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Film and Video Festivals in South America:A Contemporary Analysis of Flourishing Cultural PhenomenaNogueira, Julia C. 27 April 2009 (has links)
No description available.
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Creating Resilient International Performing Arts Festivals: A Study of China Shanghai International Arts Festival from The Legitimacy PerspectiveXu, Yifan January 2021 (has links)
No description available.
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The standardisation and validation of a scale to measure the arts' contribution of arts festivals / Susanna Cornelia PretoriusPretorius, Susanna Cornelia January 2015 (has links)
The primary goal of the study was to standardise and validate a scale to measure the arts’
contribution of arts festivals. To achieve this goal, four objectives were formulated. First, to
study arts’ contribution of arts festivals by defining, analysing and exploring related concepts
through the provision of a detailed background and discussion on the topic by means of a
literature review. Second, to study and select applicable explanatory theory that can be used to
develop a standardised scale that measures the arts’ contribution of arts festivals by means of a
second literature review. Third to determine the validity and reliability of the scale measuring the
arts festival’s contribution to the performing arts and to the visual arts through an exploratory
factor analysis and a confirmatory factor analysis. Lastly, to draw conclusions based on the
research and make recommendations with regard to the standardisation and validation of the
scale to measure the arts’ contribution of arts festivals.
The first objective was achieved by conducting a literature study. The literature study on arts
festivals and their contribution to the arts was explored by defining the term festival tourism;
discussing aspects related to a festival (by defining a festival, explaining the festival’s
relationship with culture and events, identifying the characteristics, types, benefits and potential
problems associated with a festival, and identifying visitor motives for attending a festival);
discussing aspects related to the term arts festival (by providing an overview of arts tourism,
defining an arts festival, listing reasons for the establishment of an arts festival and discussing
the arts present at arts festivals – through defining and classifying the arts); and identifying the
contributions of an arts festival to the arts (by listing the types of contribution – educational,
emotional, economic, quality, marketing, and growth and development – , discussing the
purpose of contributing to the arts, listing perceptual differences of festival visitors regarding the
contributions of an arts festival to the arts and discussing limitations of an arts festival to
contribute to the arts).
Achieving the second objective, the second literature study discussed the term survey (by
defining a survey, identifying the types, characteristics, advantages, disadvantages and merits
of a survey and discussing the survey process); discussed the term standardisation (by defining
standardisation and stating the purpose for the standardisation of a measurement scale);
discussed the standardisation process (by outlining the different stages in the standardisation
process – the planning phase, where the aim of the measure is specified, the content is defined
and the test plan is developed; the item writing phase, includes the writing and review of items;
assembling and pre-testing the experimental version of the measure, which includes the
arrangements of the items, finalisation of the length, protocols for answering, development of
administration instructions and pre-test of the experimental version of the measure; the item and
data analysis phase consists of the determination of discriminating power, preliminary
investigation into item bias and the establishment of validity and reliability; and revising the final
version of the measure, which encompasses the revision of the items and test, the selection of
items for the final version of the test, the refinement of administration instructions and score
procedures and the administration of the final version of the test); and identified and discussed
ethical considerations, foreseen problems, limitations and recommendations associated with
conducting a survey and the standardisation of a measurement scale.
The third objective was to determine the validity and reliability of the measurement scale. This
objective was achieved by discussing the implementation phase of the measurement scale
where attention was given to the survey design and sampling. A stratified random sampling
method was used at three selected arts festivals in South Africa, the KKNK, Innibos and
Vryfees, where a descriptive survey design was administered in the form of a measurement
scale, such as a questionnaire. Research assistants were trained and the scale was
administered in a consistent fashion which supports internal reliability. The same survey
procedures were undertaken at all three arts festivals, supporting face validity and internal
validity. Representative samples were collected at the three arts festivals, also supporting
external validity. Attention was also given to the measurement scale design (where respondents
could give their perceptions concerning the contributions made by the arts festival to the arts
through the completion of the questionnaire – which was based on literature and contained the
relevant information to collect problem specific information, supporting content validity and
construct validity. The scale had also undergone the delphi-technique for expert advice,
supporting face validity. Providing a summary of the data analysis procedure contributed to the
achievement of this objective.
