劉秀菁. / "2006年8月" / 論文(碩士)--香港中文大學, 2006. / 參考文獻(leaves 37-39). / 附光碟規格: CD-ROM. / "2006 nian 8 yue" / Abstracts in Chinese and English. / Liu Xiujing. / Lun wen (shuo shi)--Xianggang Zhong wen da xue, 2006. / Can kao wen xian (leaves 37-39). / Fu guang die gui ge: CD-ROM. / 引旨 --- p.5 / Chapter 第一節 --- 國畫寫生 / Chapter 一 --- 傳統國畫的寫生觀念 --- p.7 / Chapter 二 --- 寫生在二十世紀的時代意義 --- p.11 / Chapter 第二節 --- 香港山水寫生 / Chapter 一 --- 傳統蛻變 --- p.14 / Chapter 二 --- 中西融合 --- p.24 / 結語 --- p.32 / 附錄一參考資料 --- p.37 / 附錄二 圖版 --- p.40

Cheng Hui Tung, Eos. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 409-416). / Abstracts in English and Chinese. / Acknowledgements --- p.vi / Chapter Part I --- Introduction / Chapter 1 --- Introduction of the Present Study --- p.1 / Chapter Part II --- Word-music Interactions in Translated Hymns Sung in Cantonese / Chapter 2 --- An Overview of Vocal Text Translating --- p.18 / Chapter 3 --- Word-music Interaction: Tone-melody Relationship --- p.87 / Chapter 4 --- "Word-music Interaction: Aspects of Time - Rhythm, Accent, and Phrasing" --- p.153 / Chapter 5 --- Word-music Interaction: Rhyming --- p.223 / Chapter 6 --- Word -music Interaction: Immediate Comprehensibility --- p.295 / Chapter 7 --- Reconciling Words and Music for a Dialectal Hymnal --- p.369 / Chapter Part III --- Conclusions / Chapter 8 --- Conclusions --- p.396 / References --- p.409 / Appendix: Development of Chinese Christian Hymns --- p.417

馬曼霞. / 論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1996. / 參考文献 : leaves 218-231. / Ma Manxia. / Chapter 第一章： --- 論文槪述 --- p.1 / Chapter 第一節： --- 論文題目簡介 --- p.1 / Chapter 第二節： --- 硏究動機與目的 --- p.3 / Chapter 第三節： --- 與本論文有關的粤劇音樂硏究 --- p.5 / Chapter 第四節： --- 硏究方法 --- p.8 / Chapter 第五節： --- 硏究範圍 --- p.10 / Chapter 第六節： --- 採訪對象及劇目取例 --- p.11 / Chapter 第二章： --- 粤劇敲擊音樂的發展及結構 --- p.16 / Chapter 第一節： --- 粤劇敲擊樂器溯源 --- p.16 / Chapter 第二節： --- 樂器簡介 --- p.25 / Chapter 第三節： --- 樂器使用的歷時流變 --- p.31 / Chapter 第四節： --- 樂部編制 --- p.39 / Chapter 第五節： --- 鑼鼓點記譜法 --- p.46 / Chapter 第六節： --- 鑼鼓點分類 --- p.68 / Chapter 第七節： --- 鑼鼓點結構 --- p.80 / Chapter 第三章： --- 粤劇敲擊音樂的功能 --- p.87 / Chapter 第一節： --- 開始´ؤ束戲劇 --- p.87 / Chapter 第二節： --- 作爲演出前的「通告」 --- p.99 / Chapter 第三節： --- 爲「例戲」作拍和 --- p.101 / Chapter 第四節： --- 作正本戲的拍和 --- p.105 / Chapter 第四章： --- 敲擊音樂於劇場內外的溝通方式 --- p.143 / Chapter 第一節： --- 「敲擊樂部」內部溝通方式 --- p.144 / Chapter 第二節： --- 與「旋律樂部」的溝通方式 --- p.177 / Chapter 第三節： --- 與演員及觀眾的溝通方式 --- p.192 / Chapter 第五章: --- 總結 --- p.203 / Chapter 第一節： --- 敲擊音樂的溝通條件 --- p.203 / Chapter 第二節： --- 掌板在劇場中擔當的角色 --- p.207 / Chapter 第三節： --- 結語 --- p.216 / 參考資料 --- p.218

