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1	Anna Seghers´ China-Begegnung in ihrem Leben und ihren Werken Li, Weijia 16 September 2009 (has links) No description available. German literature Anna Seghers China
2	Um encontro com Anna Seghers: tradução, insubordinação, criatividade e a presença do fremd / An encounter with Anna Seghers: translation, insubordination, creativity, and the presence of fremd Botelho, Jose Rodrigo da Silva 10 September 2012 (has links) Este trabalho apresenta uma tradução crítica da narrativa Die Reisebegegnung (O encontro de viagem), da escritora alemã Anna Seghers. Através dessa tradução, discute-se o ato de traduzir, questionando-se o modelo de tradução predominante no mercado editorial, que exige textos fluentes, nos quais se apagam as marcas de estrangeiridade. Esta dissertação propõe uma alternativa ao modelo: destacar o caráter estrangeiro da obra em vez de tentar apagá-lo, proporcionando ao leitor uma experiência com o texto estrangeiro que vá além do conteúdo e chamando sua atenção para questões de linguagem. Isso confere maior espaço e visibilidade para o trabalho criativo do tradutor, explícito aqui por meio do aparato crítico que acompanha a tradução. Essa alternativa se sustenta principalmente nas ideias de Friedrich Schleiermacher, Lawrence Venuti e Antoine Berman, que defendem a tradução chamada de estrangeirizadora, isto é, aquela que abre e garante espaço para o estranho (estrangeiro, fremd) no texto de chegada. / This work presents a critical translation of the narrative Die Reisebegegnung (The travel encounter), by the German writer Anna Seghers. Through this translation, the act of translating is discussed, questioning the translation model predominant in the publishing market, which requires fluent texts and in which the foreignness marks become extinguished. This dissertation proposes an alternative to the model: highlighting the foreign aspect of the work instead of trying to delete it, providing the reader with an experience of the foreign text that goes beyond the content and drawing his/her attention to language issues. This procedure gives more room and visibility to the creative work of the translator, made explicit here through the critical apparatus following the translation. Such an alternative is supported mainly by the ideas of Friedrich Schleiermacher, Lawrence Venuti and Antoine Berman, who defend the so-called foreignizing translation, i.e., the one that makes and warrants room for the strange (foreign, fremd) in the target text. Anna Seghers Anna Seghers Domesticação Domestication Estrangeirização Foreignization German literature Literary translation Literatura alemã Tradução literária
3	Um encontro com Anna Seghers: tradução, insubordinação, criatividade e a presença do fremd / An encounter with Anna Seghers: translation, insubordination, creativity, and the presence of fremd Jose Rodrigo da Silva Botelho 10 September 2012 (has links) Este trabalho apresenta uma tradução crítica da narrativa Die Reisebegegnung (O encontro de viagem), da escritora alemã Anna Seghers. Através dessa tradução, discute-se o ato de traduzir, questionando-se o modelo de tradução predominante no mercado editorial, que exige textos fluentes, nos quais se apagam as marcas de estrangeiridade. Esta dissertação propõe uma alternativa ao modelo: destacar o caráter estrangeiro da obra em vez de tentar apagá-lo, proporcionando ao leitor uma experiência com o texto estrangeiro que vá além do conteúdo e chamando sua atenção para questões de linguagem. Isso confere maior espaço e visibilidade para o trabalho criativo do tradutor, explícito aqui por meio do aparato crítico que acompanha a tradução. Essa alternativa se sustenta principalmente nas ideias de Friedrich Schleiermacher, Lawrence Venuti e Antoine Berman, que defendem a tradução chamada de estrangeirizadora, isto é, aquela que abre e garante espaço para o estranho (estrangeiro, fremd) no texto de chegada. / This work presents a critical translation of the narrative Die Reisebegegnung (The travel encounter), by the German writer Anna Seghers. Through this translation, the act of translating is discussed, questioning the translation model predominant in the publishing market, which requires fluent texts and in which the foreignness marks become extinguished. This dissertation proposes an alternative to the model: highlighting the foreign aspect of the work instead of trying to delete it, providing the reader with an experience of the foreign text that goes beyond the content and drawing his/her attention to language issues. This procedure gives more room and visibility to the creative work of the translator, made explicit here through the critical apparatus following the translation. Such an alternative is supported mainly by the ideas of Friedrich Schleiermacher, Lawrence Venuti and Antoine Berman, who defend the so-called foreignizing translation, i.e., the one that makes and warrants room for the strange (foreign, fremd) in the target text. Anna Seghers Domesticação Estrangeirização Literatura alemã Tradução literária Anna Seghers Domestication Foreignization German literature Literary translation
