Thesis (D. Min.)--Western Seminary, Portland, OR, 2008. / Abstract. Typescript. Description based on print version record. Includes bibliographical references (leaves 171-176).

Thesis (D. Min.)--Western Seminary, Portland, OR, 2008. / Abstract. Includes bibliographical references (leaves 171-176).

No description available.

The relationship between Erasmus of Rotterdam and the religious movement called the Devotio Moderna, especially the latter's relevance to Erasmian piety, has been a somewhat contentious historiographical issue. This thesis examines that relationship, and asserts that the Devotio Moderna was a crucial formative aspect of Erasmus' religiosity. However, its relevance ought not be overstated, due to the humanist's significant developments away from his spiritual forerunners.

Thesis (Ph. D.)--University of Chicago, Divinity School, August 2002. / Includes bibliographical references. Also available on the Internet.

Thesis (Ph. D.)--University of Chicago, Divinity School, August 2002. / Includes bibliographical references. Also available on the Internet.

Made available in DSpace on 2016-04-27T17:27:17Z (GMT). No. of bitstreams: 1 FIL - Sidnei Francisco do Nascimento.pdf: 683819 bytes, checksum: 99ae6b0ddf1844642e516e54710efb14 (MD5) Previous issue date: 2006-11-07 / The thesis presents the confrontation of ideas related to free will concept between Erasmus and Martin Luther in the Christian Humanism and Protestant Reform context. By on eh and, Erasmus admits the free will as a utilization of human will, in which, the human being can help for his own eternal salvation, or refuse it forever. To admit the possibility of human will get closer or to be along way off God, the Christian Humanist take in consideration the philosophies from late ancient times, for ins stance, the Platonic, the Stoicism and the Early Patristic. By other hand, the Luther s Theology breaks off with the Christian it y ratified by many authorities and councils, and it declares that the human nature, decayed and sinner, only can get the eternal salvation through suffering. According to the Reformer, the human will, perverted by original's in, just go es towards the evil / A tese apresenta o confronto de idéias referente à concepção de livre-arbítrio entre Erasmo e Lutero no contexto do Humanismo Cristão e da Reforma. De um lado, Erasmo admite o livre-arbítrio como o emprego da força da vontade humana pela qual o homem pode concorrer voluntariamente para salvação eterna, ou rejeitá-la para sempre. Para admitir a possibilidade da vontade de se aproximar, ou se distanciar de Deus, o Humanista Cristão retoma as filosofias presentes no final da Antigüidade, entre elas, a platônica, a estóica, e a patrística primitiva. De outro, a teologia de Lutero rompe com o cristianismo ratificado por tantas autoridades e concílios, e afirma que a natureza humana decaída e pecadora, só obterá a salvação eterna por meio do sofrimento. Para o Reformador a vontade humana, corrompida pelo pecado original, só delibera em direção ao mal

Ce travail comporte 3 volumes: 1 (texte), 2 (illustrations), 3 (description de la bibliothèque d'Érasme et liste de ses éditions princeps). Le premier volume de texte étudie à la fois les rapports entre Érasme et ses imprimeurs et démontre comment cet humaniste a été l'un des premiers auteurs a participé activement à la production matérielle de ses œuvres, utilisant la mise en page et les différents éléments constitutifs du livre (page de titre, manchette, index, paragraphe, caractère typographique) pour tenter de maitriser la réception de son œuvre auprès de ses lecteurs. Ce travail contient trois parties: dans un premier temps, il suit Érasme pas à pas à la recherche d'un imprimeur idéal, puis à partir de 1514 et de sa rencontre avec Johann Froben à Bâle, il décrit les différentes formules utilisées par Érasme pour mettre en forme ses livres. Une troisième partie étudie les épîtres rédigées par ses imprimeurs. Elle montre que l'humaniste joue un rôle également important dans la revendication de ses imprimeurs à se présenter comme humanistes./This study has three volumes :1 (texte), 2 (illustrations), 3 (description of the library of Erasmus and the list of his editio princeps). The first volume studies the relations between Erasmus and his printers. He show that this humanist is the first to be implicated in the material production of his œuvre. He uses lay-out and differents elements of the book (tittle-page, marginalia, paragraph, index, types) to control the reception of his œuvre by the public. The first volume contains three parts: first, the chronological description of the writer searching an ideal printer. In the second part, after the meeting of Erasmus and Johann Froben in Basel in 1514, this study describes the different formules uses by Erasmus to constitute a new image of the modern book. In the last part, we describe the different letters of the Erasmus's printers. We show that Erasmus was also responsable of the revendication of his printers to be also the humanists. / Doctorat en Histoire, art et archéologie / info:eu-repo/semantics/nonPublished