鄧兆華. / 論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1996. / 參考文献 : leaves 220-230. / Deng Zhaohua [Tang Siu Wah]. / 前言 --- p.1 / Chapter 第一章 --- 粤劇《胡不歸》的背境和結構 --- p.6 / 粤劇《胡不歸》的寫作背境 --- p.6 / 粤劇《胡不歸》的結構 --- p.14 / Chapter 1 --- 粤劇《胡不歸》的劇本結構 --- p.14 / Chapter 2 --- 粤劇《胡不歸》的音樂結構 --- p.36 / 總結 --- p.46 / Chapter 第二章 --- 《胡不歸》的舞臺演出 --- p.47 / 過往的演出 --- p.47 / 分場的演變 --- p.51 / 人物塑造的演變 --- p.55 / 唱腔的演變 --- p.62 / Chapter 第三章 --- 《胡不歸》的電影改編 --- p.70 / 電影與戲劇的關係 --- p.70 / 《胡不歸》的電影版本 --- p.74 / 《胡不歸》電影的結構 --- p.78 / Chapter 1 --- 三套《胡不歸》電影的風格 --- p.78 / Chapter 2 --- 電影分場的概念 --- p.79 / Chapter 3 --- 電影的開場戲與演出環境 --- p.80 / Chapter 4 --- 《新馬仔胡不歸》的結構 --- p.82 / Chapter 5 --- 電影《胡不歸》(1958年）的結構 --- p.85 / Chapter 6 --- 《七彩胡不歸》的結構 --- p.87 / Chapter 7 --- 電影版本在分場上的異同 --- p.88 / 《胡不歸》電影的人物塑造 --- p.90 / Chapter 1 --- 三套《胡不歸》電影的人物 --- p.90 / Chapter 2 --- 主要人物的性格 --- p.91 / Chapter 3 --- 三套《胡不歸》電影中人物處理的社會意義 --- p.95 / 《胡不歸》電影的唱腔結構 --- p.98 / Chapter 1 --- 三套《胡不歸》電影的主要唱段 --- p.98 / Chapter 2 --- 小曲的應用 --- p.99 / Chapter 3 --- 黃梅調的運用 --- p.103 / Chapter 4 --- 《劉三姐》山歌的運用 --- p.107 / Chapter 5 --- 主要唱段的比較 --- p.109 / Chapter 第四章 --- 《胡不歸》的粤曲版本 --- p.112 / 粤曲的演出形式 --- p.112 / Chapter 1 --- 「粤曲」的定義 --- p.112 / Chapter 2 --- 八音班 --- p.113 / Chapter 3 --- 粤曲社團 --- p.114 / Chapter 4 --- 歌壇 --- p.115 / Chapter 5 --- 粤曲演唱會 --- p.117 / Chapter 6 --- 電臺廣播 --- p.118 / Chapter 7 --- 唱片 --- p.119 / 《胡不歸》的唱片改編 --- p.122 / Chapter 1 --- 故事性與人物 --- p.122 / Chapter 2 --- 單支粤曲的完整性 --- p.123 / Chapter 3 --- 小曲的應用 --- p.125 / Chapter 4 --- 口白的應用 --- p.127 / Chapter 5 --- 板腔結構 --- p.128 / Chapter 6 --- 唱腔風格 --- p.130 / 一個特別的改編版本：《新胡不歸之逼婆離家》 --- p.135 / Chapter 1 --- 創作背境 --- p.135 / Chapter 2 --- 結構與人物 --- p.136 / Chapter 3 --- 唱腔安排 --- p.139 / Chapter 4 --- 時代意義 --- p.142 / Chapter 第五章 --- 結論 --- p.144 / 附錄一本文參考的粤劇、電影及唱片版本 --- p.154 / 附錄二 譜例 --- p.156 / 附錄三粤劇《胡不歸》劇本 --- p.186 / 附錄四粤劇、電影《胡不歸》演出的報紙廣告 --- p.211 / 參考文獻 --- p.220

