From Preface: In this thesis it is proposed to examine the pastoral vision, symbolized by Eden, which permeates Clare's poetry, as it is reflected in The Shepherd's Calendar, the sonnets (certain of which will be analysed in detail) and a group of lyrics. This pastoral vision, while including time and space, transcends them in such a way that Eternity becomes an important concept in Clare's pastoral poems. The final chapter of this thesis will, therefore, concentrate on this aspect of Clare's pastoral vision, not by attempting to define Clare's understanding of Eternity, but by illustrating it in four of his lyrics. Because of the lack of a full and reliable text of the complete works of John Clare and the inability of the present writer to establish for certain the chronological order of his poems, there will be no attempt in this thesis to show a development in Clare's poetry. Nor will there be an attempt to evaluate in the light of Clare's "madness" those poems known to have been written while he was in a mental asylum - a non-literary study requiring knowledge associated with the discipline of psychology; and the present writer concurs in the opinion that "it is the continuity of Clare's life and ways of thought and feeling which claims one's attention, rather than the disruptions of insanity".

ABSTRACT Medieval xenophobia fostered attitudes that viewed anything foreign or distasteful as monstrous. Accordingly, insular inhabitants of the Middle Ages were constantly striving to distinguish Self from Other. My dissertation argues that sixteenth-century England began to reverse this trend: it began to reconcile difference, not by distinguishing Self from Other, but by blurring those distinctions. Visions of ancient Self and contemporary Other began to fuse as proponents of Imperial Britain sought to assimilate foreign monsters that were once considered barbaric, inferior, or inhuman. This method of assimilation is especially apparent during the Elizabethan Age of conquest in the New World. England's prophetic destiny was inextricably tied to its epic history, its Trojan ancestry, and its most glorified rulers, Brutus and his distant successor, King Arthur. Thus, reestablishing and rewriting Britain's legendary past became an exercise in securing its future. I maintain that John Dee (c. 1527-1608/9) and Edmund Spenser (c. 1552-1599) strategically fused ancient Britain and the New World via the figures of King Arthur and his alleged descendant, Queen Elizabeth. Portions of Dee's Brytanici Imperii Limites are explored to illustrate this connection, as are some of his arcane mystical pursuits. I further examine sections of Spenser's Faerie Queene in relation to Queen Elizabeth and King Arthur, and interpret Arthur in Faery lond as a metaphor for England in the New World. My introduction establishes the key features of the Galfridian tradition and its significance to the Tudor dynasty. It further discusses medieval perceptions of the monstrous that influenced the early-modern era. Subsequent chapters argue that England's assimilation of Other extended to pagan deities and giants, Native Americans, ancient Israelites, and (in Elizabeth's case) to the feminine Other. My final chapter demonstrates how Queen Elizabeth, via her affiliation with King Arthur, became a temporal bridge uniting England's epic past with its future glory.

This diploma thesis deals with the famous controversy concerning interpretation of the French Revolution between Thomas Paine and Edmund Burke. This controversy is put into context with English debate on the revolution, which commenced with Price´s sermon (On the Love of our Country, 1789). Burke responded with his work Reflections on the revolution in France to that and subsequently Paine reacted with a text Rights of Man, in which he expounded his philosophy of the rights of man. The focus concentrates in the diverse interpretation of the concept of human rights with both authors.

