Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-07-04T13:54:58Z No. of bitstreams: 1 AcaciaPierreDosSantosMedeiros_DISSERT.pdf: 3655066 bytes, checksum: e60336f468fa7b5fbfa22beb1d9db4e3 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-07-12T14:37:11Z (GMT) No. of bitstreams: 1 AcaciaPierreDosSantosMedeiros_DISSERT.pdf: 3655066 bytes, checksum: e60336f468fa7b5fbfa22beb1d9db4e3 (MD5) / Made available in DSpace on 2017-07-12T14:37:11Z (GMT). No. of bitstreams: 1 AcaciaPierreDosSantosMedeiros_DISSERT.pdf: 3655066 bytes, checksum: e60336f468fa7b5fbfa22beb1d9db4e3 (MD5) Previous issue date: 2017-03-25 / A expans?o tecnol?gica e comunicacional propiciou o surgimento de novas pr?ticas de visualiza??o e apropria??o de informa??es, de modo a afetar a visibilidade e as pr?ticas das comunidades de f?s, que se constituem a partir de uma participa??o ativa dos membros que as integram. Este trabalho procura inserir-se no contexto da cultura participativa a fim de melhor compreender o fen?meno de cultura de f?s e contribuir para os estudos que a ele est?o relacionados. Para isto, utiliza-se o filme Batman vs Superman ? A Origem da Justi?a com o objetivo de demonstrar como os f?s se organizam e quais as suas pr?ticas em uma comunidade virtual. O m?todo empregado ? o da netnografia apoiada ? observa??o das pr?ticas online e ? elabora??o de question?rios destinados aos membros da comunidade. A base te?rica ? composta por autores como Henry Jenkins (1992;2006;2009;2015), Matt Hills (2002), Clay Shirky (2011), Paul Booth (2010), Mark Duffett (2013), dentre outros que procuram compreender a participa??o como o fator fundamental da cultura de f?s. / The technological and communicational expansion provided the emergence of new practices of preview and appropriation of information, affecting the visibility and the practices of the fans communities, which stabilish from an active participation of members that integrate them. This paper seeks to insert in the culture participatory context in order of better understand the fans culture phenomenon and contribute to the studies that are related to it. Therefore, I use Batman vs Superman ? Down of Justice film to demonstrate how the fans organize themselves and which are their practices in a virtual community. The used method is the netnography with the observation of online practices and the elaboration of quizzes for the community members. The theoretical basis is composed of authors like Henry Jenkins (1992; 2006; 2009; 2015), Matt Hills (2002), Clay Shirky (2011), Paul Booth (2010), Mark Duffett (2013), and others that try to understand the participation as the key factor of the fans culture.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-08-29T19:32:36Z No. of bitstreams: 1 MariaClaraBezerraDeAraujo_DISSERT.pdf: 1483797 bytes, checksum: 6621bcb8dc3a33438942450f553631e4 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-09-02T23:19:19Z (GMT) No. of bitstreams: 1 MariaClaraBezerraDeAraujo_DISSERT.pdf: 1483797 bytes, checksum: 6621bcb8dc3a33438942450f553631e4 (MD5) / Made available in DSpace on 2016-09-02T23:19:19Z (GMT). No. of bitstreams: 1 MariaClaraBezerraDeAraujo_DISSERT.pdf: 1483797 bytes, checksum: 6621bcb8dc3a33438942450f553631e4 (MD5) Previous issue date: 2016-04-22 / A fim de entender melhor as motiva??es para a transforma??o da vida de uma pessoa real, destaque na m?dia, em fic??o, este trabalho faz a an?lise qualitativa de duas fanfictions do jogador de futebol brasileiro David Luiz, como tamb?m das entrevistas aplicadas ?s autoras respons?veis pelas hist?rias. Tamb?m chamadasfanfics ou simplesmente fics, s?o fic??es ligadas a expans?es de universos narrativos criadas por f?s envolvidas em contextos de converg?ncia midi?tica (JENKINS, 2009; 2012). Publicadas de forma integral no site Social Spirit, Di?rio de uma Iniciante em Copa do Mundo e sua continua??o, Di?rio de uma Iniciante em Champions League, constroem a narrativa ficcional de uma jornalista, Fernanda Moraes, que, devido ao seu trabalho na cobertura da Copa do Mundo 2014, envolve-se amorosamente com David Luiz, atuante na competi??o. As hist?rias se espalham por diferentes espa?os virtuais de intera??o, o que aponta para a ideia de obras em andamento de Busse e Hellekson (2006) sobre as fanfics. Al?m disso, percebemos que n?o s?o apenas as narrativas que se expandem nesses espa?os, mas o contato das leitoras tamb?m f?s do jogador com as competi??es esportivas ?s quais os enredos se referem, citadas como produtos transm?dias (COSTA, 2015). Desse modo, atrav?s da an?lise do conte?do (BARDIN, 1977; BAUER, 2012) das narrativas e das entrevistas aplicadas, constatamos que n?o foi unicamente o interesse de f? pelo jogador que motivou a escrita das fics, mas pelo pr?prio mundo do futebol, pelas fanfictions em si e pelos espa?os de intera??o com as leitoras. As fanfics estudadas s?o entendidas como media??es entre fic??o e realidade e nos levam a abordar a ideia de narrativas pessoais midiatizadas (ESCOSTEGUY, 2011) e a problematizar por meio delas a considera??o de Silverstone (1999) sobre a onipresen?a da m?dia nas nossas vidas cotidianas. Assim, discutimos as rela??es entre fanfic, cultura de f?s, m?dia e narrativas. / In this work, we question the narrative construction of the life of a real person featured in the media in fiction, mediated from transm?dias products. We do a qualitative analysis of two fanfictions of the brazilian soccer player David Luiz, as well as the interviews applied to the authors responsible for those stories. Also called fanfic or simply fic are fictions linked to expansions of narrative universes created by fans involved in media convergence contexts (Jenkins, 2009; 2012). Published in full in the site Social Spirit, Di?rio de uma Iniciante em Copa do Mundo and its sequel, Di?rio de uma Iniciante em Champions League, build a fictional account of a journalist, Fernanda Moraes, who, because of her work of coverage the World Cup in 2014, she gets involve lovingly with David Luiz, it played in the competition. The stories spread through different virtual spaces of interaction, which points to the idea of work in progress of Busse and Hellekson (2006) about fanfics. Also, we realize that not only are the stories that expand, but the contact of the readers and player?s fans with the sports competitions to which the plots refer cited as transmedia products (COSTA, 2015). We found that it was not only the interest of fan by the player who led the writing of the fic, but by the very world of soccer, the fanfiction itself and the spaces of interaction with readers. The fanfics studied are understood as mediations between fiction and reality and lead us to approach the idea of mediatized personal narratives (ESCOSTEGUY, 2011) and problematize through them the consideration of Silverstone (1999) on media omnipresence in our everyday lives. Thus, we discuss the relationship between fanfic, culture fans, media and narratives.