During my eight years of work in the communication department of an NGO based in Kampala I have undetaken several workshops organized by istitutional donors, such as USAID, on how to write what the aid sector calls stories of change.  Puzzled by the information and skills obtained in such context and the stories I have encounter and wrote during my job from one side, and on the other side acknowledging how novels helped me to navigate my feeling of disorientation while living and experiencing the Ugandan context; I have decided to embark in this research to better understand where the stories produced by INGOs and the contemporary literature differentiate.  This research involves shedding light on the differences, both in narrative construction and their impact on readers, between modern and significant literary works, like novels and stories originating from the aid industry (INGOs). To this end, the investigation embraces three distinct sources: the novels “We Need New Names” and “Americanah,” along with a concise web-based tale released by USAID. The ultimate goal of the research is to explore the power of storytelling in shaping collective imaginaries.  To unravel the interconnection between narrative potency and collective immaginaries, this study centers on the portrayal of Black Women. It draws upon the insights of Postcolonialism and Black Feminism, while exploring pivotal concepts such as Representation, Voice, and Stereotype. The study employs content analysis and reflect on complexity of character depiction. The findings reveal that well-crafted characters in literature can challenge stereotypes associated with African women. Characters like Darling (We Need New Names) and Ifemule (Aamericanah) are portrayed with depth and complexity, offering a comprehensive and multifaceted representation that defies monolithic stereotypes. In contrast, the character Aberu (USAID webstory) lacks such depth, perpetuating limited views of African women.  Furthermore, the research also highlights the potential of round characters to engage readers on multiple levels, prompting changes in perspective. Ultimately, the study concludes that storytelling has immense power to shape perceptions and calls for crafting narratives that promote inclusive and authentic portrayals of African women. The research enabled me to identify the differences between storytelling on Black women of the ‘development industry’ and storytelling on Black women in the literary field, opening a reflection on the importance to engage with narratives and media.  Differences highlighted the need for INGOs to reassess their storytelling methods. Drawing inspiration from contemporary African literature may provide valuable insights and strategies to foster more authentic, complex, and nuanced representations of Black women.

This study analyses two non-western novels used in the subject of Swedish in upper secondary school: Fatou Diomes The Belly of the Atlantic and Chimamanda Ngozi Adichies Half a Yellow Sun. Looking at how the books female main character relate to Stuart Halls theory of cultural identity, I come to the conclusion that they somewhat differently relate to an essential ”authentic” self. Salie talks explicit about a generic African soul that she possesses. Olanna never talks about anything ”authentic”, but her narrative and contrary subject positions can be read as a way of demasking her European ”white” self in favour of a truer Igbo self. I also come to the conclusion that both novels use themes of alienation related to gender structures and positioned westernness and that this kind of reading could contribute to interesting classroom discussions about a dynamic interpretation on culture and identity.