Orientador: Lucia Helena Reily / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-14T10:54:39Z (GMT). No. of bitstreams: 1 Amin_RaquelCarneiro_M.pdf: 92300981 bytes, checksum: e4b44687c03058d3351a26568c79047a (MD5) Previous issue date: 2009 / Resumo: Desde o século XIX até os nossos dias, houve crescente interesse por parte de psiquiatras, psicólogos e artistas plásticos em justapor a produção artística do louco e da criança. No Brasil o interesse remonta à década de 1920, com os estudos do psiquiatra Osório Cesar, baseados nas produções plásticas de pacientes do Hospital Juqueri e também com Ulisses Pernambucano, que em 1925 funda o Instituto de Psicologia do Recife. O presente estudo intencionou estudar o "Mês das Crianças e dos Loucos" - exposição organizada por Flávio de Carvalho e Osório César acompanhada por uma série de conferências, no ano de 1933, em São Paulo, no Clube dos Artistas Modernos (CAM) - do qual participaram artistas, médicos, intelectuais e educadores num momento de grande efervescência cultural modernista no país. O evento colocou em pauta os pontos comuns entre as produções plásticas da infância e dos doentes mentais. Discutiu prioritariamente o interesse que despontava entre alguns artistas plásticos e psiquiatras pela produção da criança, de um lado, e do louco, de outro, que este evento reuniu sob o mesmo teto. Este estudo se apoiou em metodologia documental para desenhar a estrutura do evento (como foi organizado o mês, quais coleções e obras foram expostas, e de que forma e quem dele participou) e seu impacto cultural. Interessou conhecer os argumentos que justificaram o evento, os princípios norteadores, o design da curadoria, a repercussão em jornais e periódicos do momento envolvidos e correlacionados à exposição. O estudo mostrou que este evento representou um marco em termos do encontro entre as áreas de arte, educação e psicologia e teve desdobramentos culturais significativos na cidade de São Paulo na década de 1930. / Abstract: The "Month of the Children and the Insane": reconstitution of the 1933 Paulista Exhibition From the nineteenth-century to the present day, there has been growing interest on the part of psychiatrists, psychologists and visual artists in bringing together the artistic production by the insane and by children. In Brazil, such interest emerges in the 1920s with publications by the psychiatrist Osório Cesar who studied visual arts productions of psychiatric patients from Hospital Juqueri, as well as Ulisses Pernambucano who founded the Instituto de Psicologia in Recife in 1925. This study aimed to investigate the "Month of the Children and the Insane" - an exhibition and series of conferences organized in 1933 by the artist Flávio de Carvalho and Osório Cesar in São Paulo at the Clube dos Artistas Modernos (CAM) - with the participation of artists, medical doctors, intellectuals and education professionals, at a time of great modernist upheaval in the country. The event illuminated common aspects of productions by children and people with mental illness. The discussion mainly circled around the emerging interest among some visual artists and psychiatrists in artwork by children on the one hand and by the insane on the other, which this event brought together under the same roof. This study used documentary methodology to design the structure of the event (how the month was organized, which collections and works were shown, and how they were presented, and who participated) and its cultural impact, We were interested in understanding the arguments that justified the event, the guiding principles, the curatorial design, the repercussions in current newspapers and in journals that were involved and related to the exhibition. The study showed that this event represented a breakthrough in terms of the coming together of the fields of visual arts, education and psychology, with significant cultural results for the city of São Paulo in the 1930s. / Mestrado / Artes Visuais / Mestre em Artes

