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Trilogia Qatsi : visões e movimentos de mundo / Qatsi trilogy : visions and movements of worldBonotto, André, 1985- 14 August 2018 (has links)
Orientador: Francisco Elinaldo Teixeira / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Campinas / Made available in DSpace on 2018-08-14T18:12:04Z (GMT). No. of bitstreams: 1
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Previous issue date: 2009 / Resumo: Este é um trabalho de análise fílmica da trilogia Qatsi (Koyaanisqatsi, owaqqatsi, aqoyqatsi), dirigida por Godfrey Reggio. É apresentada de início uma bio-filmografia do diretor, indicando sua trajetória e comentando um pouco sobre cada um de seus filmes. A seguir passa-se à análise dos filmes da trilogia, abordando-se primeiro Koyaanisqatsi, quanto aos movimentos de aceleração realizados ao longo das passagens fílmicas, decorrentes principalmente da captação de imagens aceleradas, da movimentação de câmera, e da relação imagem-música. É analisado então Powaqqatsi, discutindo-se um elemento fabulativo que envolve o filme: tanto os povos representados nele, quanto o próprio processo de realização fílmica. Passa-se à análise de Naqoyqatsi, apontando-se a diversidade de materiais visuais utilizados, com o predomínio das imagens técnicas, midiáticas, e virtuais, e sua relação no choque entre dois impulsos contrários, um de caos e o outro de controle. Após essa primeira parte são retomadas as questões principais trabalhadas em cada filme, observando-se a relação de cada uma com os outros filmes - o universo de toda a trilogia. Abre-se com isso o horizonte inicial, relacionando-se então os filmes da trilogia Qatsi com filmes do movimento das sinfonias da cidade, através de relações estéticas, e de algumas relações temáticas. Por fim, expande-se um pouco mais o horizonte do trabalho, identificando-se características dos filmes analisados com elementos oriundos da intersecção dos domínios do cinema documentário com o do cinema experimental, como as constantes fragmentações das narrativas e anamorfoses das imagens. A intersecção desses domínios possibilitaria a existência da estilística fílmica designada como documentário poético, o que se considera ser o caso dos filmes abordados neste trabalho. / Abstract: This work is a filmic analysis of the Qatsi trilogy (Koyaanisqatsi, Powaqqatsi, Naqoyqatsi), directed by Godfrey Reggio. Firstly, it is presented a bio-filmography of the director, indicating his trajectory and some comments on each of his films. Then, the analysis of the trilogy takes place, beginning with Koyaanisqatsi and focusing the acceleration movements along the filmic passages, mainly due to the registration of accelerated images, camera movement and music-image relationship. The Powaqqatsi analysis involves the discussion of the fabulative element present in the film: on the people and actions represented as well on the own filmmaking process. During the Naqoyqatsi analysis, it has been pointed out the diversity of visual materials used, in which dominate technical, mediatic and virtual images, and their relation with the shock of two opposite impulses, i.e. chaos and control. Further, the major issues focused in each film are again considered, taking into account their relations with the other films - the universe of the whole trilogy. The opening of the initial horizon occurs relating the films of the Qatsi trilogy with those of the movement of the city symphonies, through aesthetic and some thematic relationships. Finally, it is performed a further expansion of the initial horizon, identifying characteristics of the films analyzed with elements originated from the intersection of the documentary and experimental film domains, like the frequent narratives fragmentation and anamorphic image fluxes. The intersection of these fields would allow the characterization of the filmic stylistics known as poetic documentary, that is considered to be the case of the films here analyzed. / Mestrado / Mestre em Multimeios
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Fantômes, slashers et monstres dans le cinéma fantastique espagnol (1993-2005) : une approche du cinéma fantastique réalisé par les jeunes metteurs en scène espagnols des années 1990 et 2000 / Ghosts, slashers and monsters in Spanish fantastic cinema (1993-2005) : an approach to fantastic cinema by young Spanish directors from the 1990s and 2000sRamos Alquezar, Sergi 04 December 2015 (has links)
La thèse propose une approche du cinéma fantastique espagnol des années 1990 et 2000, et plus spécifiquement de la période allant de 1993 à 2005. En effet, on assiste alors à l’arrivée d’une nouvelle génération de réalisateurs qui donne un nouvel élan au genre en se le réappropriant. Nous partons du constat initial qu’au sein des diverses approches du genre présentes dans chacun de ces films, le fantastique espagnol semble privilégier l’apparition de trois incarnations du surnaturel : le fantôme, le slasher et le monstre. Notre étude se penche sur chacune d’entre elles afin de dégager quelles sont les lignes de force qui les structurent. Pour cela, nous nous servons de la notion de figure, qui à partir de l’étude de la représentation cinématographique des corps, permet également de déterminer quels sont les enjeux thématiques qui y sont associés, ainsi que la reconfiguration particulière que chacune d’entre elles opère sur le genre fantastique. / This thesis tackles Spanish fantastic cinema from the 1990s and 2000s, and more specifically from 1993 to 2005. Indeed, this period of time corresponds to the rising of a new generation of directors who gave a new impetus to the genre by re-appropriating it. We start off with the initial premise that within the various approaches of the genre present in each of these films, the Spanish fantastic seems to favour the emergence of three types of supernatural : the ghost, the slasher and the monster. Our study focuses on each of these types so as to highlight its structuring driving forces. In that respect, we use the notion of figure which, based on the study of the cinematographic representation of bodies, also allows to determine the thematic stakes related to it, as well as the specific reconfiguration that each of them operates on the fantastic genre.
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