xi, 198 p. : ill. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / In early modern England the word "measure" had a number of different but related meanings, with clear connections between physical measurements and the measurement of the self (ethics), of poetry (prosody), of literary form (genre), and of capital (economics). In this dissertation I analyze forms of measure in early modern literary texts and argue that measure-making and measure-breaking are always fraught with anxiety because they entail ideological consequences for emerging national, ethical, and economic realities. Chapter I is an analysis of the fourth circle of Dante's Inferno . In this hell Dante portrays a nightmare of mis-measurement in which failure to value wealth properly not only threatens to infect one's ethical well-being but also contaminates language, poetry, and eventually the universe itself. These anxieties, I argue, are associated with a massive shift in conceptions of measurement in Europe in the late medieval period. Chapter II is an analysis of the lyric poems of Thomas Wyatt, who regularly describes his psychological position as "out of measure," by which he means intemperate or subject to excessive feeling. I investigate this self-indictment in terms of the long-standing critical contention that Wyatt's prosody is "out of measure," and I argue that formal and psychological expressions of measure are ultimately inseparable. In Chapter III I argue that in Book II of the Faerie Queene Edmund Spenser figures ethical progress as a course between vicious extremes, and anxieties about measure are thus expressed formally as a struggle between generic forms, in which measured control of the self and measured poetic composition are finally the same challenge Finally, in my reading of Troilus and Cressida I argue that Shakespeare portrays persons as commodities who are constantly aware of their own values and anxious about their "price." Measurement in this play thus constitutes a system of valuation in which persons attempt to manipulate their own value through mechanisms of comparison and through praise or dispraise, and the failure to measure properly evinces the same anxieties endemic to Dante's fourth circle, where it threatens to infect the whole world. / Committee in charge: George Rowe, Chairperson, English; Benjamin Saunders, Member, English; Lisa Freinkel, Member, English; Leah Middlebrook, Outside Member, Comparative Literature

Departamento de Filosofía / El propósito de esta tesis es dar cuenta de las posibles relaciones y contrastaciones, entablando una conversación y una contestación, entre la fenomenología trascendental de Edmund Husserl y, en primer momento, la fenomenología ontológica-existencialista de Jean-Paul Sartre y, en un segundo momento, con la psicología introspectiva de William James. En base a Sartre la discusión estará al alero de una lectura de herejía fenomenológica y con respecto a James se centrará en la posibilidad o no de una lectura pre-fenomenológica de su psicología introspectiva sobre la fenomenología de Husserl, y así reflexionar cómo es que esta psicología tiene ciertos matices que pudiesen ser parte de lo que reflexionó años posteriores Sartre. Ambas lecturas, ya sea la herejía fenomenológica como la pre-fenomenología se sustentarán en los siguientes tres momentos de discusión: 1. Finalidades de sus pensamientos: filosóficas, en el caso de Husserl y Sartre y psicológico, en el caso de William James; 2. Caracterización de la conciencia: a partir de una triada conceptual que será transversal a lo largo de toda la tesina: intencionalidad, constitución y unidad; y 3. Sobre la conexión o relación con los otros sujetos u otras conciencias. Todo con la finalidad de estructurar una descripción de la conciencia, ya sea de sus características, de sus funciones, sus acciones y sus contenidos que pudiese brindan las interrogantes y los conceptos claves para poder describirla como tal.

The thesis focuses on the conservative canon and analyses the validity of exceptionalist claims of conservative thinking through a deconstructive reading of conservatism. The comparison of classical and radical conservatisms provides the grounds for this analysis. After the introductory chapter, the second chapter of this thesis focuses on the general characteristics of the conservative ideology. It consists of three sub-sections. The first of these presents the characteristics of classical conservatism, while the second turns to consider radical conservatism. Then, in the third sub-section, a discussion of the similarities and differences between these two conservatisms leads to a proposed definition of a core of the conservative canon. Here, it is argued that the epistemological and ontological imperfection of individuals can be regarded as the definitive core, or as the precept which the justification of conservative policies relies upon. The third chapter then focuses on the views of a number of significant figures in the development of political thought on ideology, which is used by these thinkers as a critical tool. A narrative of the historical developments in the analyses of ideology and ideologies is presented in this chapter. In the last part of the chapter, Derridian thinking is introduced. The fourth chapter problematises conservative exceptionalism, or the belief that there is a fundamental difference between conservatism and other ideologies. This chapter is founded upon the analyses of the previous two chapters, using the Derridian reading and referring to the characteristics and commonalities of the conservative canon presented. In this chapter, radicalism is argued to be a persistent theme in conservative thinking, and conservatism is claimed to be founded upon its impossibility.