4	Anna Seghers: do Exílio de si ao Nome próprio / Anna Seghers: from the Exile of Herself to the Proper Name Oliveira, Bruno Behling 16 March 2017 (has links) Submitted by Aline Batista (alinehb.ufpel@gmail.com) on 2017-05-12T19:11:08Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Oliveira, Bruno Behling - Anna Seghers - do Exílio de si ao nome próprio.pdf: 1786163 bytes, checksum: 5db9ab66b73ca1df244306cace5ce094 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2017-05-12T21:25:02Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Oliveira, Bruno Behling - Anna Seghers - do Exílio de si ao nome próprio.pdf: 1786163 bytes, checksum: 5db9ab66b73ca1df244306cace5ce094 (MD5) / Made available in DSpace on 2017-05-12T21:25:13Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Oliveira, Bruno Behling - Anna Seghers - do Exílio de si ao nome próprio.pdf: 1786163 bytes, checksum: 5db9ab66b73ca1df244306cace5ce094 (MD5) Previous issue date: 2017-03-16 / Sem bolsa / Esta dissertação pretende, por meio de um estudo do romance Em Trânsito e do conto O Passeio das Meninas Mortas, da escritora alemã Anna Seghers, investigar o totalitarismo e as suas consequências, mais especificamente, o exílio. Hospitalidade, hostilidade, a percepção do estrangeiro como intruso e o seu isolamento em si próprio são temas relevantes no contexto de exílio. O espaço biográfico também é explorado nas narrativas de Seghers, uma vez que elementos autobiográficos são característicos da literatura da autora, a qual serve como testemunho e como arquivo de um período importante do século XX. Anna Seghers insere fatos de sua vida e até o seu nome em seus textos. Quando um nome é assinado alguém pode ser responsabilizado. A autora assina o nome e assim ela resiste. A literatura de Anna Seghers serve a um propósito maior do que somente o de contar as suas experiências individuais. Ela serve para fortalecer a consciência moral de toda a sociedade. / This dissertation intends, throught a study of the novel Transit and the short story The Excursion of the Dead Girls, by the german writer Anna Seghers, to investigate totalitarianism and its consequences, more especifically, the exile. Hospitality, hostility, the perception of the foreigner as an intruder and his isolation in himself are relevant themes in the context of exile. The biographical space is also explored in Seghers’ narratives, since the autobiographical elements are characteristic in the author’s literature, which serves as testimony and as archive of an important period of the 20th century. Anna Seghers inserts facts of her life and even her name in her texts. When a name is signed someone may be held accountable. The author signs her name and this way she resists. Anna Seghers’ literature serves a greater purpose than just the telling of her individual experience. It serves to strenghten moral conscience of the entire society. Letras Literatura comparada Anna Seghers
5	Mapping topographies in the anglo and German narratives of Joseph Conrad, Anna Seghers, James Joyce, and Uwe Johnson Boney, Kristy Rickards 30 November 2006 (has links) No description available. Joseph Conrad James Joyce Anna Seghers Uwe Johnson Writers in Exile Displacement Topography Space in Literature Landscapes in Literature Place in Literature Modernism Water in Modernism The city in Modernism Vietnam War
6	Perceptions of Evil: A Comparison of Moral Perspectives in Nazi Propaganda and Anti-Nazi Literature Inksetter, Hamish January 2015 (has links) This thesis examines how the concept of evil was understood by opposing German perspectives during the era of National Socialist rule (1933-1945). The rise of Nazism in Germany marked a period of massive political upheaval wherein the National Socialist government encouraged the masses to view the world in terms of a great struggle between forces of good and evil. This was the central theme of their propaganda, which zealously encouraged racialist beliefs in the popular consciousness, and was based on assumptions of German superiority and Jewish evil. Despite Hitler's apparent success in creating an obedient nation, a significant number of Germans opposed his rule, amongst whom a small group of writers expressed their discontent through creative fiction. Through a comparison of the worldviews communicated through political propaganda and anti-Nazi literature, it is revealed that the crux of the divide between their opposing perspectives hinged on the meaning of evil. Since evil is a concept with many meanings, this thesis approaches the subject thematically. The comparison begins by focusing on the perception of evil as an all-corrupting force that had taken hold of Germany, followed by an exploration of how power and brutality were understood, ending with a comparison of views on how the struggle between good and evil took place on both a social and individual level. In addition to demonstrating the subjectivity of moral perspective during a tumultuous period of the recent past, this research reveals how the struggle against Nazism existed as a conflict of ideas. Moreover, the comparison of cultural sources (including Nazi art, visual propaganda, written texts such as Mein Kampf, and anti-Nazi creative fiction) demonstrates the value of art as a tool for conducting historical enquiry. Since the legacy of the Third Reich continues to directly influence modern perceptions of evil, exploring how evil was understood according to contemporary Germans – from both pro and anti-Nazi perspectives – is of particular historical interest. Nazi National Socialist National Socialism Third Reich Hitler Goebbels Josef Thorak Leni Riefenstahl Arno Breker Adolf Ziegler Propaganda Nazi art Perspective Morality Worldview Perception Anti-Nazi Opposition Opponents Dissent Resistance Resistenz German Germany 1933-1945 Clair Bergmann Heinrich Böll Bertolt Brecht Hans Fallada Lion Feuchtwanger Ernst Jünger Klaus Mann Thomas Mann Erika Mitterer Theodor Plievier Erich Maria Remarque Anna Seghers Arnold Zweig Stefen Zweig

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