梁文豪. / 論文(藝術碩士) -- 香港中文大學硏究院藝術學部, 1997. / 參考文獻: leaves 46-49. / Liang Wenhao. / Chapter 第´ؤ章 --- 緒論 --- p.4 / Chapter 第二章 --- 色情（Pornography)的定義及分類 --- p.6 / Chapter 第三章 --- 情慾藝術（Erotic Art)的定義及分類 --- p.9 / Chapter 第四章 --- 色情與情慾藝術的互排性/相容性 --- p.13 / Chapter 第五章 --- 混淆色情與情慾藝術的外界因素 --- p.21 / Chapter 一 --- 觀賞者的錯誤詮釋 / Chapter 二 --- 場合的不恰當 / Chapter 三 --- 文化與社會道德規範 / Chapter 四 --- 教育的缺失 / Chapter 五 --- 時間的不吻合 / Chapter 第六章 --- 分辨色情與情慾藝術的指引--藝術程度 --- p.30 / Chapter 一 --- 視覺元素 / Chapter 二 --- 意念 / Chapter 三 --- 連貫性 / Chapter 第七章 --- 結論 --- p.39 / Chapter 附錄1 --- 參考書目 --- p.46 / Chapter 附錄2 --- 圖目 --- p.50 / Chapter 附錄3 --- 圖片 --- p.54

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Thesis (M.P.A.)--University of Hong Kong, 2002. / Includes bibliographical references.

Thesis (Ph. D.)--University of Chicago, The Divinity School, March 2000. / Includes bibliographical references. Also available on the Internet.

Thesis (M.P.A.)--University of Hong Kong, 2002. / Includes bibliographical references. Also available in print.

Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente / Made available in DSpace on 2012-10-22T16:31:19Z (GMT). No. of bitstreams: 1 227233.pdf: 1394110 bytes, checksum: 8c1a9129f3f6922e8c73ee84e6eb26fc (MD5) / As representações eróticas são o foco principal deste estudo. Mais especificamente, esta pesquisa tem por interesse a análise de representações eróticas que desafiem imagens patriarcais que advoguem a dominação e a hierarquia como atributos naturais das relações amorosas. Para tanto, este trabalho propõe uma investigação das obras "Calamus," de Walt Whitman, e "Twenty-One Love Poems," de Adrienne Rich, como uma maneira de interrogar as limitações do erotismo dito "mainstream." O corpus desta pesquisa é formado por obras de poetas e filósofos renomados como Platão, Octavio Paz e Georges Bataille - teóricos que discutiram extensivamente a questão do erótico - e por estudiosos de destaque nas áreas de feminismo, "gay and lesbian studies" e "queer studies", tais como Teresa de Lauretis, Ellen Greene, Catherine Belsey, Liz Yorke, Audre Lorde, Robert K. Martin, Jay Grossman e Greg Woods, entre outros. Este estudo demonstra que Whitman e Rich não apenas questionaram todo um sistema de representações eróticas patriarcais e excludentes, mas também propuseram uma estratégia política que é fruto de um erotismo desafiador e democrático.

The increasing importance of pornography since its commercialization at the end of the seventies modified the artistic landscape of sexual representation. What has occurred is a transformation of the horizon of expectations of pornographic images, the definition of eroticism and the relationship between the two notions. In this perspective, the thesis concentrates on the analysis of the appropriation of certain distinct traits of hard core pornography in feminist art. Specifically, it is a qualitative analysis of the interrelations between eroticism and pornography in feminist art during the 1980s. The thesis proceeds to an in-depth analysis of several works by Pipilotti Rist, Annie Sprinkle, and Marlene Dumas as well as adding three earlier works of sexually explicit representation by Carolee Schneemann. The analysis of these works aims to redefine notions of pornography and eroticism, drawing on the work of Linda Williams for the first definition and Georges Bataille for the second. The theoretical context of the thesis, which also turns out to be the historical context of the works, is made up of disciplinary approaches that have most contributed to the debate around eroticism and pornography: art history, philosophy, feminist studies, queer theory, semiology and psychoanalysis. / The thesis makes several conclusions. First, the dynamic between eroticism and pornography does not have to be considered oppositional; the two methods of expression are frequently both represented in the same work. Also, women are no longer uniquely victims of pornography (they are increasingly in the role of pornographic auteure) and the analysis of these works confirms that feminists have appropriated the genre to explore a diversity of female eroticisms and propose a form of feminist, intersubjective pornography. Finally, the use by female artists of syntaxes and features typical of pornography helps to bring about a demand for a more complete and complex female subjectivity which is no longer only political, but also sexual.

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The present study examined gender differences in the emotional tone of written sexual fantasies. Participants included 182 heterosexual men and 206 heterosexual women enrolled in undergraduate clinical and counseling courses at a mid-sized Midwestern university. Data collected on each respondent was derived from five sources 1) a written sexual fantasy, 2) the Extended Personal Attributes Questionnaire (EPAQ), 3) Human Sexuality Questionnaire - The Heterosexual Experience Subscale, 4) the Sexual Opinion Survey (SOS), and 5) the Revised Mosher Guilt Inventory. The Dictionary of Affect in Language (DAL) (Whissell, 1999) was used to obtain two quantitative measures, Activation and Evaluation of the emotional tone of the sexual fantasies. The variables of the study were gender role variables (agency and communion) and sex variables (erotophobia-erotophilia, sex experience, sex guilt, Activation and Evaluation). It was hypothesized that men would score higher on agency, sexual experience, erotophilia, and Activation, which is associated with arousal and action, and women would score higher on communion, erotophobia, sex guilt and Evaluation, which is associated with pleasant feelings. Gender differences were found for all variables except sexual experience and the measures of emotion, Activation and Evaluation. Given the stated hypotheses, canonical correlations were performed to determine the linear relationship of gender role and sex variables for men and women. One significant canonical correlation was found for men indicating that as agency, erotophilia, and sexual experience increase, sex guilt decreases. No significant canonical correlation was found for women. A discriminant analysis was performed to determine if the gender role variables and the sex variables were strong discriminators of sex. Results indicated that communion and erotophobia were the best discriminators for men and women. The study's present findings are discussed in terms of the sexual double standard and the changing social values of women in today's society. Limitations of the study and future directions of research in sexual fantasies and gender differences, specifically in terms of application to counseling are discussed. / Department of Counseling Psychology and Guidance Services

Thesis (M.A.)--McGill University, 1997. / Includes bibliographical references (leaves 53-56).