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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 10 of 10 (0.031 seconds)Spelling suggestions: "subject:"hallada"" "subject:"fallada""
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"Ach Kinder..." : zur Rolle des Kindes und der Familie im Werk Hans Falladas /Arnöman, Nils, January 1998 (has links)
Diss.--Universität Stockholm, 1998. / Résumé en anglais. Bibliogr. p. 201-206.
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Schreiben als Daseinsbewältigung : die Bedeutung literarischer Produktivität für Hans Fallada und Gottfried Keller /Menke, Silvia. January 2000 (has links)
Texte remanié de: Diss.--Düsseldorf Universität, 1999. / Bibliogr. p. 337-362.
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Rausch und Realitätsflucht : eine Untersuchung zur Suchtthematik im Romanwerk Hans Falladas /Jürss, Detlev. January 1985 (has links)
Diss. : Philosophische Fakultät I : Zürich : 1985. - Bibliogr. p. 276-289. Notes bibliogr. -
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Falladas Gesichter : literarische Physiognomien im Romanwerk Hans Falladas /Knüppel, Stefan. January 2009 (has links)
Rostock, Universiẗat, Diss., 2009.
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| 5 |
Die Angestellten „geistig obdachlos“ – Kleiner Mann, was nun? : Eine Betrachtung der Figur des Pinneberg aus Hans Falladas Kleiner Mann – was nun?vor dem Hintergrund von Siegfried Kracauers Die AngestelltenWittenbrink-Nordenhem, Pablo January 2013 (has links)
Die Arbeit geht der Frage nach, inwiefern die von Kracauer diagnostizierte "geistige Obdachlosigkeit" der Angestellten auch auf die Figur des Pinneberg aus Falladas "Kleiner Mann - Was nun?" zutrifft.
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Hans Fallada and social realism in Germany of the 20's /Alksnis, Ivars Janis. January 1960 (has links) (PDF)
Thesis (M. A.)--University of Adelaide, Dept. of German, 1960. / [Typewritten]. Includes bibliography.
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Das verlorene Ich des Erwin Sommer : Eine psychoanalytische Textanalyse des Protagonisten in Hans Falladas Roman Der Trinker (1950)Nydahl, Margareta January 2016 (has links)
No description available.
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Hans Fallada and social realism in Germany of the 20'sAlksnis, Ivars Janis. January 1960 (has links) (PDF)
[Typewritten] Includes bibliography.
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Zwischen den Lesern und dem Original : Zwei Übersetzungen von Hans Falladas Jeder stirbt für sich alleinBergman, Carina January 2013 (has links)
No description available.
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Perceptions of Evil: A Comparison of Moral Perspectives in Nazi Propaganda and Anti-Nazi LiteratureInksetter, Hamish January 2015 (has links)
This thesis examines how the concept of evil was understood by opposing German perspectives during the era of National Socialist rule (1933-1945). The rise of Nazism in Germany marked a period of massive political upheaval wherein the National Socialist government encouraged the masses to view the world in terms of a great struggle between forces of good and evil. This was the central theme of their propaganda, which zealously encouraged racialist beliefs in the popular consciousness, and was based on assumptions of German superiority and Jewish evil. Despite Hitler's apparent success in creating an obedient nation, a significant number of Germans opposed his rule, amongst whom a small group of writers expressed their discontent through creative fiction. Through a comparison of the worldviews communicated through political propaganda and anti-Nazi literature, it is revealed that the crux of the divide between their opposing perspectives hinged on the meaning of evil.
Since evil is a concept with many meanings, this thesis approaches the subject thematically. The comparison begins by focusing on the perception of evil as an all-corrupting force that had taken hold of Germany, followed by an exploration of how power and brutality were understood, ending with a comparison of views on how the struggle between good and evil took place on both a social and individual level.
In addition to demonstrating the subjectivity of moral perspective during a
tumultuous period of the recent past, this research reveals how the struggle against Nazism existed as a conflict of ideas. Moreover, the comparison of cultural sources (including Nazi art, visual propaganda, written texts such as Mein Kampf, and anti-Nazi creative fiction) demonstrates the value of art as a tool for conducting historical enquiry. Since the legacy of the Third Reich continues to directly influence modern perceptions of evil, exploring how evil was understood according to contemporary Germans – from both pro and anti-Nazi perspectives – is of particular historical interest.
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