The thesis is exploring the potential of the ornament conceived as inhabitable space, exuberant, blissfull in opulence, flamboyant. The coexistence of opposite elements sensations that are overlapping, intertwining and blurring, generates a space that breathes, perspires and froths, exceeding in its blossom.

Made available in DSpace on 2016-08-10T10:44:19Z (GMT). No. of bitstreams: 1 MARIA APARECIDA DE OLIVEIRA.pdf: 2537020 bytes, checksum: ed01d9eda7ea0600639aab4782c4c0f8 (MD5) Previous issue date: 2011-08-30 / Analisa-se o Parque Flamboyant Lourival Louza, construído no Jardim Goiás, em Goiânia, a partir das propostas contidas nos planos diretores para o desenvolvimento sustentável de Goiânia. Estuda-se, ainda, aspectos históricos e ambientais do desenvolvimento do setor Jardim Goiás, o processo de criação do parque e a transformação da paisagem urbana no seu entorno. A metodologia utilizada no trabalho é o da revisão na abordagem dos Planos Diretores propostos para a Capital e tem-se, como parâmetro e referência fundamental, o meio ambiente para o estudo, análise e compreensão das transformações que ocorreram em Goiânia no desenvolvimento do processo de sua urbanização. Ressalta-se que a ocupação desordenada do entorno e adjacências do Parque Flamboyant gerou comprometimentos a nível ambiental e urbano para o setor e à cidade.

Made available in DSpace on 2016-08-10T10:50:14Z (GMT). No. of bitstreams: 1 PATRICIA DA SILVA CORREA.pdf: 5889076 bytes, checksum: a91c3855b67f05d5798fc5abd166fc79 (MD5) Previous issue date: 2015-08-07 / Urban parks, sustainable development of the cities signs are spaces for, among other activities, the Environmental Education. There are several existing parks in Goiania and one of the main ones is the Flamboyant Park, which has its appropriate structure for environmental events. However, the progressive drought Sumidouro stream spring, located in the park, which occurs as a result of lowering of the water table; due to the misuse of land by large construction companies, points to a contradiction: a place of preservation and contemplation of nature houses a serious environmental impact. Given this fact, the Environmental Education plays an important role in the search for solutions that mitigate or terminate this issue, educating and directing the population for efficient decision-attitude. In this sense, this research aims to analyze how environmental education can be effective in sustainable urban development, even in the most serious cases of environmental impact, using the example of Flamboyant Park. To understand the reasons why this space can be considered an ideal place for environmental education, we used theoretical review seeking to understand their origins, meanings and uses. It was also necessary to conduct research on the meaning, causes and consequences of groundwater drawdown in the Flamboyant Park area. Through history, formation and structure of the Park and also field research made it possible to learn how environmental education is being worked on site. Through interviews with regulars and locals , with authorities and environmental professionals , revealed the importance of this type of education to a satisfactory sustainable urban. / Os parques urbanos, símbolos de desenvolvimento sustentável das cidades, são espaços destinados, dentre outras atividades, à Educação Ambiental. São vários os parques existentes em Goiânia e, um dos principais é o Parque Flamboyant, que tem sua estrutura adequada para eventos ambientais. Porém, a progressiva seca da nascente do córrego Sumidouro, localizada no parque, que ocorre em consequência do rebaixamento do lençol freático; fruto do mau uso do solo pelas grandes construtoras, aponta para uma contradição: um local de preservação e contemplação da natureza abriga um grave impacto ambiental. Diante desse fato, a Educação Ambiental tem papel importante na busca por soluções que amenizem ou cessem este problema, conscientizando e direcionando a população para uma eficiente tomada de atitude. Nesse sentido, essa pesquisa tem como objetivo analisar como a Educação Ambiental pode ser efetiva no desenvolvimento urbano sustentável, até nos casos mais graves de impacto ambiental, tomando como exemplo o Parque Flamboyant. Para entender os motivos pelos quais esse espaço pode ser considerado um local ideal para a Educação Ambiental, utilizou-se revisão teórica buscando entender suas origens, significados e utilidades. Foi necessário também, a realização de pesquisa sobre o significado, causas e consequências do rebaixamento do lençol freático na região do Parque Flamboyant. Por meio da história, formação e estrutura do Parque e, ainda, pesquisa de campo fez-se possível apreender como a Educação Ambiental vem sendo trabalhada no local. Através de entrevistas com frequentadores e moradores da região, com autoridades e profissionais do meio ambiente, revelou-se a importância deste tipo de educação para um desenvolvimento urbano sustentável satisfatório.