The data collected from the measurement scale have been captured in Microsoft™ Excel™ and
analysed using the statistical software program, SPSS. The data of the arts festivals
contributing to the performing arts were analysed separately from the data of the festivals where
they contribute to the visual arts. This was done to get a detailed data analysis for the
standardisation of the measurement scale. The split of the data also contributed to the
measurement scale being divided in two separate standardised scales in determining the arts
festival’s contribution to a specific form of the arts; both the data of the performing arts and the
data of the visual arts had undergone the same statistical procedure for data analysis in
determining the validity and reliability thereof.
The results indicated that the measurement scale is a valid and reliable measure in determining
the arts festival’s contribution to both the arts forms. To determine the validity of the
measurement scale pertaining to the performing arts and to the visual arts, an exploratory
principal axis factor analysis with Oblimin rotation was conducted on the combined data of
Innibos and Vryfees (n = 982). Bartlett's Test of Sphericity was p < 0.001 and the Kaiser-Meyer-
Olkin test of sample adequacy rendered a value between 0 and 1, indicating that the sample
sizes were adequate to conduct an exploratory factor analysis on the data of the performing arts
(KMO = 0.958) and on the data of the visual arts (KMO = 0.972); all items of the performing arts
(22 items) and of the visual arts (22 items) loaded on a factor with loadings greater than 0.2.
The factor analysis on the performing arts data extracted five factors. Factor 1 (Quality and
Education Contribution) was defined by 5 items with a Cronbach’s α-value of 0.867 and an interitem
correlation mean of 0.568. Factor 2 (Growth and Development Contribution) was defined
by 6 items (Cronbach’s α = 0.896; inter-item correlation = 0.594). Factor 3 (Emotional
Contribution) was defined by 3 items (Cronbach’s α = 0.706; inter-item correlation = 0.440).
Factor 4 (Economic Contribution) was defined by 4 items (Cronbach’s α = 0.824; inter-item
correlation = 0.540). Factor 5 (Marketing Contribution) was defined by 4 items (Cronbach’s α =
0.866; inter-item correlation = 0.617). The factor analysis on the visual arts data extracted four
factors. Factor 1 (Education and Growth and Development Contribution) was defined by 8 items
(Cronbach’s α = 0.947; inter-item correlation = 0.690). Factor 2 (Economic and Quality
Contribution) was defined by 7 items (Cronbach’s α = 0.920; inter-item correlation = 0.622).
Factor 3 (Emotional Contribution) was defined by 3 items (Cronbach’s α = 0.828; inter-item
correlation = 0.616). Factor 4 (Marketing Contribution) was defined by 4 items (Cronbach’s α =
0.905; inter-item correlation of 0.704). There were correlations between factors of the
performing arts and between the factors of the visual arts, where all correlations were 0.3 and
larger, supporting construct validity. Further validity of the measurement scale was determined
by a confirmatory factor analysis (CFA) on the performing arts data and on the visual arts data
of KKNK (n = 602), where the path diagram confirmed the factor structures of both the
performing arts and visual arts exploratory factor analyses, supporting criterion validity. CFA
goodness-of-fit indexes were also used to determine whether the models fit with the data. The
performing arts model and the visual arts model were found to have an adequate to good fit with
the data of KKNK. The chi-square test of Independence (X2) for the performing arts rendered a
value of p < 0.001 and for the visual arts was p < 0.001. The chi-square divided by the degrees
of freedom (X2 / df) for the performing arts was 4.284 and for the visual arts was 4.9, the
Comparative Fit Index (CFI) for the performing arts was 0.914 and for the visual arts was 0.931,
and the Root Mean Square Error of Approximation (RMSEA) for the performing arts was 0.074
and for the visual arts was 0.079. To determine the reliability of the measurement scale, the
Cronbach’s Alpha values and inter-item correlations between the factors were determined. All
the factors of the performing arts rendered a high Cronbach’s Alpha value (greater than 0.7)
and for the visual arts a value of 0.8. All the factors of the performing arts rendered a high interitem
correlation value (greater than 0.4) and for the visual arts a value greater than 0.6.
