A qualitative study of the Swedish Instagram account Kvinnohat´s framing of media criticism. The Instagram account Kvinnohat is an example when citizens with a feminist agenda participate in a public debate. With a critical point of view Kvinnohat approach society; which media is a part of. Social network with photo-sharing implement such as Instagram is a quite new type of social media. Instagram has quickly become a part of many peoples everyday life, especially among adolescents. Kvinnohat allows guest admins to do personal photo-sharing from the account Kvinnohat so that different feminist users have an opportunity to express their opinions. We have analyzed how Kvinnohat use rhetorical strategies and frames to express their opinions about media. By analyzing the frames with help of Robert Entmans (2004) Cascading Activation Model the result of the study shows how Kvinnohat frame their content. The semiotic analysis reveals the visual rhetoric in the post and is a supplement for the rhetorical analysis in which the strategies appears. The result of the study showed that the attitude in Kvinnohat's media criticism is both negative and positive. Kvinnohat and like-minded followers are not only consuming media but also questioning the content and the media industry. The founders of Kvinnohat often recommend their followers a positive media content where the content shows a norm critical perspective. The negative critique practiced by Kvinnohat tend to inform and educate their audience of a problem. To strengthen a relationship between Kvinnohat and its followers, Kvinnohat tend to be personal in their posts by relating to their followers, and inspire them to interact.

<p>In Canada, as in the United States, cities seemed to many to be in complete disarray in the 1960s. Growing populations and the resultant increased demands for housing fed rapid suburban sprawl, creating a postwar burst of urban and suburban planning as consultants were hired in city after city to address the challenges of the postwar era. During this period expressway proposals sparked controversy in urban centres across the developed world, including every major city in Canada, namely Vancouver, Edmonton, Winnipeg, Toronto, Montréal and Halifax. Residents objected to postwar autocentric planning designed to encourage and promote the continued growth of city centres. Frustrated by unresponsive politicians and civic officials, citizen activists challenged authorities with an alternate vision for cities that prioritized the safeguarding of the urban environment through the preservation of communities, the prevention of environmental degradation, and the promotion of public transit. As opponents recognized the necessity of moving beyond grassroots activism to established legal and government channels to fight expressways, their protests were buoyed by the rapidly rising costs that plagued the schemes. By the latter half of the 1960s, many politicians and civil servants had joined the objectors. Growing concerns over the many costs of expressways -- financial, social, environmental, and eventually, political -- resulted in the defeat of numerous expressway networks, but most were qualified victories with mixed legacies.</p> <p>Expressway disputes were an instrumental part of a wider struggle to define urban modernity, a struggle that challenged the basis of politicians and civil servants power by questioning their legitimacy as elected leaders and uniquely qualified experts, respectively. The subsequent emergence of urban reform groups that sought to change the direction of city development by challenging the autocratic municipal bureaucracies was the direct legacy of expressway and other development battles. Despite this, autocentric planning continued and demands for greater citizen participation did not result in significant changes to the form and function of municipal governments.</p> / Doctor of Philosophy (PhD)

In this examination of citizen surveillance, I engage with Foucaultian and Deleuzian conceptualizations of surveillance, power, resistance, control, and desire, to explore the motivation(s) of community members who film and disseminate footage of the police. Methodologically, I conducted semi-structured interviews with community stakeholders to study the latent thematic ideas embedded in their responses. These themes represent the underlying motivational factors a citizen surveiller may have when filming the police. In my analysis of these themes, I explore: citizen surveillers’ logic for resisting power; citizen surveillers’ understandings of power; and, citizen surveillers’ reported approaches to both passive and active forms of resistance. Subsequently, there appears to be an underlying desire for power and a resistance to power when filming the police. However, given the exploratory nature of this study, there is a need to continue investigating the theoretical and under substantiated claims about citizen surveillance and its association with race, gender and socio-economic status.

The aim of this thesis is to investigate how digital activism is conducted on Twitter, particularly in relation to the dialogues and demands for Europe’s green economic recovery plan from COVID-19. It seeks to analyse the communication made using #GreenRecovery on Twitter by various actors over the period of May to June 2020, guided by the theory of public sphere and social movement and literature on digital activism, hashtag activism, Corporate Social Responsibility (CSR) and Corporate Political Activity (CPA) using a qualitative and quantitative content analysis.By analysing the frequency patterns of tweets and by uncovering the different types of communication, this paper sheds light on the users involved as well as the issue frames and mobilisation strategies that were visible in the #GreenRecovery discourse . Results of this study demonstrate that #GreenRecovery is used by varying actors on Twitter such as individuals, social movements, businesses and others. Furthermore, the hashtag has been used to raise awareness, communicate particular information, mobilize action and also employ assertion as dominant digital spectator activity. Tweets with #GreenRecovery was primarily framed towards the need for a redesign of the economy, indicating demands for changes in policies by targeting accounts of political actors from the EU Commission. It is further implied that during the discourse, #GreenRecovery acted as a structural signifier as a response to the leaked proposal of the Recovery Plan demonstrating that it has the potential to create hashtag communities.