by Chan Shin Kwan, Meimei. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1996. / Includes bibliographical references. / Appendix in Chinese. / ACKNOWLEDGEMENT --- p.i / TABLE OF CONTENTS --- p.ii / Chapter CHAPTER ONE --- INTRODUCTION --- p.1 / Chapter I. --- Life and Form --- p.2 / Chapter 1. --- Lukacs and alienation / Chapter 2. --- Longing and Form / Chapter II. --- Generic Form --- p.7 / Chapter III. --- Idea of the Child --- p.10 / Chapter IV. --- Longing and Hong Kong Children's Literature --- p.13 / Notes --- p.17 / Chapter CHAPTER TWO --- "LONGING, HOME AND THE HISTORY OF CHILDREN'S LITERATURE IN HONG KONG" --- p.19 / Chapter I. --- The Chinese Idea of the Child --- p.21 / Chapter II. --- Before the Sixties: Hong Kong - Mainland Interaction --- p.25 / Chapter 1. --- Modern Children Magazine and Hong Kong-Mainland Interaction before1949 / Chapter 2. --- The Fifties and Sixties: Blooming of Children's Magazines and Textbooks / Chapter III. --- Rise of Local Consciousness and the Development of Children's Literature System in the Seventies --- p.33 / Chapter 1. --- Identity Formation / Chapter 2. --- Institutional Discourse on Children / Chapter 3. --- Realism in Children's Literature / Chapter IV. --- The Eighties: Formation of a Modern Cultural Production System --- p.40 / Chapter 1. --- Emergence of a Full-fledged Children Literary System / Chapter A. --- Formation / Chapter B. --- The Children's Books Publishing Industry / Chapter C. --- Dominance of the Market Force / Chapter 2. --- The 1997 Factor / Chapter V. --- Ambivalence in the Nineties --- p.47 / Chapter 1. --- "June Fourth, Emigration Wave and Other Adverse Conditions" / Chapter 2. --- Changing Ideas of the Child and the Return to Childhood / Chapter VI. --- Concluding Remarks --- p.52 / Notes --- p.54 / Chapter CHAPTER THREE --- CHILDREN'S LITERATURE AS A GENRE --- p.59 / Chapter I. --- Definitions of Children's Literature --- p.59 / Chapter II. --- A Brief Review on the History of Children's Literature --- p.62 / Chapter III. --- Aesthetics versus Pedagogy --- p.67 / Chapter IV. --- "Dialogism, The Evaluation of Children's Literature" --- p.74 / Notes --- p.80 / Chapter CHAPTER FOUR --- GENRE OF LONGING --- p.82 / Chapter PART I --- Coming to Terms with Past Self -- Longing and Childhood Autobiography --- p.83 / Chapter I. --- "Story, Text and Narration" --- p.84 / Chapter II. --- Story on Death: Adults and Past Self in Me and Kissing --- p.85 / Chapter III. --- "Dialogism, The Construction of Possible Worlds" --- p.92 / Chapter 1. --- Possible Worlds and Children's Literature / Chapter 2. --- Credibility and Authenticity in Possible Worlds in Me and Kissing / Chapter 3. --- Construction of Subject Positions in Possible Worlds in Me and Kissing / Chapter IV. --- "Longing, Death, Childhood and Past Self" --- p.102 / Notes --- p.104 / Chapter PART II --- The Negotiation of Identity -- Short Story on Home --- p.106 / Chapter I. --- "Longing, Home and Identity" --- p.106 / Chapter 1. --- Longing and Home / Chapter 2. --- Hong Kong and Identity Crisis --- p.109 / Chapter II. --- Home is What We Construct --- p.110 / Chapter III. --- The Politics of Hope --- p.112 / Notes --- p.116 / Chapter Part III --- Longing For Utopia -- Social Criticism and Fables --- p.117 / Chapter I. --- """Urban"" Fables" --- p.118 / Chapter II. --- Intertextuality and Fables --- p.121 / Chapter 1. --- Intertextuality and Establishment of New Values / Chapter 2. --- The Working of Intextuality: Scaffold and the Zone of Proximal Development / Chapter III. --- Dystopia and Utopia: The Collective and the Individual in A Nong's Fables --- p.127 / Chapter IV. --- McMug and Dreams --- p.130 / Chapter 1. --- Fantastic Urban Fables / Chapter 2. --- Intertextuality in McMug / Chapter 3. --- Longing and McDull / Chapter 4. --- A Dream in Ambivalence / Notes --- p.137 / Chapter CHAPTER FIVE --- CONCLUSION --- p.138 / WORKS CONSULTED --- p.148 / Chapter I. --- Primary Works / Chapter II. --- Secondary Sources --- p.152 / Chapter III. --- Annotated Bibliography of Critical Works on Children's Literature --- p.170 / APPENDIX

