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21	Film om film : En analys av dokumentärfilmer om fiktionsfilmer / Film on film : An analysis of documentaries on feature films Strömberg, Daniel January 2003 (has links) This thesis is a study of documentaries about fictional feature films. The development of the DVD format has contributed strongly to their massive increase in quantity. The capacity of the format enables film companies to include more material than the feature film itself. As some people regard this type of documentary as self-righteous and presumtious, others think of it as a great educational aid giving the audience a greater understanding of the intentions of the director and others involved, thus adding more levels to the experience of watching movies. By using established theory on documentary I’m trying to find distinctive features of ‘documentary on fiction’. / I uppsatsen studeras dokumentärfilmer som behandlar spelfilmer. Det är en företeelse som växt starkt i och med lanseringen av det nya videoformatet DVD. Formatets kapacitet har möjliggjort att man kunnat inkludera mer material än bara själva filmen. Idag är det nästan självklart att man på något sätt dokumenterar arbetet med en film, men man gör det på många olika sätt och med olika syften. Det finns många åsikter om denna typ av dokumentär. Vissa röster hävdar att de endast kan vara självförhärligande och partiska, medan andra anser att de ger fiktionsfilmer ett större djup och tittaren en ökad respekt och förståelse för verket. Jag vill med min undersökning hitta kännetecken för dokumentärfilmer om fiktionsfilmer och detta gör jag med hjälp av etablerad dokumentärfilmsteori. Genom analysen diskuterar jag bland annat filmernas funktion, problematik och relation till fiktionsfilmen. Interdisciplinary studies Dokumentärfilm fiktionsfilm dvd Bill Nichols bakom kameran extramaterial Documentary fiction dvd behind the scenes making of extras film making feature film TVÄRVETENSKAP Social Sciences Interdisciplinary
22	An Exploration in Funding Independent Film Strader, Laura K. January 2014 (has links) No description available. Theater Studies Film Studies Fine Arts Arts Management art cinema film independent film film making movies fundraising for independent film nonprofit fundraising fundraising plan social media for fundraising crowdfunding grant writing solicitations
23	Re-Story : The O.T.M.I* projectO.T.M.I = Obsolete Technical Mechanical Item Kapadia, Ninna* January 2015 (has links) The core question in this master thesis is: What happens to the essence of an object when it becomes out of date and is no longer in use? I am addressing the sense of dignity in once meticulously designed technical/mechanical items that now has become obsolete. The intention has been to investigate how to give new meaning to obsolete items and find new eligibility for their existence. The investigation was conducted through the development of a method: collection, analysis, deconstruction, investigation and resurrection of a number of O.T.M.I. (Obsolete Technical Mechanical Items). The resurrection process consisted of the (re-)writing of the objects’ narratives. These stories along with the objects’ parts, spaces and sounds created a frame for a scenography, a soundtrack and characters to act in a film to tell the story. As interior designers we have the opportunity to transform space and fill it with stories. Imagination is an important tool: We benefit from having the ability to imagine, for instance, how different surfaces will reflect sound and light. Our imagination is highly visual. So I have transformed my imaginary world of Obsolete Technical Mechanical Items to visual and audial elements that support the content and values of a story through researching the objects, finding how to clarify and support the story. The Re-Story. Restory re-story recycling upcycling readymade planned obsolescence design the mad scientist the friendly monster the poet frankenstein scenography theater movie making film making technology mechanical tekniska mekaniska föremål planerat åldrande återvinning film manus intervju scenografi robot inredningsarkitektur design inredning scener scen filmmusik mekaniska ljud
24	Conditional Truths: Remapping Paths To Documentary 'Independence' Lang, Ian William, n/a January 2003 (has links) (Synopsis to introductory statement): An introductory statement to five documentary films made by Ian Lang in Australia between 1981 and 1997 exemplifying a 'democratising' model of sustainable and ethical documentary film production. This document critically reflects on the production process of these films to accompany their submission for the degree of Doctor of Philosophy by Publication at Griffith University. It finds that a contemporary tendency towards 'post-industrial' conditions allows an observational film-maker to negotiate a critical inter-dependence rather than a romantically conceived 'independence' traditional to the genre. [Full thesis consists of introductory statement plus six DVD videodiscs.] documentary film Australian documentary low-budget film low-budget documentary documentary production documentary ethics ethical film Queensland film independent film-maker interdependent filmmaking interdependent production conditional truth independent film-making documentary truth post-industrial documentary democratisation of film sustainable documentary guerilla film guerrilla film indigenous film Aboriginal film 'Wheels across the Himalaya' 'Yallambee - People of Hope' 'This is what I call living' ' Grandfathers and Revolutions' observational film art documentary visual-arts film 'Judith Hewitson' 'Ian Howard' 'Swinburne film' 'SBS Independent' 'Queensland College of Art' Documentary Producer Documentary Director Australia Australian digital filmmaker digital documentary 16mm documentary cinema verite documentary history multiculturalism globalism ethnographic disability 'documentary impulse' micro-doc

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