Cette thèse porte sur l'architecture gothique flamboyante du comté de Bourgogne dela fin du XIVe siècle aux grands chantiers du XVIe siècle : Notre-Dame de Gray etNotre-Dame de Dole. Le corpus compte dix-sept monuments comprenant une majoritéd'églises paroissiales et deux chapelles commanditées par de puissants seigneurs comtois.Cette étude s'inscrit dans un vaste cadre chronologique et permet de poser unjalon dans la compréhension de l'architecture flamboyante en France. La confrontationdes sources écrites à l'analyse monumentale des édifices permet d'appréhender la complexité et la diversité des formes qui s'introduisent dans le comté de Bourgogne à la findu Moyen Âge et dans la première moitié du XVIe siècle. / This thesis focuses on the Flamboyant Gothic architecture of County of Burgundyfrom the late XIV century to the large construction sites of the XVI century : Notre-Dame de Gray and Notre-Dame de Dole. The corpus has seventeen monuments mostlycomprised of parish churches, but also of two chapels commissioned by powerful lordsof the County. This study is part of a broad chronological framework and helps lay amilestone in the understanding of the flamboyant architecture in France. The approachis a comparative analysis of sources and monumental buildings, which allows us tounderstand the complexity and the diversity of forms that were introduced into theCounty of Burgundy in the late Middle Ages and in the first half of XVI century.

Made available in DSpace on 2016-08-10T10:49:46Z (GMT). No. of bitstreams: 1 LUCIENE RIBEIRO DA COSTA.pdf: 4290619 bytes, checksum: aeef9c93429cbd739b8dfdb1baf2d5db (MD5) Previous issue date: 2011-03-28 / This Dissertation examines the process of urbanization in Goiânia from 80 years in the Southeast within a concept of strategic planning, seeking to maximize profits in the face of the business model. Goiânia has undergone a process of change in urban space. The expansion of the city enters into the logic of capital, the center no longer meets the population's interest, because it is no longer valued as a local economic and social development in the city of Goiania. The construction of the shopping, let the city center obsolescent, ie there is a concentration of public and private investments in this region at the expense of the downtown area. With their deployment to Southeast Goiania undergoes a rapid real estate appreciation, induced by an imprint of corporate strategic planning, where the exchange value overrides the value in use. Implants in a rational logic of occupation from the Southeast, there is the first hypermarket, modern condominiums are built horizontal and vertical (some famous brand), new hotels, the Municipal Palace, the Cathedral in the future, the Federal Public Ministry, utilities and the Forum of Goiania. . These buildings add that part of town to the market logic. The strategic planning demonstrates how to become effective decision-making processes and action planning, considering the economic and social forces. In the process, urban marketing comes as a communicator of growth in the Southeast region of Goiania, manifested through the creation of the image through advertising. In fact, the region is developing and the mall is the main responsible for this rapid growth. / A presente Dissertação analisa o processo de urbanização de Goiânia a partir dos anos 80, na região Sudeste, dentro de uma concepção de planejamento estratégico, buscando a maximização do lucro em face do modelo empresarial. Goiânia passou por um processo de mudança no espaço urbano. A expansão da cidade entra na lógica do capital, o centro não atende mais ao interesse da população, pois deixa de ser um local valorizado na forma econômica e social da cidade de Goiânia. A construção do shopping deixa o centro da cidade obsolescente, ou seja, há uma concentração dos investimentos públicos e privados nesta região em detrimento da região central da cidade. Com a sua implantação, a região sudeste de Goiânia passa por uma rápida valorização imobiliária, induzida por um planejamento estratégico de cunho empresarial, no qual o valor de troca se sobrepõe ao valor de uso. Implanta-se uma lógica racional na ocupação da região sudeste: surge o primeiro hipermercado, constrõem-se modernos condomínios horizontais e verticais (alguns de griffe ), novos hotéis, o Paço Municipal, futuramente a Catedral, o Ministério Público Federal, concessionárias e o Fórum de Goiânia. Essas construções agregam aquela região da cidade à lógica de mercado. O planejamento estratégico demonstra como se efetivam os processos de decisão e o planejamento de ações, considerando as forças econômicas e sociais. Nesse processo, o marketing urbano entra como um comunicador de crescimento da região Sudeste de Goiânia, que se manifesta por meio de criação da imagem através da publicidade. De fato, a região vem se desenvolvendo e o shopping é o principal responsável por esse crescimento rápido.

