Submitted by Josiane ribeiro (josiane.caic@gmail.com) on 2015-05-05T17:07:22Z No. of bitstreams: 1 RAUL HENRIQUE AMARO DA SILVEIRA SIMÕES.pdf: 599071 bytes, checksum: ceaafbc09544e952be2cffb28f60da04 (MD5) / Approved for entry into archive by Vitor de Carvalho (vitor_carvalho_im@hotmail.com) on 2015-05-08T17:42:51Z (GMT) No. of bitstreams: 1 RAUL HENRIQUE AMARO DA SILVEIRA SIMÕES.pdf: 599071 bytes, checksum: ceaafbc09544e952be2cffb28f60da04 (MD5) / Made available in DSpace on 2015-05-08T17:42:51Z (GMT). No. of bitstreams: 1 RAUL HENRIQUE AMARO DA SILVEIRA SIMÕES.pdf: 599071 bytes, checksum: ceaafbc09544e952be2cffb28f60da04 (MD5) Previous issue date: 2010 / O presente trabalho visa a analisar O triunfo da morte (1981), de Augusto Abelaira, sob a luz de alguns conceitos pós-modernos, estabelecendo, entre o romance e as noções teóricas , um estudo bibliográfico de ordem comparativa. Entre os pressupostos teóricos deste trabalho, destacam-se a estética da fragmentação pós-moderna, o capital cultural e as vertentes paródicas, irônicas e fantásticas do texto. / This study aims to examine the work O triunfo da morte (1981) Augusto Abelaira in light of some postmodern concepts, establishing between the corpus and the neglected theoretical notions inferred, a bibliographical study of comparative order. Among the guiding concepts in this work are privileged to methodological tools known as the aesthetics of postmodern fragmentation, cultural capital, and the slopes parodic, ironic and fantastic text eluded.