The final objective, to draw conclusions and make recommendations based on the results of the
study, indicated that this study made a significant contribution to the literature and methodology
of standardising a measurement scale and to the planning of arts festivals as it would lead to
the development of arts festivals contributing to the arts more effectively and more efficiently.
Future research on this topic should be conducted at other arts festivals, including Englishlanguage
arts festivals, to enable comparative studies to be made and supporting the test-retest
reliability theory on the standardised measurement scale. It is also recommended that the study
should measure contribution to the arts by other arts-related organisations, for example, at
museums, theatres, and galleries, by administering the standardised scale to measure the
contribution they make to their specific arts form. It is important to standardise a measurement
scale for arts contribution to better understand the contributing factors of the arts festival to the
arts which will assist festival managers in implementing strategies that ensure the livelihood and
ongoing contribution of arts festivals to the arts. / PhD (Tourism Management), North-West University, Potchefstroom Campus, 2015
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The standardisation and validation of a scale to measure the arts' contribution of arts festivals / Susanna Cornelia PretoriusPretorius, Susanna Cornelia January 2015 (has links)
The primary goal of the study was to standardise and validate a scale to measure the arts’
contribution of arts festivals. To achieve this goal, four objectives were formulated. First, to
study arts’ contribution of arts festivals by defining, analysing and exploring related concepts
through the provision of a detailed background and discussion on the topic by means of a
literature review. Second, to study and select applicable explanatory theory that can be used to
develop a standardised scale that measures the arts’ contribution of arts festivals by means of a
second literature review. Third to determine the validity and reliability of the scale measuring the
arts festival’s contribution to the performing arts and to the visual arts through an exploratory
factor analysis and a confirmatory factor analysis. Lastly, to draw conclusions based on the
research and make recommendations with regard to the standardisation and validation of the
scale to measure the arts’ contribution of arts festivals.
The first objective was achieved by conducting a literature study. The literature study on arts
festivals and their contribution to the arts was explored by defining the term festival tourism;
discussing aspects related to a festival (by defining a festival, explaining the festival’s
relationship with culture and events, identifying the characteristics, types, benefits and potential
problems associated with a festival, and identifying visitor motives for attending a festival);
discussing aspects related to the term arts festival (by providing an overview of arts tourism,
defining an arts festival, listing reasons for the establishment of an arts festival and discussing
the arts present at arts festivals – through defining and classifying the arts); and identifying the
contributions of an arts festival to the arts (by listing the types of contribution – educational,
emotional, economic, quality, marketing, and growth and development – , discussing the
purpose of contributing to the arts, listing perceptual differences of festival visitors regarding the
contributions of an arts festival to the arts and discussing limitations of an arts festival to
contribute to the arts).
Achieving the second objective, the second literature study discussed the term survey (by
defining a survey, identifying the types, characteristics, advantages, disadvantages and merits
of a survey and discussing the survey process); discussed the term standardisation (by defining
standardisation and stating the purpose for the standardisation of a measurement scale);
discussed the standardisation process (by outlining the different stages in the standardisation
process – the planning phase, where the aim of the measure is specified, the content is defined
and the test plan is developed; the item writing phase, includes the writing and review of items;
assembling and pre-testing the experimental version of the measure, which includes the
arrangements of the items, finalisation of the length, protocols for answering, development of
administration instructions and pre-test of the experimental version of the measure; the item and
data analysis phase consists of the determination of discriminating power, preliminary
investigation into item bias and the establishment of validity and reliability; and revising the final
version of the measure, which encompasses the revision of the items and test, the selection of
items for the final version of the test, the refinement of administration instructions and score
procedures and the administration of the final version of the test); and identified and discussed
ethical considerations, foreseen problems, limitations and recommendations associated with
conducting a survey and the standardisation of a measurement scale.