Les changements sociaux mettent aujourd’hui en question les identités individuelles et collectives, le rapport à soi-même et aux autres. À partir d’une méthodologie croisée, ce travail interroge la construction de l’identité en fonction du lien social, en comparant les dessins d’enfants québécois et ivoiriens (méthode projective de quatre dessins : libre, bonhomme, famille, famille idéale). Huit études de cas, de même qu’une comparaison statistique avec des données internationales (France, Russie, Vietnam), mettent en lumière des différences culturelles. La primauté de la représentation de soi-même, spécifique au Québec, et l’absence du sujet dans le dessin, particulière à la Côte d’Ivoire, font l’objet d’un examen particulier. Le dessin témoignant des identifications à l’interface subjective et sociale, la synthèse des résultats révèle la possibilité d’un lien entre le sujet solipsiste moderne et une organisation identificatoire privilégiant des figures du Même ou du semblable, qui implique des aspects régressifs. L’identification (secondaire) à des figures de l’Autre, nécessaire à la construction d’idéaux et d’une identité qui puisse se projeter dans l’avenir, paraît facilitée dans un lien social où une tradition symbolique fonctionne. De manière générale, l’identité est à penser comme un équilibre entre mêmeté et altérité, dont le lien social viendra faire varier la configuration. / Today, social changes question individual and collective identities, or the sense we have of our selves and our relation to others. Based on a crossed methodology, this thesis thinks the problem of identity construction depending on the social link, by comparing the drawings of children from Quebec and Ivory Cost (four drawings projective method: free drawing, human figure, family and ideal family). Eight cases studies, and a statistical comparison with international data (France, Russia, Vietnam), bring to light cultural differences. Priority of self-representation,specific to Quebec, and the subject’s absence in the drawing, particular to Ivory Cost, are studied more precisely. Since drawings testify of identifications at the subjective and social junction, the results synthesis reveals the possibility of a relation between the modern solipsist subject and identification to Same figures, or similar figures, involving regressive aspects. Identification (secondary identification) to Other figures, necessary for the construction of ideals and for an identity that can be projected in the future, seems facilitated in a social link where a symbolic tradition works. In general, we can think identity as an equilibrium between sameness and otherness,witch is influenced by the social link.

My work deals with the development of visual literacy in pre-school age through art activities. The thesis is divided into two parts: theoretical and practical. The first chapter focuses on the pre-school age of children, their physical and mental development, the development of basic skills and skills, socialization and play. The second chapter focuses on the concept of visual literacy. The third chapter deals with the artistic activity in terms of its contribution to the personality of man. The fourth chapter describes how to develop visual literacy in practice through verbal and visual interpretation of visual arts. In the practical part of the diploma thesis I describe four art projects that I made with the children in the kindergarten. For each activity, the assignment, course of project, material, educational target, and final evaluation are given. The result of the thesis is the finding that the development of visual literacy is important for a person living in the 21st century. Visual art is a possibility how to develop visual literacy.

This diploma thesis deals with the analysis of knowledge and ideas of pupils how they understand human organ systems. Knowledge is verified based on spontaneous production of children's drawings using a thematic didactic test. The thesis uses cross-sectional research involving a total of 118 pupils from the first to the fifth class of the primary school. For the research project, pupils were given a blank piece A4 sized paper and were asked to draw the organ systems in their body. Research tables have been created from a set of drawings and common characters. The results of the research show level of understanding of human organ systems in individual classes.

This thesis focuses on drawing expression levels compared two groups of children younger school age, with the first group is an elementary school education at the school and the other practical. The theoretical part provides general information on the development of younger school age. It focuses on the development of drawing display in connection with the development of intellectual assumptions. The practical section provides the results of research of children's drawings which are assessed in relation to the developmental level of children.

The master thesis deals with the importance of the book in evolution of the children's imagination. The first part includes short introduction to problems of children's imagination. The second part is engaged in ontogeny of child from prenatal period to the middle childhood and in progress of key competences. It analyzes selected psychological approaches, which had the imagination as a subject of the research. The thesis explains and defines basic terms and processes of the imagination. It deals with a specific phenomenon of the children's imagination and with the evolution of the imagination. The third part introduces typical children's literature, directs on the traditional fairytale and it specifies problems of the literary characters too. It describes the historical development of the Czech book illustration, importance of the illustration in books for children and it also describes children's drawings. The fourth part applies all of previous pieces of knowledges into the work experience in kindergarten. It also describes relations between child and school or child and book. The final part of the master thesis includes summary of the information. [Author's abstract].