study concludes that the period from World War One needs more research to account for the complex relationship between Chamberlain and the Bayreuth Kulturkreis, and National Socialism and modern society.

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Francis W. Dawson, pragmatic editor of the influential Charleston News and Courier, and Daniel H. Chamberlain, last Reconstruction governor of South Carolina, developed a close working relationship during the years 1874 through 1876. The two Southern emigres had opposing political affiliations. Dawson, a Democrat, bitterly fought both the nomination and election of Republican Chamberlain in 1874. The editor's evaluation of the Republican voting strength in the state nonetheless led him to support a bolting group of Independent Republicans in the 1874 campaign. However, Chamberlain's attempts to secure orderly, peaceful reform soon won the praise and ultimately the complete support of Dawson and the powerful Charleston business community. The remarkable alliance grew and took sustenance from cooperation and compromise. Predictably, both Republican and Democratic partisans sought to topple the two leaders of the cooperation movement. As the election of 1876 approached, Republican malcontents, fired by dissatisfaction with the Governor's reform and economy measures, attempted to discredit Chamberlain. Democratic dissidents denounced Dawson's strategy and called for a “Straightout” Democratic effort in the upcoming elections. Their cause drew strength from the unhappy economic situation and from the recent example of Mississippi's "redemption." In July, 1876, the emotional rebellion against Dawson's program of cooperation climaxed at the village of Hamburg when several Negro militia men were murdered. Despite the editor's ardent championship of Chamberlain and his fervent pleas for the preservation of the alliance, Dawson's plans were swept away. The Democrats, staunchly supported by the realistic editor, went on to a "Straightout" victory with Wade Hampton. The end of the flirtation marked the beginning of South Carolina's membership in the "Solid South" of the Democracy. / Master of Arts

Cette thèse propose une introduction à une meilleure compréhension des liens entre Hitler et Wagner et porte le titre suivant : De Wagner à Hitler: un exemple du Sonderweg de l’histoire allemande. Les deux hommes ne se sont pas connus car Wagner était déjà mort à la naissance du futur dictateur mais les héritiers Wagner et en particulier son fils Siegfried et sa belle-fille Winifred et l’idéologue de Bayreuth Houston Stewart Chamberlain, jouèrent un rôle de substitution au Maître de Bayreuth, cette idole qu’Hitler aurait tant aimé connaitre, tant il considère Wagner comme sa religion comme il put le confier lors de sa première visite à Wahnfried, villa des Wagner. Si Wagner a des idées très arrêtées et théoriques en matière d'antisémitisme et de racisme, Hitler sous l’influence de Houston Stewart Chamberlain gendre de Richard Wagner les développe et imagine les moyens politiques de leur réalisation. L'Œuvre de Wagner a survécu au nazisme et à son instrumentalisation par Adolf Hitler (que nous illustrons plus particulièrement en prenant l'exemple de Parsifal) car un grand artiste est toujours dépassé par ses propres intentions. Cependant toute une partie de la pensée et de la création artistique du musicien allemand contenait les germes de la déviance de l'histoire allemande qui caractérisa les années 1933-1945. Notre travail contribue aussi à mieux identifier "la religion d'Adolf Hitler": enracinée dans le christianisme gnostique de Richard Wagner elle vient s'alimenter aux élucubrations sur le "Jésus aryen tué par les Juifs" de l'époque wilhelmienne et débouche sur un néopaganisme revendiqué. / This thesis provides an introduction to a better understanding of the links between Hitler and Wagner and is entitled: From Richard Wagner to Adolf Hitler: an example of the Sonderweg in Germany’s history. The two men never knew each other as Wagner was already dead at the time of the future dictator’s birth, but Wagner’s heirs, and in particular his son Siegfried, his daughter-in-law Winifred and the Bayreuth ideologist Houston Stewart Chamberlain, played a surrogate role for the Master of Bayreuth, the idol whom Hitler would have so loved to know, so much he considered Wagner as a prophet, as he confided on his first visit to Wahnfried, the Wagner family’s villa. If Wagner had very pure theoretical ideas concerning anti-Semitism and racism, under the influence of Houston Stewart Chamberlain, Wagner’s son-in-law, Hitler then developed these ideas and devised the political means of their implementation. Wagner’s work outlived Nazism and its adoption by Adolf Hitler (which we illustrate more particularly with the example of Parsifal), as the work of a great artist often transcends his original intentions. However, a significant part of the German musician’s thought and artistic creation contained the seeds for the deviance of German history which characterized the period from 1933 to 1945. Our work also helps better identify “Adolf Hitler’s religion”: rooted in Richard Wagner’s Gnostic Christianity, his religion feeds itself on the fanciful notion of “Jesus Aryan killed by the Jews” of the Wilhelmien period and leads to a proclaimed Neopaganism.