高國雄. / "2008年5月". / "2008 nian 5 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 49-50). / Abstracts in Chinese and English. / Gao Guoxiong. / Chapter 【第一章】 --- 引言 --- p.1 / 本文所硏究的範圍及其進路 --- p.1 / 粤語的特色，粤語歌曲的限制 --- p.3 / 本文的硏究進路、方法 --- p.5 / 本文的限制 --- p.6 / Chapter 【第二章】 --- 本地基督新教現代粤語詩歌的發展槪況 --- p.7 / Chapter 【第三章】 --- 一個新的開始 --- p.9 / 本地基督新教現代粤語詩歌的起源 --- p.9 / 陳以誠與《怎能忘記》 --- p.9 / 現代粤語詩歌運動的萌芽一由《齊唱新歌》開始 --- p.11 / 《城市之歌》的特色 --- p.12 / 《齊唱新歌》第一、二集的特色及ACM的誕生 --- p.14 / 《齊唱新歌》的成長期（第一集到第六集） --- p.16 / 教會界不同的反應 --- p.17 / 新的取向（《齊唱新歌》第七、八集) --- p.20 / 《齊唱新歌》的高峰與沒落（第九集） --- p.22 / 《齊唱新歌》成功的因素 --- p.23 / Chapter 【第四章】 --- 「『外展唱片』一要進入世界」 --- p.26 / 「赤道」的誕生 --- p.26 / 「赤道」的成長 --- p.28 / 「赤道」的沒落 --- p.34 / Chapter 【第五章】 --- 一次破天荒的合倂 --- p.39 / 合倂白勺背景 --- p.39 / 合倂的對象:「城市旋律協會」 --- p.41 / 合倂的原因、過程 --- p.42 / 合倂還是吞倂？ --- p.43 / 合倂的影響 --- p.44 / Chapter 【第六章】 --- 綜合與總結 --- p.45 / 經濟的影響 --- p.45 / 教會的支持 --- p.46 / 個別人才的問題 --- p.47 / 永恆的張力 --- p.47 / 現代粤語詩歌的貢獻 --- p.48 / 參考資料 --- p.49 / 附件一 〈本地基督新教現代粤語詩歌(1980-1998)´ؤ覽表〉Error! Bookmark not defi / 附件二 產品圖片 --- p.93