The third objective was to determine the validity and reliability of the measurement scale. This
objective was achieved by discussing the implementation phase of the measurement scale
where attention was given to the survey design and sampling. A stratified random sampling
method was used at three selected arts festivals in South Africa, the KKNK, Innibos and
Vryfees, where a descriptive survey design was administered in the form of a measurement
scale, such as a questionnaire. Research assistants were trained and the scale was
administered in a consistent fashion which supports internal reliability. The same survey
procedures were undertaken at all three arts festivals, supporting face validity and internal
validity. Representative samples were collected at the three arts festivals, also supporting
external validity. Attention was also given to the measurement scale design (where respondents
could give their perceptions concerning the contributions made by the arts festival to the arts
through the completion of the questionnaire – which was based on literature and contained the
relevant information to collect problem specific information, supporting content validity and
construct validity. The scale had also undergone the delphi-technique for expert advice,
supporting face validity. Providing a summary of the data analysis procedure contributed to the
achievement of this objective.
The data collected from the measurement scale have been captured in Microsoft™ Excel™ and
analysed using the statistical software program, SPSS. The data of the arts festivals
contributing to the performing arts were analysed separately from the data of the festivals where
they contribute to the visual arts. This was done to get a detailed data analysis for the
standardisation of the measurement scale. The split of the data also contributed to the
measurement scale being divided in two separate standardised scales in determining the arts
festival’s contribution to a specific form of the arts; both the data of the performing arts and the
data of the visual arts had undergone the same statistical procedure for data analysis in
determining the validity and reliability thereof.
The results indicated that the measurement scale is a valid and reliable measure in determining
the arts festival’s contribution to both the arts forms. To determine the validity of the
measurement scale pertaining to the performing arts and to the visual arts, an exploratory
principal axis factor analysis with Oblimin rotation was conducted on the combined data of
Innibos and Vryfees (n = 982). Bartlett's Test of Sphericity was p < 0.001 and the Kaiser-Meyer-
Olkin test of sample adequacy rendered a value between 0 and 1, indicating that the sample
sizes were adequate to conduct an exploratory factor analysis on the data of the performing arts
(KMO = 0.958) and on the data of the visual arts (KMO = 0.972); all items of the performing arts
(22 items) and of the visual arts (22 items) loaded on a factor with loadings greater than 0.2.
The factor analysis on the performing arts data extracted five factors. Factor 1 (Quality and
Education Contribution) was defined by 5 items with a Cronbach’s α-value of 0.867 and an interitem
correlation mean of 0.568. Factor 2 (Growth and Development Contribution) was defined
by 6 items (Cronbach’s α = 0.896; inter-item correlation = 0.594). Factor 3 (Emotional
Contribution) was defined by 3 items (Cronbach’s α = 0.706; inter-item correlation = 0.440).
Factor 4 (Economic Contribution) was defined by 4 items (Cronbach’s α = 0.824; inter-item
correlation = 0.540). Factor 5 (Marketing Contribution) was defined by 4 items (Cronbach’s α =
0.866; inter-item correlation = 0.617). The factor analysis on the visual arts data extracted four
factors. Factor 1 (Education and Growth and Development Contribution) was defined by 8 items
(Cronbach’s α = 0.947; inter-item correlation = 0.690). Factor 2 (Economic and Quality
Contribution) was defined by 7 items (Cronbach’s α = 0.920; inter-item correlation = 0.622).