L’église Saint-Michel de Bordeaux est construite à la fin du Moyen Âge au centre d’une paroisse urbaine très dynamique. L’activité portuaire et commerciale fait vivre de nombreux artisans et enrichit les puissants marchands du quartier de la Rousselle. Ils sont investis dans le gouvernement de la commune et financent copieusement le chantier de leur église paroissiale. Leurs pratiques pieuses et leur activité à la tête de l’administration de la fabrique et des confréries sont représentatives de la religion civique à la fin du Moyen Âge. L’église accueille depuis la fin du XVe siècle un collège de prêtres-bénéficiers, au service des nombreuses fondations pieuses et des confréries installées dans les chapelles latérales. Elles sont construites durant le second chantier gothique, qui met en œuvre à partir du second quart du XVe siècle une vaste église flamboyante de plan basilical. Celle-ci succède à une première église gothique menée à son terme durant le XIVe siècle selon un parti-pris architectural de type « halle ». Le chantier de la cathédrale, qui introduit à Bordeaux les formes du gothique rayonnant du Nord de la France, est une source d’inspiration à Saint-Michel, dans le domaine de la modénature et de la sculpture monumentale. Le chantier flamboyant voit l’arrivée de maîtres-maçons dont l’œuvre a pu être identifiée. Elle se réfère aux chantiers normands, parisiens ou financés par le roi de France. Les Lebas de Saintes apportent leur culture artistique et leur technique à l’accomplissement du transept, à la conception de la nef et du clocher isolé. La faible influence de l’œuvre de Saint-Michel sur la création artistique locale est compensée par le rayonnement de son clocher-tour, un des plus hauts clochers du royaume. Son chantier exceptionnel est très bien renseigné par 11 années de comptes de la fabrique. Ils illustrent les conditions de travail et l’équipement nécessaire à la construction à grande hauteur. Un des autres chefs-d’œuvre de l’église, le portail nord, est probablement réalisé vers 1520 par Imbert Boachon, maître-maçon, imagier, menuisier, selon la nature des travaux et selon les villes ou il travaille. Aujourd’hui, la silhouette de l’église et du clocher, tous deux isolés au milieu de plusieurs places, ne reflète plus totalement la morphologie de l’œuvre médiévale. Des faiblesses structurelles obligent les hommes du XIXe siècle à reconstruire le chevet. Le clocher est rénové par Paul Abadie et l’église reçoit une esthétique gothique influencée par l’archéologie monumentale et les doctrines de la restauration patrimoniale de l’époque. / The church of St Michael of Bordeaux has been built in the late Middle Ages, in a very dynamic urban parish. The fluvial and commercial activities of the port generate work for craftsmen and enrich the powerful merchants from the borough of La Rousselle. These merchants are invested in the communal government and finance the building of their parish church. Their pious practices and their activity at the head of the parish fabric and friaries are good examples of the late medieval civic religion. From the end of the fifteenth century, the church receives a college of priest provided by religious benefits. They are in the service of many pious foundations and friaries which are established in the lateral chapels. These chapels are built during the second gothic construction, which makes a big Flamboyant style church with the plan of a basilica. This building follows a first gothic church, conducted at its term during the fourteenth century in accordance to a “halle” architectural volume. The construction of the cathedral of Bordeaux, which introduces the gothic style from the north of France, is an inspiration for St Michael, in the domain of modenature and monumental sculpture. The Flamboyant construction induces the arrival of some master mason, whose work can be identified. That work is influenced by Norman, Parisian and French king’s financed buildings. The Lebas from Saintes give their artistic culture and their technique to the accomplishment of the transept, to the conception of the nave and the isolated bell tower. The low influence of the work of St Michael of Bordeaux on the local artistic creation is balanced with the bell tower, one of the tallest in the French kingdom. Its constructions are well informed thanks to an eleven years’ register for the fabric accounting. It illustrates the work conditions and the necessary equipment for high tall building. One of the masterworks of the church, the north portal, is probably made around 1520 by Imbert Boachon, master mason, sculptor or joiner according to the kind of the work or the town where he works. Nowadays, the silhouette of the church and the bell tower are isolated in the middle of many places and are not totally representative of the medieval made morphology. Some structural frailties oblige the nineteenth century men to rebuild the chevet. The bell tower is renovated by Paul Abadie and the church receives a gothic aesthetic which is influenced by monumental archaeology and the patrimonial restorations doctrines of that period.

