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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

O processo comunicacional do clichê cinematográfico em filmes de terror slasher

Silva, André Campos 26 February 2014 (has links)
Submitted by Maicon Juliano Schmidt (maicons) on 2015-07-07T18:24:03Z No. of bitstreams: 1 André Campos Silva.pdf: 2838135 bytes, checksum: 2872728d2a874e2b7e29377031d7f44d (MD5) / Made available in DSpace on 2015-07-07T18:24:03Z (GMT). No. of bitstreams: 1 André Campos Silva.pdf: 2838135 bytes, checksum: 2872728d2a874e2b7e29377031d7f44d (MD5) Previous issue date: 2014-01-31 / CNPQ – Conselho Nacional de Desenvolvimento Científico e Tecnológico / A pesquisa busca problematizar o uso do clichê no cinema, entendendo-o como um processo comunicacional que ajuda contribuir com a compreensão da forma e do conteúdo dos filmes. O foco do estudo recai sobre os clichês, presentes no subgênero de terror slasher, por meio de conexões com o arquétipo da sombra. Três eixos conceituais basilares organizam o trabalho: filmes terror, forma e conteúdo estéticos, processo de construção e narrativas dos personagem dos filmes de terror. As poucas pesquisas específicas sobre os clichês no cinema nos levaram à utilização de autores de diversas vertentes, entre eles estão os pesquisadores do campo da comunicação e do audiovisual como Eco, Mcluhan, Xavier, Aumont, Bordwell. Também participaram da construção teórica estudiosos de narrativa como Candido, Mckee, Campos, Field. O campo da filosofia em sua ligação com a vertente estética foi igualmente importante com Kant, Szondi e Burke. A pesquisa empírica se deu sobre uma coleção de seis filmes do subgênero slasher produzidos entre 1979 e 1984, a partir dos quais foi realizada uma análise em três etapas que visaram um mapeamento dos clichês de medo encontrados no corpus. A tese afirma que o clichê faz parte da instituição cinema, bem como, constitui a linguagem cinematográfica e se compõe a partir de certo grau de mobilidade. No que se refere às lógicas que constituem o clichê de medo em filmes de terror slasher fica evidenciada a presença do sublime nos 18 clichês encontrados. Eles se organizam na forma-conteúdo de maneira a estabelecer uma forte característica de valorização do espaço-tempo de incerteza dentro da estrutura dramática, colocando em destaque a ideia de ameaça. / The research aim problematize the use of cliché in film , considering it as a communication process that helps contribute to understanding the form and content of the films . The focus of the study is on the clichés present in the slasher subgenre of horror, through connections with the archetype of the shadow. Three basic conceptual axes organize work: horror movies, fashion and aesthetic content, the construction process of the characters and narratives of horror movies. The few specific studies on the clichés in movies led us to the use of authors from various aspects, among them are researchers in the field of communication and audio visual as Eco, McLuhan, Xavier, Aumont, Bordwell. Also participated in the theoretical construction of narrative as Candido, Mckee, Fields, Field. The field of philosophy in its connection with the aesthetic aspect was also important to Kant, Burke and Szondi. The empirical research took place over a collection of six films of the subgenre slasher produced between 1979 and 1984, from which performed was analysis in three steps aimed at mapping the clichés of fear found in the corpus. The thesis argues that the cliché movie is part of the institution as well, is the cinematic language and is composed from a certain degree of mobility. With regard to the logic that constitute the cliché of fear in horror movies slasher is evident the presence of the sublime in the 18 cliches found. They are organized in the form-content in order to establish a strong feature of appreciation of space - time uncertainty within the dramatic structure, highlighting the idea of threat.
2

Representación del feminismo en videos musicales. Un análisis a la estética y su impacto en videos musicales de artistas feministas de género pop urbano de los últimos años / Representation of feminism in music videos in recent years: An analysis of aesthetics and its impact on the music videos of feminist artists of the urban pop genre