Factor 3 (Emotional Contribution) was defined by 3 items (Cronbach’s α = 0.828; inter-item
correlation = 0.616). Factor 4 (Marketing Contribution) was defined by 4 items (Cronbach’s α =
0.905; inter-item correlation of 0.704). There were correlations between factors of the
performing arts and between the factors of the visual arts, where all correlations were 0.3 and
larger, supporting construct validity. Further validity of the measurement scale was determined
by a confirmatory factor analysis (CFA) on the performing arts data and on the visual arts data
of KKNK (n = 602), where the path diagram confirmed the factor structures of both the
performing arts and visual arts exploratory factor analyses, supporting criterion validity. CFA
goodness-of-fit indexes were also used to determine whether the models fit with the data. The
performing arts model and the visual arts model were found to have an adequate to good fit with
the data of KKNK. The chi-square test of Independence (X2) for the performing arts rendered a
value of p < 0.001 and for the visual arts was p < 0.001. The chi-square divided by the degrees
of freedom (X2 / df) for the performing arts was 4.284 and for the visual arts was 4.9, the
Comparative Fit Index (CFI) for the performing arts was 0.914 and for the visual arts was 0.931,
and the Root Mean Square Error of Approximation (RMSEA) for the performing arts was 0.074
and for the visual arts was 0.079. To determine the reliability of the measurement scale, the
Cronbach’s Alpha values and inter-item correlations between the factors were determined. All
the factors of the performing arts rendered a high Cronbach’s Alpha value (greater than 0.7)
and for the visual arts a value of 0.8. All the factors of the performing arts rendered a high interitem
correlation value (greater than 0.4) and for the visual arts a value greater than 0.6.
The final objective, to draw conclusions and make recommendations based on the results of the
study, indicated that this study made a significant contribution to the literature and methodology
of standardising a measurement scale and to the planning of arts festivals as it would lead to
the development of arts festivals contributing to the arts more effectively and more efficiently.
Future research on this topic should be conducted at other arts festivals, including Englishlanguage
arts festivals, to enable comparative studies to be made and supporting the test-retest
reliability theory on the standardised measurement scale. It is also recommended that the study
should measure contribution to the arts by other arts-related organisations, for example, at
museums, theatres, and galleries, by administering the standardised scale to measure the
contribution they make to their specific arts form. It is important to standardise a measurement
scale for arts contribution to better understand the contributing factors of the arts festival to the
arts which will assist festival managers in implementing strategies that ensure the livelihood and
ongoing contribution of arts festivals to the arts. / PhD (Tourism Management), North-West University, Potchefstroom Campus, 2015
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Festival- ett jämställt rum? : En turismvetenskaplig studie som undersöker två festivalers arbete mot en jämställd festival / Festival- a room for equality? : A study related to tourism studies that is investigating how two festivals work with the question about equalityJohansson, Frida, Eliason, Sofia January 2016 (has links)
Frågan om jämställdhet på festivaler har de senaste åren varit ett ämne som lyft stora debatter på sociala medier. Kända artister har kritiskt lyft diskussioner centrerade på festivalernas könsfördelningar av artistbokningar. I jämförelse till dessa diskussioner var det dock svårt att hitta tidigare fakta och forskning som berör hur arbetet med jämställdhet bakom och inom festivalerna faktiskt ser ut. Studiens syfte ämnar därför undersöka hur två musikfestivaler arbetar och förhåller sig kring jämställdhetsfrågor. De festivaler som har studerats är Way Out West och Umeå Open, en större festival och en mindre festival. Ämnet implementeras inom en turismvetenskaplig forskning eftersom festivaler tillhör kultursektorn och har en bidragande faktor inför Sveriges besöksnäring. Festivaler kan även utifrån ett samhällsperspektiv anses bidra med platsidentitets skapande faktorer samt fungera som ett verktyg för att sprida budskap vilket gör ämnet om jämställdhet på festivaler relevant att studera. För att besvara studiens syfte har vi utgått från tre frågeställningar som belyser tre teman: Jämställdhet inom organisationen, jämställda bokningar, jämställdhet inför besökarna. Dessa teman är relevanta att undersöka eftersom vi anser