Montréal Trigonix inc. 2018

Avec "Les roses flamboyantes en France", nous avons voulu présenter une étude systématique d'un sujet encore neuf. Près de quatre-vingt roses, réalisées entre 1380 et 1550, ont d'abord été classifiées en quatre grands types de remplage: les souffiets-mouchettes, les rose à pétales, les multiples cercles, les divers polygones. Par ailleurs, trois périodes principales ont été distinguées : entre 1380 et 1435, entre 1435 et 1480, entre 1480 et 1550. Les derniers chapitres sont consacrés aux roses appréhendées dans leur province respective, afin de mieux souligner leurs tendances et caractères propres, comme la fusion des motifs en Picardie (Amiens, Abbeville), ou encore l'harmonie des roses des Chambiges autour de Paris. / Montréal Trigonix inc. 2018

Cette études des églises paroissiales de Puisaye, partie sud- ouest de l'Yonne en France, vise à formuler une définition syntaxique tant au niveau typologique que stylistique de ce type de construit et à formuler une interprétation sémantique à partir de cette définition syntaxique. Cette syntaxe repose sur la conception énergétique de l'objet d'art mise en forme par Fernande Saint-Martin avec ce que l'on nomme la sémiologie topologique. Nous cherchons à mettre en évidence tant la position stylistique architecturale de la Puisaye par rapport aux régions limitrophes de Paris, de la Champagne, de la Nièvre et du Val de Loire que les significations inconscientes des formulations spatiales régionales qui sont grosso modo séparables en deux grandes familles, les édifices longitudinalement uniformes et les édifices scindés par une coupure transversale. / Montréal Trigonix inc. 2018

Le 11 décembre 1481, le roi Louis XI rattachait le comté de Provence souverain au royaume de France. Cela ne s’accomplit pas sans que les grands sanctuaires provençaux reçoivent de sa part des offrandes importantes, tels la chapelle de la Sainte-Baume, le chef-reliquaire d’or de Sainte-Marthe de Tarascon, et, dans une certaine mesure, le tombeau du dernier comte Charles III de Provence dans la cathédrale Saint-Sauveur d’Aix. Mais sa munificence religieuse de quatre décennies en Provence, connut bien d’autres développements (fondations, rentes, privilèges). Cette étude originale est un essai de synchronisation d’une ambitieuse politique de munificence avec son contexte de marche à l’annexion. Pour une vision d’ensemble, la zone étudiée s’élargit aux petits États périphériques du comté de Provence, Avignon et le Comtat Venaissin, la principauté d’Orange, le comté de Nice, la seigneurie de Monaco et le Bas-Dauphiné. Dans ce dernier, à la cathédrale Notre-Dame d’Embrun, au contact du Gapençais provençal, Louis XI a vraisemblablement offert de somptueuses grandes orgues dont plusieurs éléments sont encore visibles. La présence physique du dauphin Louis, puis la forte présence politique du roi Louis XI dans cette « aire provençale », sont révélatrices du grand intérêt que suscite le Midi de la part du royaume de France, selon une tradition remontant aux Capétiens. Les modalités et la croissance de cette convoitise chez Louis XI, ses implications économique et sociale, ses manifestations plastiques, les véhicules de l’idéologie monarchique tels que l’esthétique flamboyante, mais aussi la rivalité inévitable avec l’influent comte René d’Anjou, tiennent ici lieu de problématiques. / On december 11th 1481, the king of France Louis XI achieved the incorporation of sovereign Provence into the kingdom of France. This did not happen without the greatest provençal sanctuaries receiving from him important offerings like the Sainte-Baume chapel, the Sainte-Marthe of Tarascon gold head reliquary, and the last earl Charles III of Provence tomb in the Saint-Sauveur cathedral of Aix. Actually, his four decades religious munificence in Provence spread out with various forms (foundations, annuities, privileges). This original study is an attempt to synchronize an ambitious policy of munificence with its context of an annexation in progress. For a general sight of the situation, the geographical area of the study is extended to the small provençal states surrounding the earldom of Provence, it is to say Avignon and the Comtat Venaissin, the principality of Orange, the earldom of Nice, the lordship of Monaco and the southern Dauphiné. There, in the Notre-Dame cathedral of Embrun, in close contact with the provençal earldom of Gap, Louis XI appears as the donator of the flamboyant organ, still visible in parts. The physical presence of the dauphin Louis, then the strong political presence of king Louis XI, in this “provençal area” reveal the great interest of French kingdom for the south, following an ancient tradition started by the capetian kings. The details and the growth of Louis XI’s covetousness, its economical and social implications, its artistic demonstrations, the medium of the monarchic ideology, as the flamboyant gothic esthetics, but the unavoidable rivalry with the influential earl René d’Anjou as well, are the main issues investigated here.