Gomero Barrera, Norma Milena 30 April 2021 (has links)
En la actualidad, las mujeres se encuentran en una constante lucha por prevalecer sus derechos frente a una sociedad sometida a pensamientos androcentristas. Esto se expande inclusive al plano artístico musical pues en el género pop urbano prevalece el manejo de mensajes machistas y la cosificación de la mujer. Frente a esto, artistas del género adoptan una práctica con enfoque feminista en búsqueda de la liberación de la mujer. En este contexto, el presente trabajo de investigación busca analizar cómo se representa el feminismo en los videos musicales de artistas feministas del género pop urbano en los últimos años. Para ello, se determinará el uso del concepto creativo e intencionalidad desde los realizadores y/o artistas con relación a las piezas de videos musicales realizados. Posteriormente, se identificarán los componentes estéticos y las propuestas discursivas que manejan. Este articulo se realizara en base al tipo de investigacion interpretativo con enfoque cualitativo. Asimismo, la metodología que se aplicará para la producción de datos será el análisis de contenido. / Today, women are in a constant struggle to prevail their rights against a society subjected to androcentric thoughts. This even expands to the musical artistic plane because in the urban pop genre the handling of macho messages and the objectification of women prevail. Faced with this, artists of the genre adopt a practice with a feminist approach in search of the liberation of women. In this context, this research work seeks to analyze how feminism is represented in the music videos of feminist artists of the urban pop genre in recent years. For this, the use of the creative concept and intentionality from the filmmakers and / or artists in relation to the pieces of music videos made will be determined. Subsequently, the aesthetic components and the discursive proposals they handle will be identified. This article will be made based on the type of interpretive research with a qualitative approach. Likewise, the methodology that will be applied for data production will be content analysis. / Trabajo de investigación
3

Análisis del uso de vídeos ASMR en jóvenes de diferentes universidades de Lima / Analysis of the use of ASMR videos in young people from different universities in Lima

Menéndez Avila, Diana Fabiola 07 July 2021 (has links)
ASMR significa Autonomous Sensory Meridian Response, que en español es Respuesta Sensorial Meridiana Autónoma. Es un tipo de terapia digital, que a través de estímulos visuales y sonoros generan relajación (Domínguez, 2019). La aparición del COVID 19 ha generado una pandemia, que ocasionó que, en países como Perú, todas las instituciones educativas cerraran sus puertas. Los autores Katz, Jun y Callorda (2020) recalcan que el actual contexto de pandemia ha causado que la vida de muchos jóvenes universitarios cambie abruptamente y que, al pasar mucho tiempo encerrados en casa, empiecen a desencadenar mucho estrés, y que, por ende, el uso del ASMR haya aumentado significativamente. En esta investigación se analizará de qué manera los jóvenes universitarios usuarios de ASMR consumen este tipo de videos y cómo es su relación con la estética de estos. / ASMR stands for Autonomous Sensory Meridian Response, which in Spanish is Autonomous Sensory Meridian Response. It is a type of digital therapy, which through visual and sound stimuli generates relaxation (Domínguez, 2019). The appearance of COVID 19 has generated a pandemic, which caused all educational institutions to close their doors in countries like Peru. The authors Katz, Jun and Callorda (2020) emphasize that the current pandemic context has caused the lives of many young university students to change abruptly and that, after spending a lot of time locked up at home, they begin to trigger a lot of stress, and that, for Hence, the use of ASMR has increased significantly. This research will analyze how young university students who use ASMR consume this type of video and how it is related to the aesthetics of these. / Trabajo de investigación
4

Representación de personajes andinos desde la estética audiovisual publicitaria de la televisión peruana / Representation of Andean Characters from the Advertising Audiovisual Aesthetics of Peruvian Television

Santamaría Julca, Lía Nathalia 26 November 2020 (has links)
El racismo está presente dentro de la cultura peruana, pero de una manera muy aversiva: se expresa en forma cómica o en forma de burla. El propósito del trabajo es comprobar qué tanto perciben los comunicadores en formación la representación de personajes andinos con respecto a la estética audiovisual. Luego de investigar y leer artículos, se reconoce la relación entre los estereotipos étnicos, el racismo peruano sobre el personaje andino y la estética audiovisual de los comerciales de televisión, siendo estos normalizados en algunos casos por la sociedad peruana. Esta investigación es de carácter cualitativo, para el cual se utilizará un método de recolección de datos: una guía de entrevistas para 15 comunicadores en formación que sintonicen frecuentemente la televisión peruana. El resultado que se espera es ver si los comunicadores en formación perciben los estereotipos y representaciones de personajes andinos. Además, de qué manera lo hacen y si reaccionan o no. / Racism is present within Peruvian culture, but in a very aversive way: it is expressed in a comical way or in the form of derision. The purpose of the work is to check how much the communicators in training perceive the representation of Andean characters with respect to the audiovisual aesthetic. After researching and reading articles, the relationship between ethnic stereotypes, Peruvian racism about the Andean character and the audiovisual aesthetics of television commercials is recognized, these being normalized in some cases by Peruvian society. This research is qualitative in nature, for which a data collection method will be used: an interview guide for 15 communicators in training who frequently tune in to Peruvian television. The expected result is to see if the communicators in training perceive the stereotypes and representations of Andean characters. Also, in what way do they do it and if they react or not. / Trabajo de investigación

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