Creative industries have significance in considerations of regional development because of their potential for both social-cultural and political-economic benefit. This is especially the case in Indigenous communities, given the potential of traditional and contemporary cultural expression for industry development and employment. This research set out to explore and evaluate an action research approach to creative industries development in regional contexts, stimulated by a research initiative of　Queensland's Department of State Development in cooperation with Queensland University of Technology's Creative Industries Research and Applications Centre. It is based on an analysis of seven pilot projects undertaken between 2002 and 2004, most of which involved Indigenous　participation and which gave rise to consideration of the additional value of Indigenist research perspectives. The research found that an action research methodology, informed by Indigenist research values, can assist creative enterprise development in a regional context through the development of new businesses or by value-adding to existing businesses, and the consequent generation and exploitation of new intellectual property. In this process, it found that there is an emerging role for the creative entrepreneur, such a role arising from the practices of community cultural development and social-cultural animation.

The thesis studies the possibilities of cultural animation of unused sacral monuments, especially churches. The theoretical part is searching for the reasons of the current poor condition of these buildings that have lost their regular liturgical function. The aim is to describe the position of religion and sacredness in the contemporary Czech society. It reviews the concept of cultural animation and its application on the specific case of the church. The practical part of the thesis is focused on the Karlovy Vary region, which was affected by the social discontinuity as a result of the post-war expulsion of Germans. There are many abandoned and ruined churches due to this reason. As a particular example of a successful animation is described Church of the Visitation of the Virgin Mary in Skoky by Žlutice and its animation activities initiated by members of the association Pod střechou.

Orientador: Claudiney Rodrigues Carrasco / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-23T23:24:38Z (GMT). No. of bitstreams: 2 Leao_CarolinaMorgado_M.pdf: 2729435 bytes, checksum: 3cccc2782d27c4926dca0243044b2804 (MD5) Leao_CarolinaMorgado_M_Anexo.zip: 2581908598 bytes, checksum: 8acc1a686e30a6fa52cb27e0083ad192 (MD5) Previous issue date: 2013 / Resumo: Desde os primórdios do que entendemos hoje como cinema, já se fazia uso de intervenções sonoras. O acompanhamento musical era normalmente executado ao vivo, através de um pianista, um improvisador ou, as vezes, por uma pequena orquestra. Com o passar das décadas, o som para animação foi se transformando e assim, cada vez mais atrelou-se às imagens, se fundindo e unificando. Já na década de 1930, os desenhos animados formam um poderoso elo com a música, produzindo com isso, uma gama de cartoons musicados. Deste momento em diante, a trilha musical recebe a função de narrativa, sua articulação com a imagem cria um significado e possibilita a compreensão do espectador na história. A compreensão do som está associada ao acordo que existe entre o emissor e o espectador, quando este, em uma exibição, entra na sala para "ver-ouvir" uma história contada. O alicerce preeminente na projeção é a narrativa. Portanto, a trilha sonora, através do sincronismo, do seu uso de forma poética e também, através do uso de sons que de certa forma, já estão na memória de toda a sociedade ocidental, integra a articulação e a organização da narrativa na animação, compondo assim, um elemento de sua montagem. E desta maneira, a percepção fílmica é de fato audio-visual e permite numerosas combinações entre sons e imagens animadas / Abstract: Interventions with sounds are used since the beginning of what is known today as film. The music was performed live by a pianist, improviser or sometimes by a small orchestra. Over the decades, animation sound changed and became increasingly harnessed viii to the images, merging and unifying. Already in the 1930s, the cartoons are a powerful link with music, thus producing a range of cartoons set to music. From this moment on, the soundtrack gets the role of narrative, its articulation with the image creates meaning and allows the viewer to understand the story. Understanding of sound is associated with agreement that exists between the issuing and the spectator, when, in a view into the room to "see-hear" a story telling. The foundation is preeminent in projecting the narrative. Therefore, the soundtrack through the synchronization, the use of poetic form and also, through the use of sounds that somehow are already in the memory of all Western society integrates the speech and organization of narrative in animation, thus composing an element of its assembly. Sooner, the filmic perception is indeed audio-visual and allows numerous combinations of sounds and visual images / Mestrado / Fundamentos Teoricos / Mestra em Música