I study art, and that is because I like to think about how it helps people learn. In particular I like to create insects as abstractions of nature to invite a different perspective on how the world works. I strive to create synergy through interdisciplinary projects so that people can learn through science, technology and art simultaneously. The point of intersection between these fields of study is where my work can be found. My artwork includes scientific photography of insect collections, 3-D scanning, rapid prototyping, molds and ceramic sculptures. All of these have specific processes and through them I have created abstractions of nature to invite a different perspective.

This thesis traces the development of Anglo-American naval relations throughout the Chamberlain premiership and the various attempts that were made during this period to extend and broaden the existing level of cooperation in the hope that it might be used for politico-strategic purposes. It deals in some depth with the background to and course of Eden's various initiatives to the Roosevelt Administration in the six months following the July 7th incident of 1937 and explains why his attempts to construct some form of naval partnership with the United States evoked such opposition from within the ranks of the British Government. In this connection, Chamberlain's rather ambivalent role in Anglo-American relations and the contrast between Eden and himself in their use of different methods, style and policy is closely examined in the first half of the thesis. After Eden's resignation and until appeasement became discredited, Anglo-American naval cooperation continued to be a mainly technical rather than strategic nature. In the last few months of peace, however, the British again looked to the Americans for strategic assistance and tried unsuccessfully to encourage them to deploy their fleet in the Western Pacific in order to counter the threat of the Japanese in the Far East. The thesis goes on to explore the changing naval relationship between Britain and the United States after the outbreak of the Second World War and how it led to greater involvement between them on detailed day-to-day technical matters related to the war in Europe. Although predominantly a study in the formation of British policy, the thesis has also drawn extensively on the official American records in an attempt to establish that a close link existed between naval strategy and foreign policy in Anglo-American relations during this period.

Doctor of Philosophy / Dingo Media examines the development of media events using as a case study one of Australia’s most widely known criminal investigations, the disappearance of Azaria Chamberlain at “Ayers Rock”. Considering the case as a blueprint for the way mass media events develop and evolve in the late capitalist era, this thesis suggests that the event marks a turning point in negotiation of the public sphere and Australian national identity. Using an original model, I trace from the 1980s five phases through which news stories pass in their evolution as modern media events by comparing the Chamberlain saga to contemporary cases involving “controversial” women, Schapelle Corby, Joanne Lees and Pauline Hanson. The first phase examines the emerging practice of news workers focusing on personalities rather than events; the second phase analyses both the formation of counter-publics protesting the conviction, and the development of a dialogic connection between media and publics; the third phase investigates the rise of a modern celebrity industry promoting “ordinary” individuals into subjects of media discourse; the fourth phase considers the process of mythic production surrounding the Chamberlain case as related to processes of nation-building in the late 1980s; finally, the fifth phase critiques the prevalent view that, through continual retelling, the event has suffered a loss of meaning. Axiomatic to this study will be the politics of representation, how the media records, organises and mythologises information, as well as the interaction between texts and audiences.

Doctor of Philosophy / Dingo Media examines the development of media events using as a case study one of Australia’s most widely known criminal investigations, the disappearance of Azaria Chamberlain at “Ayers Rock”. Considering the case as a blueprint for the way mass media events develop and evolve in the late capitalist era, this thesis suggests that the event marks a turning point in negotiation of the public sphere and Australian national identity. Using an original model, I trace from the 1980s five phases through which news stories pass in their evolution as modern media events by comparing the Chamberlain saga to contemporary cases involving “controversial” women, Schapelle Corby, Joanne Lees and Pauline Hanson. The first phase examines the emerging practice of news workers focusing on personalities rather than events; the second phase analyses both the formation of counter-publics protesting the conviction, and the development of a dialogic connection between media and publics; the third phase investigates the rise of a modern celebrity industry promoting “ordinary” individuals into subjects of media discourse; the fourth phase considers the process of mythic production surrounding the Chamberlain case as related to processes of nation-building in the late 1980s; finally, the fifth phase critiques the prevalent view that, through continual retelling, the event has suffered a loss of meaning. Axiomatic to this study will be the politics of representation, how the media records, organises and mythologises information, as well as the interaction between texts and audiences.