This dissertation explores a method of music analysis that is designed to reflect the phenomenology of the listening experience, specifically in regards to harmony. It is primarily inspired by the theoretical approaches of the music theorist Moritz Hauptmann and by the writings of philosopher Edmund Husserl.

No description available.

This dissertation offers a novel quantitative method for assessing an actor's subjective temporal orientation. Our method involves the use of supervised machine learning techniques in concert with natural language processing tools and linguistic principles. We suggest our method may offer a clandestine technique for extracting aspects of an actor’s temporal orientations from right behind their back. This capacity occurs because of the unique ways time references are reflected in language syntax. This reflection does not simply occur in face-to-face spoken interactions, but also resides in recorded vocal transcripts and within textual documents articulated by speakers for a social audience (e.g., political speeches). . From a social theory point of view, we argue that our technique can help objectify some of the major links theorists have long made between the temporal features of mind, subjective meaning, and social processes. Temporal orientation has long been defined as a tripartite mental process. Edmund Husserl famously defined this process as involving retention (a mental focus on past), presentation (a mental focus on the present) or protention (a mental envisioning of the future). From a pure phenomenology perspective, Husserl’s innovation was to link this mental interlocking process with meaning-making. For Husserl, it was directly through an actor’s temporal orientation that meaning became variably constituted and the problem of subjectivity emerged. From a sociological point of view, it is primarily through Alfred Schutz’s formulation of social phenomenology that Husserl’s tripartite system was opened to accommodate the influence of the social in meaning-making. This opening has possessed a long-standing contradiction. For Schutz, endogenous social structure could affect where an actor temporally orients. The resulting implication is that social structure could have a direct effect on how actors assign specific meanings in social systems. Even more, social structure could facilitate shared temporal orientations among actors. However, Schutz also promoted the idea that different temporal orientations could explain how different meanings could be assigned to the same social object by disparate actors. This possibility served as the centerpiece of Schutz’s well-known methodological critique of Max Weber’s direct linkage between subjective meaning, motive, and empathetic based interpretations of social action. To carry out our efforts to quantify how the subjective processes of temporal orientation appear to be influenced by endogenous social processes, we employed our algorithm on three different text-based data sets. We suggest these datasets possess strong reflections of the social world. The first dataset entails a collection of matched twitter tweets that correspond to Trump’s reelection bid and Biden’s challenge during the 2020 period. In this dataset, our method illustrates how both candidates appear to have different temporal orientations despite being bounded by a similar social event. We suggest this finding may reflect the relationship between what Schütz called inner duration and the influence of external stocks of knowledge (i.e., external structures.) The second dataset corresponds to a recorded conversational transcript of the Cuban missile crisis, taken from President Kennedy’s Executive Committee of the National Security Council (ExComm) on the 6th of October in 1962. Using our algorithm, we offer objective measures of homogenous temporal orientations of committee members that are consistent with meso-group conformity. We suggest that our method may offer a novel way of measuring group conformity in general. The third dataset consists of the State of the Union Corpora (SOU). In this dataset, we apply our algorithm to identify changes in temporal orientation occurring among a single President’s entire collection of SOU speeches. Furthermore, we compare the average temporal orientation of the Presidents in relation to various social categories, such as party affiliation and societal events. The scope of the Presidents inventoried for temporal orientation is restricted from Eisenhower to Biden.

Le rapport que l'être humain entretient avec son monde est modifié par l'apparition de nouveaux savoirs, la réalisation de nouveaux exploits ou l'utilisation de nouvelles techniques. Le cyberespace, cette hallucination consensuelle comme le définit le romancier américain William Gibson, et déjà maintenant l'Internet, mettent en jeu des bouleversements de ce genre. La notion philosophique d'espace, perçue à travers Descartes, Kant et Husserl, nous permettra de comprendre comment s'établit et se modifie pour une subjectivité la relation à une objectivité et une extériorité. Elle nous servira d'outil conceptuel pour envisager les conséquences de l'avènement du cyberespace sur notre incarnation dans le monde.