La tesis es un estudio sobre la Animación Sociocultural y el Desarrollo Comunitario aplicado al ocio de las personas mayores. Con el fin de comprobar la validez de los procesos de Animación Sociocultural para la promoción de un modelo de desarrollo comunitario, se evalúa un programa de ocio dirigido a las personas mayores de 65 años de la ciudad de Granollers, diseñado por la misma autora. El objetivo que orienta este estudio es verificar cómo la aplicación de la metodología de la Animación Sociocultural puede desarrollar procesos de participación ciudadana, incrementar la iniciativa social y promover la democracia cultural en los barrios, territorios y espacios comunitarios. Este trabajo consta de dos partes: la primera, de carácter teórico, donde se abordan las siguientes temáticas: 1. Concepto, origen, evolución, definiciones y características de la Animación Sociocultural y del Desarrollo Comunitario, así como las relaciones que se establecen entre ambos conceptos. 2. Ocio y animación sociocultural para las personas mayores. Los contenidos que se abordan hacen referencia a un tipo de ocio solidario, intergeneracional, que construye ciudadanía activa y, que en última instancia, intenta favorecer la construcción de un modelo de desarrollo comunitario. La segunda parte de la tesis, de carácter empírico, presenta el diseño, la implementación y la evaluación del programa “Implica-Acción”, un programa de ocio dirigido a las personas mayores de la ciudad de Granollers, basado en los fundamentos ideológicos y técnicos de la animación sociocultural y del desarrollo comunitario. El programa se complementa con una extensa revisión bibliográfica y entrevistas a diferentes expertos del ámbito académico y profesional. A partir de las conclusiones de este trabajo se aportan nuevas líneas de investigación que puedan contribuir a la mejora de la intervención social y de la acción comunitaria. / From socio-cultural animation to community development: its impact on leisure This thesis is a study about the socio-cultural animation and community development applied to leisure of the elderly. The thesis has the aim of checking the validity of the process to socio-cultural animation for the promotion of the community development model, this is reviewed in a leisure programme for people older than 65 years in Granollers, designed by author. The objective that guides this study is to verify how the application of the socio-cultural animation methodology can develop process of citizen participation, increase the social initiative and promote the cultural democracy in the neighbourhoods, territories and communitarians spaces. This Project consists of two parts: the first, theoretical, which address the following topics: 1. Concept, origin, evolution, definitions and characteristics of the socio-cultural animation and community development, as well as the relation between both concepts. 2. Leisure and socio-cultural animation for elderly. The contents have been reference to a type of solidarity leisure, between generations, which build active citizenship and, ultimately, attempt to promote the construction of a community development model. The second part of the thesis, has an empirical carecter, which present the disign, the implementation and evaluation of the program “Implica-Acción”, One of leisure for elderly from Granollers town, based on ideological and thecnical foundations of the socio-cultural animation and communitary development. The program is complemented by an extensive literature review and interviews with various experts from academicals and professional areas. From the findings of this study provides new lines of inquiry that can contribute to the improvement of social intervention and community action.

The diploma thesis aspires, in its theoretical part, for a description of the theoretical and methodical basis and objectives of the educational process in the courses "Life and Art. " This school subject shall provide pupils of 58th grades in primary school with a basic cultural overview of medieval, Renaissance and Baroque architecture and art. The theses defines the concepts of animation, cultural animation and enculturation, experiential education, creative education and artefiletics, and outlines the prospects of their use in the educational process. The thesis also deals with the theory of perception in art and its connection to the pedagogical practice. It mentions the term genius loci as one of the elements of cognition of an architectural object and the place where it is located. In the practical part of the thesis, the individual architectural object of the Tabor Urban Conservation Area and it's immediate neighborhood are described. The thesis provides cultural, general and local historical, and also the theological context of art styles and places, which are the subject of the educational program. Following that, the thesis introduces examples of didactic methods, applicable in the courses "Life and Art."

The thesis analyzes the crisis of authority in education. The first part deals with an analysis of the contemporary concept of authority; the definition of dimensions, legitimacy, power, bureaucracy, charisma, obedience to authority, authoritarianism, and the definition of the crisis of authority in society. The second part evaluates the knowledge, defines crisis of authority in education, analyses the roots of this crisis, and offers a solution. The final part deals with the definition of animation as a third dimension of education and defines its potential benefits in the issue of crisis of autority.

[ES] La gestión cultural aplicada a un territorio específico. Esta frase circunscribiría el desarrollo temático de la tesis. Cómo intervenir para que el sector cultural que históricamente ha sido productivo en lo social, lo sea también en lo económico, potenciando y apoyando a la industria cultural. Todo ello desarrollando políticas públicas, infraestructuras culturales públicas y potenciando los recursos humanos especializados. / [CAT] La gestió cultural aplicada a un territori específic. Aquesta frase circumscriuria el desenvolupament temètic de la tesi. Com intervindre perquè el sector cultural que históricament ha sigut productiu en el fet social, ho siga també en l'econòmic, tot potenciant i donant suport a la indústria cultural. Tot això amb el desenvolupament de polítiques públiques, infraestructures culturals públiques i amb la potenciació de recursos humans especialitzats. / [EN] Cultural Management applied to an specific territory. This sentence would circumscribe the thematic development of the present thesis. How to arbitrate so that the cultural that has historically been productive in a social way, could become also an economical way, empowering and supporting the culture industry. All this developing public policies, public cultural infrastructures and enhancing specialized human resources. / Pinotti Baldrich, JL. (2020). Aproximación a un modelo de gestión cultural territorial. El SARC [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/137775 / TESIS