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Doct. Thesis : Department of English : University of Uppsala, Uppsala : 1991. / Includes the text of two Crane short stories: The bride comes to Yellow Sky and the The blue hotel.

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Made available in DSpace on 2015-05-14T16:53:31Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-12-17Bitstream added on 2015-05-14T16:58:41Z : No. of bitstreams: 1 000822807.pdf: 2490750 bytes, checksum: 63c6e64b9cfda3ae1e4468ed50ed6b8a (MD5) / Esta tese examina a imagem da personagem prostituta em Maggie: A Girl Of The Streets de Stephen Crane, publicado em 1896, focalizando os conceitos da crítica feminista na realização da leitura e interpretação da protagonista Maggie Johnson, o que significa ler a partir da experiência feminina de interpretação, atribuindo novos significados com essa nova leitura, considerando as imagens e estereótipos da mulher na literatura. Pressupomos que a personagem segue modelos de representação do feminino, tradicionalmente difundidos pela literatura, especialmente nas obras naturalistas, em que se elege a fallen woman como protagonista de diversas histórias de degradação e morte. Por meio do estudo feito sobre a mulher prostituta na literatura, fomos capazes de refletir a respeito da condição feminina, no século XIX, observando a incapacidade da personagem de se integrar socialmente, entre outros problemas acarretados pela vida degradada que experimenta. Moradora de cortiços, está retratada por Crane em um ambiente selvagem, nesse caso, na cidade de Nova York, em pleno desenvolvimento industrial. Apesar de ser personagem protagonista, o autor acentua o aspecto frágil e ingênuo da personagem, apresentando-a como se fosse intelectual e moralmente inferior, incapaz de atuar contra a fatalidade já predeterminada, realizando uma crítica da situação da mulher trabalhadora naquele contexto. Sabemos que o autor assume postura antagônica a de seus predecessores, românticos, e, por essa razão, caracteriza Maggie enfatizando os conceitos românticos na construção da personagem, no intuito de se opor às regras formais e ideológicas do Romantismo. A característica fundamental de Crane é a ironia presente na narrativa, em que as circunstâncias se mostram mais contraditórias revelando valores morais, do mesmo modo, conflitantes. Analisamos a representação da mulher marginal na literatura, bem como procuramos esclarecer alguns... / The thesis examines the image of the prostitute in Maggie: A Girl Of The Streets of Stephen Crane, published in 1896 focusing the concepts of feminist criticizes assumed to read and interpret the character Maggie Johnson. It reading from the female experience of interpretation, giving new meaning with this new reading. We assume that the character follows models of representation of women, traditionally widespreaded in the literature, especially in naturalistic works. They elect a fallen woman as the protagonist of several stories of degradation and death. Through the study on women prostitutes in the literature, we were able to reflect on the condition of women in the nineteenth century, noting the inability of the character to integrate socially, among other problems caused by life experiences that degraded. Resident of slums is portrayed by Crane in a wild and degrading environment, in this case, the city of New York, in full industrial development. Despite being the protagonist character, the author highlights the fragile and naive aspect of the character, presenting it as if it was morally and intellectually inferior, unable to act against the already predetermined fate, with a critical situation of working women in that context. We know that the author takes an antagonistic stance of his predecessors, romantics, and, therefore, characterizes Maggie emphasizing romantic concepts in building character, in order to oppose the ideological and formal rules of Romanticism. A key feature of Crane's irony in this story, which conditions are more revealing conflicting moral values, similarly conflicting. We analyze the representation of women in marginal literature and seek to clarify some stereotypes that served to represent the woman

This study will examine the works of a writer whose style is radically different from that of his contemporaries,who owes little to writers who came before him, and one who, although he had considerable influence on those who came after, had so individual a manner of writing that he seems to be unique in American letters.

This thesis presents four categories of form basic to all of Stephen Crane's poetry: antiphons, apologues, emblems, and testaments. A survey of previous shortcomings in the critical acceptance of Crane as a poet leads into reasons why the categorization of form here helps to alleviate some of those problems. The body of the thesis consists of four chapters, one for each basic form. Each form is defined and explained, exemplary poems in each category are explicated, and specifics are given as to what makes one poem better than the next. The thesis ends with an elevation of Crane's worth as a poet and a confirmation of the merits of this new categorization of form.

Kwok, Yat Kam. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2007. / Includes bibliographical references (leaves 105-109). / Abstracts in English and Chinese. / Abstract --- p.i / 論文摘要 --- p.iii / Acknowledgments --- p.iv / Introduction --- p.1 / Chapter Chapter One: --- A Romantic Poet with a Roving Vision: Walt Whitman's Poems --- p.20 / Chapter Chapter Two: --- A Medley of Images: Stephen Crane's Youthful War --- p.45 / Chapter Chapter Three: --- Survivors under Siege: Ambrose Bierce's Modern War --- p.71 / Conclusion --- p.100 / Works Cited --- p.105

Made available in DSpace on 2014-06-11T19:29:50Z (GMT). No. of bitstreams: 0 Previous issue date: 2004-08-17Bitstream added on 2014-06-13T19:18:28Z : No. of bitstreams: 1 ferreira_frr_me_assis.pdf: 1471651 bytes, checksum: bd5f3120db973d10a8afa75cfb12ca4f (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / O presente trabalho tem como objetivo fazer uma análise descritiva de três traduções para o português do romance The Red Badge of Courage, do escritor norte-americano Stephen Crane, a fim de verificar qual tradução evidencia uma correspondência estilística com o texto de partida. O capítulo 1 trata da vida do autor e de sua obra, situando-a em seu contexto histórico-literário, e de um breve estudo sobre as diversas obras e artigos que se dedicam à análise do livro em questão.O segundo capítulo discorre sobre a teoria da tradução e o problema do estilo na mesma. Esta pesquisa procura seguir a proposta de Aubert (1998) e de Barbosa (1990) no que diz respeito às modalidades (ou procedimentos) de tradução; o estudo das diferenças existentes entre os planos de representação lingüística de Vinay e Darbelnet (1995); e a tensão existente entre tradução literal e tradução livre. O capítulo 3 discorre sobre o movimento impressionista na pintura e suas influências na literatura e, portanto, em The Red Badge of Courage. O quarto capítulo trata da descrição e análise das traduções da referida obra, apontando as modalidades de tradução aplicadas aos textos, observando as dificuldades enfrentadas pelos tradutores, bem como as soluções por eles encontradas a fim de manterem o sentido do original e recriarem a forma do texto língua de partida. / The present work aims at a descriptive analysis of three translations into Portuguese of The Red Badge of Courage, by the American Stephen Crane, in order to find out which translation conveys a stylistic correspondence with the source text. Chapter 1 deals with the author's life and work, putting The Red Badge of Courage in its literary-historical context, and with a brief study about the several books and articles that contribute themselves to the analysis of The Red Badge of Courage. The second chapter is about the theory of translation and the problem of style in it. This research attempts to follow Aubert's (1998) and Barbosa's (1990) proposals regarding the procedures of translation; the study of differences between the concrete and abstract levels of expression by Vinay & Darbelnet (1995); and also the tension between literal and free translation. Chapter 3 discourses on Impressionism in painting and its influence on literature and therefore on The Red Badge of Courage. The fourth chapter deals with the description and analysis of excerpts of the above-mentioned book, pointing out the procedures of translation employed in the texts, noticing the difficulties faced by the translators, as well as the solutions they found in order to keep the original meaning and to recreate the form of the source text.