Missing from the discussion surrounding the use of coinage in select burials within southern Italian Greek necropoleis in the fourth and third centuries BCE is an attempt to reconstruct the ancient conception of the ritualistic function of coinage. It is through a chronological survey of epigraphical evidence for temple finances that we can trace the concurrent developments of the recognition of a fiduciary value to money, on one hand, and the acceptance of a ritualistic function to coinage on the other. Both occur simultaneously in Magna Graecia where the earliest coins in burial have been found. The case study of Metaponto, an archaeological site around the Lucanian Apennines, reveals a correspondence between an Oscan assemblage of funerary equipment and the presence of coinage. One tomb in particular contains an old coin’s ceramic impression, a clear representation of a value above that of its monetary model. Indigenous Italian agency ought therefore be considered when explaining, not just the ritualistic deposition of bronze coinage in Italy, but also a broader recognition of the sacred and fiduciary value to coinage which led to its deposition. / Thesis / Master of Arts (MA) / When did humans start conceptualising the abstract notion of value which underpins modern paper money? The time of Socrates’ death was one of economic transition, when coins were first integrated into funerary rituals, used as religious dedicatory offerings, and minted in a new metal, bronze. These concurrent developments stemmed from the need for Greeks, using silver, to exchange with indigenous Italians who used bronze. This created a symbolic value for the bronze coins which was manifested in the contemporaneous acceptance of coinage in religious rituals. The case study of Metaponto, a Greek city founded in southern Italy, demonstrates the indigenous Italian impetus to include coinage in funerary assemblages, and by extension, their involvement in redefining the economic conception of money. A ceramic impression of an older coin found in one of these burials, is similar to paper money in that it represents a value abstracted from its silver model.

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<p>Race and gender categories have rarely operated in isolation in the lives of Afro-Brazilian women, intersecting to shape their historical and social positioning, everyday experiences, and collective activism. Despite opposition from the Brazilian state and some civil society groups, the Afro-Brazilian women’s movement has increased awareness of the specificity of black women’s identities and oppressions. In recent years their activism has moved beyond Brazil’s borders through participation in United Nations (UN) Conferences. Yet, the dynamism of Afro-Brazilian women’s intersectional identities and their strategic use to gain legitimacy in these arenas has remained noticeably understudied.</p> <p>This dissertation argues that since activist groups do not participate in transnational forums detached from their specific histories and localized experiences, their actions, and strategies must be historically grounded. It draws upon the major arguments of postcolonial feminism, intersectionality, and the political process model to examine how national and transnational processes have shaped the identity articulations and mobilization strategies of Afro-Brazilian women activists. Four distinct processes operating in and outside of Brazil are identified as critical to the identity positions, strategies, and overall trajectory of the Afro-Brazilian women’s movement: colonialism, slavery, democratic transition, and preparations for and proceedings of UN Conferences. The influence of Afro-Brazilian women activists in domestic policy domains and internal movement dynamics are also explored. The result is a comprehensive analysis of the intricate workings of race and gender categories in activist spaces and the multiple historical and contextual factors which shape their configuration, intersection, and impact.</p> / Doctor of Philosophy (PhD)

Titled as a play on Mindy Kaling’s 2011 book, Is Everyone Hanging Out Without Me? (And Other Concerns), this thesis highlights the obstacles women, the genre of comedy, and dramaturgs face in order to be taken seriously in the arts. Using the work of Mindy Kaling, I explore how she uses comedy as a means of defying the expectations put upon her as an Indian American woman in order to provide context for the ways in which the marginal statuses of women of color and comedy overlap. In an effort to demonstrate the ways in which comedy can be utilized as a tool for social change and the ways in which the work of a dramaturg can support that, this thesis documents the planning and execution of three events that accompany this written document: a production of Mindy Kaling and Brenda Withers’ 2002 play, Matt & Ben; a screening of the 1997 Oscar-winning film, Good Will Hunting; and a Q+A conversation with Broadway’s most-produced female playwright, Theresa Rebeck. My work is shaped by various theoretical frameworks, including intersectional feminism, symbolic annihilation, charged humor, and gender performance theories, seeking to establish that my dramaturgical, comedic, and feminist sensibilities are all driven by the same empathetic impulse that sits at the very core of my artistry and arguing that despite a vast history of marginality, dramaturgs, comics, and women can be powerful agents of change.

ABSTRACT HEARD OR DREAMED ABOUT MAY 2014 PRIYA NADKARNI, B.F.A. RUTGERS UNIVERSITY M.F.A. UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor Shona Macdonald

Typical identity stereotypes for South Asian Americans, such as the model minority myth, do not convincingly support a trajectory into K–12 education, as South Asian Americans are not readily seen as agents for social change. This qualitative study explored how South Asian American educators’ understanding of their ethnic and racial identity interplayed with their practice as critically conscious educators for social justice. Eleven participants who self-identified as social-justice-oriented were interviewed to share their experiences as South Asian American educators. Their responses revealed South Asian American educators develop their ethnic identity consciousness in complex ways, demonstrating self-awareness and subsequently draw upon their ethnic attachment and racialized experiences to perform as critically conscious educators, developing strong relationships with students from marginalized backgrounds and advancing equity in their schools. The participants’ positionalities reveal that South Asian Americans have tremendous potential as educators for social justice in education.

