Global ETD Search

1	The Portrayal of Dyslexia and Children in Children’s Picture Books Shotola, Karalee January 2019 (has links) Research on the portrayal of child characters with dyslexia in picture books is limited, therefore in this thesis, I analyzed six children’s picture books published in English speaking countries including the United States, Canada, and Australia for their portrayal of dyslexia, the plot, the characterization of the child, and the child’s relationship with others. I read through the books multiple times and conducted a content analysis to identify patterns in the portrayal of images of dyslexia and the child characters over the period of 1995-2018. Through the analysis of images of dyslexia, it became apparent that dyslexia had a major impact on the story of the six books and was often described as a challenge. Furthermore, the character’s teachers were often the first to recognize the symptoms of dyslexia,and the characters commonly received treatment through their schools. When analyzing the plot, the themes of acceptance and pretending as well as the shift from happy endings to realistic endings became apparent. When the portrayal of the child characters were analyzed, their strengths were in areas outside of reading and writing, and their weaknesses were due to dyslexia. In addition, the characters’ negative self-concept and their lack of ethnic diversity became evident. Lastly, the analysis of the character’s relationships with others showed the supportive role of their parents and teachers, along with the shifting portrayal of bullying classmates to supportive friends. The analysis of this thesis revealed similar findings to previous research conducted on children’s books portraying children with dyslexia,as well as comparable findings to the research on the real experiences of children who have dyslexia. children’s literature children’s picture books dyslexia learning disability specific learning disorder Social Sciences Interdisciplinary
2	Vad gör en bilderbok lättläst? : En studie av adaptationen av Astrid Lindgrens Emil i Lönneberga / What is it that makes a book more easy to read? : – A study of the adaptation of Astrid Lindgren’s Emil i Lönneberga & Emil efter Emil i Lönneberga. Olofsson, Linda January 2015 (has links) Abstract The aim of this study is to investigate how a picture book for children is transformed into an easy-to-read version for children who have just started reading. I examine two versions of Emil of Lönneberga. One of the books is the orginal picture book of Emil in Lönneberga and was written by Astrid Lindgren (1963), while the other is an easy-toreadversion of the book, as adapted by the author Helena Renvall (1977). I have conducted a comparative study as a text and picture analysis of the material, with the focus on the adaptation of the original story. The adaptation in this case is a revision intended to make the story easier to read and more accessible to today’s children. The most important finding of the study is that easily read information is not just a matter of simplifying the text; the form of both text and pictures is adapted. The text is characterized by simpler words and shorter sentences. The pictorial material has been increased and the originally black and white pictures have been given added red colour. Otherwise, most of the layout has been changed for several reasons, but generally speaking so that the relation between text and pictures on each spread will function inthe most easy-to-read way possible. Adaptation Astrid Lindgren children’s picture books easy to read text/image relationship convention Adaptation Astrid Lindgren bilderböcker för barn lättläst text- och bildrelation konvention Specific Languages Studier av enskilda språk
3	Quand les albums parlent d'Espace. Espaces et spatialités dans les albums pour enfants / When Picture Books Speak of Space. Spaces and spatiality in children’s picture books Meunier, Christophe 04 December 2014 (has links) Le travail présenté dans cette thèse s’inscrit dans le champ de la géographie culturelle et veut participer à prouver qu’il existe un tournant spatial tel qu’il a été défini par Edward Soja en 1996, qui permet de porter un regard autre sur les sociétés en les analysant à partir des objets culturels qu’elles produisent. Les albums pour enfants, ces livres conçus pour le jeune public qui combinent images, supports et très souvent textes dans un rapport d’interdépendance, constituent les objets de ce travail de recherches. Envisagés comme des produits culturels géographiques, ils interrogent, disent, représentent et mettent en scène espaces et spatialités. S’intéressant à un corpus d’albums iconotextuels narratifs édités en France entre 1919 et 2012, ce travail s’emploie à démontrer qu’il existe une interdépendance entre trois instances narratives (textuelle, iconique et plastique) et que cette interdépendance génère et imagine non seulement de l’espace pour le lecteur mais également une intentionnalité spatiale, une transmission d’un habiter tel qu’il est pensé par l’auteur-illustrateur. La dernière partie de ce travail, plus exploratoire, propose de voir dans l’album pour enfants un lieu de communication dans lequel l’intentionnalité spatiale aiderait le lecteur-enfant à agir sur de l’espace. La réception, l’expérience esthétique, la lecture performative de l’album permettraient à l’enfant de se construire un capital culturel spatial dans lequel il pourrait puiser pour « faire avec » l’espace qu’il habite ou qu’il aura à habiter. / The work presented in this dissertation fits in the field of cultural geography and hopes to prove that there exists a spatial turning point as defined by Edward Soja in 1996, which will allow a further look into societies, analyzing them by means of the cultural objects that they produce.Children’s picture books, these books conceived for the young public which combine images, props, and very often text in a relationship of interdependence, constitute the objects of this research work. Considered as geographic cultural products, they question, state, represent, and stage spaces and spatialities.Drawing from a body of narrative, iconotextual picture books published in France between 1919 and 2012, this work intends to demonstrate that there exists an interdependence among three narrative instances (textual, iconic, and plastic) and that this interdependence generates and imagines not only space for the reader but also a spatial intentionality, a transmission of living such as envisioned by the author-illustrator.The last part of this work, more exploratory, proposes seeing in children’s books a place of communication in which the spatial intentionality would help the child-reader to act on the space. The reception, the esthetic experience, the performative reading of the picture book would allow the child to construct for himself a spatial cultural capital in which he could delve to “play with” the space in which he lives or that he will have to live. Spatialité Habiter Iconotexte Album pour enfants Transaction spatiale Capital culturel Performativité Intertextualité Intericonicité Transfert spatial Sptiogenèse Produit culturel Ville Montagne Littoral Campagne Urbain Rural Espace domestique Enchantement Transpatialité Hyperspatialité Frontière Mobilité Spatiality Living Iconotext Children’s picture books Spatial transaction Cultural capital Performativity Intertextuality Inter-iconicity Spatial transference Spatiogenesis Cultural product City Mountain Shore Country Urban Rural Domestic space Enchantment Transpatiality Hyper-spatiality Boundary Mobility

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