Made available in DSpace on 2014-12-17T14:20:16Z (GMT). No. of bitstreams: 1 GekbedeDS.pdf: 1872852 bytes, checksum: b9b86e10655c0476b2efd2d05810e0d4 (MD5) Previous issue date: 2006-09-21 / Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico / Barra do Camaratuba belongs to Mataraca city, nearby the boarder between Para?ba and Rio Grande do Norte states. It was the chosen community to develop this research, objectifying to study the set of practical of the cultural manifestations and the implications of the local tourist activity, considering the cultural dynamics. We tried to reconstruct stories from the narratives of the oldest inhabitants, natives, among others that they had lived, some how, individual and collective experiences related to the popular tricks and the traditional parties, considering what they speak and imagine about their experiences and its culture. The Lapinha, the Pastoril, the viola s songs, the Balls of Concertina, the Jo?o Redondo, the Ox of Kings, the wheel of Coconut were common practical perceivable through the communitarian bonds. Among these manifestations, the only one that resisted for a longer time was the wheel coconut. The S?o Pedro s fest is another popular manifestation that appears on the current scene like the padroeiro party, while others cultural practical compose the spectacle s scenery. These questions cover many of the narratives of the interviewed ones in the interlaced thing between memory, tourism and tradition. Therefore, we tried to build our research from the memory, participant observation, orality, techniques of the life history, personal depositions, among others basic methods for the reconstruction of a collective memory . Speaking about the past of Barra do Camaratuba is to live again the parties, the blood relations, the ter?o , the work in the ro?ados , in the flour house, the fishing, the leisure and the habits of the daily life. In this community, there is the presence of conflicts of social and cultural order, caused for the hegemonic classes that sponsor the parties. In the padroeiro party we perceive that the mercantile logic has started, very recently, to transform the religious factor into an excuse to put into motion the local economy. This way, a community originated from artisan fishers and agriculturists, having the fishing practical as a way of subsistence and the tricks as a reference, they had started to compose a new social picture with the arrival of the others and with the presumption and recent tourist development. We perceive social, environmental and cultural impact transformations, exemplified by a non planned activity or a predatory tourism. The changes will always be pointed and compared with other passing in a sphere of relations lived by the natives, local players and fishers / Barra do Camaratuba, pertencente ao munic?pio de Mataraca, pr?xima ? divisa da Para?ba com o Rio Grande do Norte, foi a comunidade escolhida para desenvolvermos este trabalho, objetivando estudar o conjunto das pr?ticas das manifesta??es culturais e as implica??es da atividade tur?stica local, considerando a din?mica cultural. Procuramos reconstruir hist?rias a partir das narrativas dos moradores mais antigos , nativos, entre outros que vivenciaram, de alguma forma, experi?ncias individuais e coletivas relacionadas ?s brincadeiras populares e ?s festas tradicionais, levando em considera??o o que falam e imaginam sobre o vivido e sobre sua cultura. A Lapinha, o Pastoril, as Cantorias de Viola, os Bailes de Sanfona, o Jo?o Redondo, o Boi de Reis, o Coco de Roda, eram pr?ticas comuns percept?veis atrav?s dos v?nculos comunit?rios. Dentre essas manifesta??es, a ?nica que resistiu por mais tempo foi o coco de roda. A festa de S?o Pedro ? outra manifesta??o popular que aparece no cen?rio atual como a festa de padroeiro, enquanto outras pr?ticas culturais v?o compondo o cen?rio do espet?culo. Estas quest?es percorrem muitas das narrativas dos entrevistados no entrela?ado entre mem?ria, turismo e tradi??o. Portanto, procuramos construir nosso trabalho a partir da mem?ria, da observa??o participante, da oralidade, das t?cnicas da hist?ria de vida, depoimentos pessoais, entre outros m?todos fundamentais para a reconstru??o de uma mem?ria coletiva . Falar sobre o passado de Barra do Camaratuba ? reviver as festas, as rela??es de parentesco, o ter?o, o trabalho nos ro?ados, na casa de farinha, as pescarias, o lazer e os h?bitos da vida cotidiana. Nessa comunidade h? presen?a de conflitos de ordem social e cultural, causados pelas classes hegem?nicas que patrocinam as festas. Na festa de padroeiro percebemos que a l?gica mercantil come?ou, muito recentemente, a transformar o fator religioso num pretexto para movimentar a economia do local. Dessa forma, uma comunidade originada a partir de pescadores artesanais e agricultores, tendo a pesca como meio de subsist?ncia e as brincadeiras com refer?ncia de divers?o, passaram a compor um novo quadro social com a chegada de outros e com o suposto e recente desenvolvimento tur?stico. Percebemos transforma??es de impactos s?cioambientais e culturais, exemplificados por uma atividade n?o planejada ou um turismo predat?rio. As mudan?as sempre ser?o apontadas e comparadas a outras passadas numa esfera de rela??es vivenciadas pelos nativos, brincantes e pescadores locais