This text provides an environmental justice analysis of the stories of the people who lived in the Owens Valley, who watered its land and cultivated its crops—pine trees, apple trees, and kabocha alike. Telling the personal stories of challenge and resistance that manifested alongside the oppressive forces of military and state domination provides the opportunity to align forcibly relocated, exploited and incarcerated people’s struggles throughout time. This text starts with The Nü’ma Peoples who were the first humans to live in the Owens Valley and continues with the struggle for empire between rival colonial empires of agriculture and distant urban cities. Its final chapters end with an in-depth and personal exploration of the unconstitutional incarceration of 117,000 people of Japanese ancestry in the United States during World War II. All the while it weaves in poetry, art and grassroots stories of resistance. It is a call to action for Environmental Studies and Ethnic Studies Departments to link the critical analysis within their disciplines to tell more accurate histories.

This project explores the ways in which key literary texts reproduce, undermine, or otherwise engage with cultural narratives of the so-called Bible Belt. Noting that the evangelicalism that dominated the South by the turn of the twentieth century was, for much of the antebellum period, a relatively marginal and sometimes subversive movement in a comparatively irreligious region, I argue that widely disseminated images and narratives instilled a false sense of nostalgia for an incomplete version of the South’s religious heritage. My introductory chapter demonstrates how the South’s commemorated “Old Time” religion was not especially old, and how this modernist construct of an idealized past helped galvanize Southern evangelicalism into a religion that more readily accommodated racial hegemony in the present. The following three chapters examine Faulkner’s Light in August, O’Connor’s Wise Blood, and Hurston’s Jonah’s Gourd Vine and Moses, Man of the Mountain. I find that each of these novels embeds traces of forgotten religious dissidence. The modern nostalgia for a purer old-time religion, my readings suggest, says less about the history of religion in the South than it does about New-South efforts to merge evangelical and “Southern” values, thereby suppressing any residual opposition between them.

The purpose of this ethnographic study was to examine the process of a family therapist entering and then navigating the cultural system of working with substance abusing Seminole tribal clients. The study also utilized two tribal members sharing their opinions about how Seminoles view therapy. As noted in the interview questions and responses, the research presented guidelines for family therapists to follow when working with tribal members. Because there has been no study conducted with family therapists providing clinical services to tribal members, this study introduced tools for clinicians to keep in mind and utilize when working with tribal clients. The interviews illustrated what specific routes therapists may take with tribal clients in order to join and connect. This study provided the field of family therapy an opportunity to become familiar with the Seminole tribe, and guidelines of how to remain mindful when working with this unique population. These results were supplemented by the researcher providing personal reflections on her experiences with tribal clients.

In June of 1844, James D. Saules, a black sailor turned farmer living in Oregon's Willamette Valley, was arrested and convicted for allegedly inciting Indians to violence against a settler named Charles E. Pickett. Three years earlier, Saules had deserted the United States Exploring Expedition, married a Chinookan woman, and started a freight business on the Columbia River. Less than two months following Saules' arrest, Oregon's Provisional Government passed its infamous "Lash Law," banning the immigration of free black people to the region. While the government repealed the law in 1845, Oregon passed a territorial black exclusion law in 1849 and included a black exclusion clause in its 1857 state constitution. Oregon's territorial delegate also convinced the U.S. Congress to exclude black people from the 1850 Donation Land Act. In each case, Oregon politicians suggested the legacy of the Saules case by stressing the need to prevent black men, particularly sailors, from coming to Oregon and collaborating with local indigenous groups to commit acts of violence against white settlers. This thesis explains the unusual persistence of black exclusion laws in Oregon by focusing on the life of Saules, both before and after white American settlers came to the region in large numbers. Black exclusion in Oregon was neither an anomalous byproduct of American expansion nor a means to prevent slavery from taking root in the region. Instead, racial exclusion was central to the land-centered settler colonial project in the Pacific Northwest. Prior to the Americanization of the Pacific Northwest, the region was home to a cosmopolitan and increasingly fluid culture that incorporated various local Native groups, exogenous fur industry workers, and missionaries. This was a milieu made possible by colonialism and the rise of merchant capitalism during the Age of Sail, a period which lasted from the sixteenth to the mid-nineteenth century. This was also likely a world very familiar to Saules, who had spent his entire adult life aboard ships and in various seaports. However, the American immigrants who began arriving in Oregon in the early 1840s sought to dismantle this multiethnic social order, privatize land, and create a homogenous settler society based on classical republican principles. And although Saules was born in the United States, American settlers, emboldened by a racialist ideology, denied most non-whites a place in their settler society. Furthermore, during the early decades of resettlement, white American settlers often felt vulnerable to attacks from the preexisting population. Therefore, many settlers viewed free black men like Saules, a worldly sailor with connections among Native people, as potential threats to the security of their nascent communities.