Kwong, Yu Tao Wilfred. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 104-109). / Includes Chinese characters; abstracts also in Chinese. / Chapter ONE --- Introduction / Definitions for the Epic --- p.6 / The Original Meaning of “επo₁ت´ح --- p.10 / The Ancients´ة Definition of “επo₁ت´ح --- p.12 / The Greek Hexameter and the Chinese Tetrameter --- p.15 / The Shijing as China´ةs Epic --- p.16 / Chapter TWO --- The Shijing's Epic Language / Variant Forms and Synonyms --- p.18 / Traditional Oral Language --- p.19 / Emphatic Particles and Xuci --- p.23 / Flexibility and Malleability of Oral Language --- p.26 / Summary --- p.30 / Chapter THREE --- The Shijing's Epic Structure / Repetition and Formulae --- p.31 / Formulaic Structure --- p.37 / Artis Causa --- p.40 / The Role of Xuci Particles --- p.45 / Summary --- p.47 / Chapter FOUR --- The Shijing 's Epic Content / Archaic content --- p.48 / Sacrificial Rites --- p.49 / War Honour and Glory --- p.61 / Nature Plants and Animals --- p.67 / Digressions --- p.74 / Oral Context of Visual Digressions --- p.81 / Summary --- p.91 / Chapter FIVE --- Remaining Differences between the Shijing and Homer / Difference in length --- p.92 / Narrative versus lyric --- p.93 / Cultural Differences --- p.95 / Chapter SIX --- Conclusion / BIBLIOGRAPHY

Thesis (Ph. D.)--University of Hawaii at Manoa, 2005. / Includes bibliographical references (leaves 217-239).

published_or_final_version / Nursing Studies / Doctoral / Doctor of Philosophy

Intangible cultural heritage (henceforth ICH), a living expression of indigenous culture and traditions, have been orally transmitted through generations. As the heritage bearers are usually aged and have mere opportunities to pass on their knowledge to young practitioners, ICH are disappearing at a rapid pace. Safeguarding ICH is a battle against time. Since the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage (henceforth the Convention) was adopted in 2003, China has been proactive in participating in the Convention and safeguarding its ICH. Ratified the Convention on 2 December 2004, China was the sixth out of the 143 State Members deposited the Convention1. China’s prompt response to the Convention could show how determined she was in safeguarding its ICH. Hong Kong agreed to apply the Convention in December 2004 but the early adoption of the Convention did not help Hong Kong to keep its pace on safeguarding ICH. During the 6 years practice of safeguarding ICH since 2006, China had already built its ICH inventory through announcing 3 batches of National ICH List and inscribing 2500 plus elements, established a ICH Transmitters List with 1400 plus transmitters, and most importantly, adopted the Safeguarding of the Intangible Cultural Heritage Law (henceforth the China ICH Law). In contrast, Hong Kong has not even completed its territory-wide survey until now for its first batch of inventory, not to mention setting up a safeguarding ICH policy. Hong Kong’s achievement in safeguarding ICH so far is inscribing Cantonese Opera onto The Representative List of the Intangible Cultural Heritage of Humanity (henceforth the UNESCO Representative List) with joint effort from Macao and Guangdong in 2009; inscribing Cantonese Opera and Chinese Herbal Tea onto the National Intangible Cultural Heritage List (henceforth the National ICH List) with joint effort from Macao and Guangdong in 2006. However, the first time Hong Kong successfully inscribe ICH elements onto the National ICH List with its own effort was in 2011, five years after its ICH safeguarding ICH work kicked off. Meanwhile, Hong Kong has paid a lot more effort in safeguarding Cantonese Opera. There have been research to preserve scripts and masterpieces; there is an advisory committee and a fund set up to dedicatedly support Cantonese Opera; new Cantonese Opera venues are developing by the Government; a programme developing young troupe for inheriting the skills from Cantonese Opera masters is set up. In this dissertation, I will study the safeguarding ICH progress made in UNESCO, China, Hong Kong and safeguarding Cantonese Opera progress in Hong Kong in terms of different safeguarding measures as defined by UNESCO. From the comparison between the safeguarding progress of Hong Kong on ICH and Cantonese Opera respectively, answers can be found to improve the safeguarding ICH situation in Hong Kong. / published_or_final_version / Conservation / Master / Master of Science in Conservation