att det är utifrån de perspektiven jämställdhet kan tillämpas inom en festival. Vidare kopplas dessa teman samman med studiens resultat som berör de strategier och tillvägagångssätt organisationerna bakom festivalerna har använt sig av för att arbeta med jämställdhet. I studiens slutsats presenteras vårt forskningsbidrag som kan antyda att det finns två särskiljande strategier som är relevanta vid arbete med jämställdhet på en festival. Studiens teoretiska ramverk baseras på tidigare forskning som berör feministisk geografi, jämställdhet samt musik och festivaler. Den primära datan har samlats in genom två intervjuer med en representant från Way Out West och en representant Umeå Open. Vidare har intervjuerna kompletterats med en bild- och textanalys i avsikt att undersöka om och i så fall på vilket sätt hemsidorna är könskodade. / For the past years there have been lots of discussions in social media relevant to the question about equality in festivals. Several famous artists have pointed out the gender distribution that exist in festivals bookings of performers. In perspective to these discussions there is little research to find about how festivals actually are working with the subject. Therefore, this study aims to investigate how two music festivals relate and work around the subject about equality. The festivals that this study are investigating is Way Out West and Umeå Open, one festival that is a bit bigger than the other. Furthermore, this study’s research can be related to tourism studies since festivals is an event related to culture that also can be recognized as a contributing factor for Swedens tourism industry. In addition, festivals also can be used as a tool to distribute political or social messages to a wider range of people which also points out the relevance of this study’s research. Further the aim of the study is answered to by three questions which are developed in three topics. These topics are: equality inside of the organisation, equality bookings and equality in perspective of the visitors. Notably we believe that these topics are central to research hence they are relevant to how equality can be applied in a festival. Additionally, are these topics connected to the study’s result that will indicate on the festivals strategies that they are using to develop an equal festival. The result presents our contribution to further research by introducing two specific strategies that are relevant and useful in working with equality in festivals. The study’s theoretical framework is founded on previous research and includes subjects as feministic geographies, equality, music and festivals. Further the primary data has been collected through two interviews and two imageand text analysis. Each interview with a respective represent from each festival.
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Pilgrimage and the knowledge of God : a study of pilgrimage in the light of the feasts of Passover, Pentecost and Tabernacles, with special reference to Luke-Acts and JohnLee, Seung Yeal January 2007 (has links)
No description available.
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The Birth of the MPDG 2.0: The Potential for the Manic Pixie Dream Girl Trope in Independent FilmSherrill, Brenna Elizabeth 01 April 2016 (has links)
This project chronicles an in-depth character study on the Manic Pixie Dream Girl trope in film. The term was coined in 2007 by a film critic about a very specific kind of female character—one who exists “solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.” The MPDG has often been written off as nothing more than a stereotype or sexist characterization of a woman, but I argue that the MPDG can be much more than a flat character, as evidenced by the increasingly complex characterization of the MPDG in independent film. Based on case studies of several films, I discuss how the MPDG has grown from a supporting archetype into a well-rounded and multi-dimensional character. Based on a history of female depiction in film, a discussion of the critical interpretations of the MPDG, and these case studies, I argue that the MPDG has the potential to exist as a complex and realistic character rather than just an archetype.
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Sound faith : nostalgia, global spirituality, and the making of the Fes Festival of World Sacred MusicCurtis, Maria F. 27 May 2010 (has links)
This dissertation examines the Fes Festival of World Sacred Music and the
historical and cultural milieu of which it is a part. Held annually since 1994 in the city of
Fes, Morocco, this festival was first launched in the wake of the first Gulf War as an
interfaith initiative and was conceived with a European and American audience in mind.
It was later housed under the aegis of FES-SAISS, an NGO based in the medina of Fes,
Morocco. Over time, the festival became both more local and more global, with local
residents using the global rhetoric of western democratic ideals and human rights
discourses as a way to shape the festival’s local programming. After 9/11 and the May
16, 2003 suicide bombings in Casablanca, the festival took on a new significance as
Moroccans began to think of the festival as an event that would counter its own domestic
extremism. This dissertation looks at the role of sound and music and its place in This dissertation examines the Fes Festival of World Sacred Music and the
historical and cultural milieu of which it is a part. Held annually since 1994 in the city of
Fes, Morocco, this festival was first launched in the wake of the first Gulf War as an
interfaith initiative and was conceived with a European and American audience in mind.
It was later housed under the aegis of FES-SAISS, an NGO based in the medina of Fes,
Morocco. Over time, the festival became both more local and more global, with local
residents using the global rhetoric of western democratic ideals and human rights
discourses as a way to shape the festival’s local programming. After 9/11 and the May
16, 2003 suicide bombings in Casablanca, the festival took on a new significance as
Moroccans began to think of the festival as an event that would counter its own domestic
extremism. This dissertation looks at the role of sound and music and its place in This dissertation examines the Fes Festival of World Sacred Music and the
historical and cultural milieu of which it is a part. Held annually since 1994 in the city of
Fes, Morocco, this festival was first launched in the wake of the first Gulf War as an
interfaith initiative and was conceived with a European and American audience in mind.
It was later housed under the aegis of FES-SAISS, an NGO based in the medina of Fes,
Morocco. Over time, the festival became both more local and more global, with local
residents using the global rhetoric of western democratic ideals and human rights
discourses as a way to shape the festival’s local programming. After 9/11 and the May
16, 2003 suicide bombings in Casablanca, the festival took on a new significance as
Moroccans began to think of the festival as an event that would counter its own domestic
extremism. This dissertation looks at the role of sound and music and its place in viii
Moroccan spiritual traditions and questions how a local religious musical aesthetic
produced by the festival impacts interfaith efforts beyond Morocco’s borders as well as
local Moroccan conceptions of spirituality. Important components in the shaping of
conceptions of spirituality are interactions in the sphere of tourism, and local and
international efforts at historic preservation, and in the history of how local musics
became world music. Perhaps more than ever before, the preservation of local histories
and traditions are co-constructed at a global rather than a local level, where global
spheres are new grounds for creating local meaning. In conclusion, this dissertation
considers the nature and scope of the impact this festival has as it travels around the
globe. / text
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Marketingový výzkum spokojenosti návštěvníků sportovně-hudební akce Bm(X)treme fest 2013 / Marketing research of visitors'satisfaction at sport and music event Bm(X)treme fest 2013Čermák, Roman January 2015 (has links)
Title: Marketing research of visitors'satisfaction at sport and music event Bm(X)treme fest 2013 Objectives: The goal is to analyze results of visitors'satisfaction research. Furthermore, on the basis of the results obtained to develop proposals which should be directed to increase of visitors' satisfaction. Methods: Visitors satisfaction research has been done by electronic questioning. Research sample was randomly selected from the visitors of that event. Results: The obtained data are arranged in tables and graphs in the analytical part. In each of researched areas has been found few unsatisfied visitors, therefore are some suggestion to improve event. In general were visitors satisfied with the event and some research hypothesis has been disproved. Keywords: Sports marketing, marketing research, satisfaction, festival, BMX
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Vznik a vývoj hromadných tělovýchovných vystoupení na území České republiky / Beggining and development of group performance in the Czech RepublicŠindelářová, Ilona January 2011 (has links)
TITLE: The beggining and development of group performance in the Czech Republic SUMMARY: The thesis represents the beggining and development of group performance in the Czech Republic. It creates a komplex summary of group performance from beggining till to now. It uses methods of induction and deduction, it contents analysis or progressive methods. The result of this thesis is the description of the main changes in the development of group performance as are the place and size of the exercise area, the number of performings, musical accompaniement or used tools and equipment. The changes are seen in the charts.
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