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1	Dnešní podoba a funkce lidového oděvu na Táborsku / Current form and function of folk costume in the Tabor area Sedakovová, Barbora January 2017 (has links) The diploma thesis deals with the form and function of folk costume in the Tabor area, with emphasis on the present, the period of the 20th and the 21st century. The thesis follows the research of Doc. Štěpánová and partly applies the author's knowledge gained by the research executed in the bachelor thesis. Qualitative research, carried out mainly among members of folklore ensemble Kovářovan, used anthropological methods, semi-structured interview and attended observations, supplemented by an analysis of material from the collections of the Blata's museum in Soběslav (mainly the inheritance of Marie Prunerová and her family). The focal point of the research was description of current form of costume. The author focused on the particular parts of the costume, how to wear it properly, how to take care of it and furthermore what materials and patterns are used for sewing. As part of the costume's function, the motivation of members of the ensemble was investigated. The author analysed what encouraged them to wear the costume, for how long and what occasions they dressed for. In addition to the members of the ensemble, several teachers of local elementary schools were approached and their knowledge of the ethnographic area itself, the traditional Kozácko's folk costume and the possible influence of...
2	Etnografika v Zápiscích Marie Červinkové-Riegrové / Ethnographic entities in Notes of Marie Červinková-Riegrová Svobodová, Jana January 2011 (has links) The study deals with analysis of perception and description of ethnographic entities by Marie Červinková-Riegrová, as reflected in her Notes. The basic source is completed by other sources, mainly Memorial book of Maleč and family correspondence. The first part is paid to the study of biography of Marie Červinková-Riegrová, which is a necessary framework for exploring her relation to ethnographic issues. In another part are analyzed the Notes and their potential use for the Ethnography. The next chapter deals with the concept of patriotism as the author of Notes understood. Patriotism is introduced as one of the starting points of Marie's interest of ethnographic entities. The next chapter deals with specific manifestations of folk culture, folk customs, etc., and their reflections by Marie Červinková-Riegrová. The main emphasis is placed on the folk costume description. The following part is relating to religious pilgrimages and sacred places. The last chapter analyzes folk customs and traditions followed in the Rieger family and on the farm of Maleč.
3	Utváření oborové terminologie pro lidový oděv / Forming the Branch Nomenclature of Folf Costume Dědovský, Daniel January 2015 (has links) The folk costume, including its revitalized forms, is one of the most significant and simultaneously one of the most studied categories in the research of european folk culture. This research project is focused on reflections of the branch nomenclature of folk costume in the context of ethnological methodology with consideration of museological aspects and above all the history and development of the branch in its relevant european schools, streams and centers. The work is based on comparative communication of the author with less or more important characters in the branch (or closely connected) who were oriented on research of the folk costume cathegory or widely of the material culture, mostly through their professional texts. The contemporary researchers, whose work is not finished yet, are not evaluated in this work by intention, but their work and thoughts are reflected strongly as an important inspiration source of the presented dissertation. The primary goal of this project is not only observation and study the terminology and methodology for technical processing of the ethnological cathegory of folk costume, but also the research of the history of this branch underpinning its fundamental as well as less important aspects in the european international context.
4	Kroj / The Folk Costumes Župková, Ilona Unknown Date (has links) The outcome of my thesis is airy relief in the form of a spreaded Kyjov´s women's folk costumes. It is made up of embroidery and lace, which gets their original lightness without underlying substance.The white color, I have used, strenghts this feeling. All parts are printed by the ABS plastic. I follow the transformation of hand-made embroidery on the machine-made one with this. 3D printing is another entirely fictitious step for me. Just as the embroidery machine adjusts stitches according to their outline, as well as 3D printer has its own structure of applying material.
5	Tradice baráčníků v Soběslavi / Traditions of the Baráčník Club in Soběslav Gošová, Tereza January 2016 (has links) The main target of this diploma thesis is to describe the association Baráčnická obec Vitoraz Soběslav and compare them with other similar associations mainly in sub region Blata. It is done in the context of complete socio-historical situation. The first part deals with movement of associations in the end of 19 and the beginning of 20. century and with the establishment of association "baráčníci" mainly in South Bohemia. The second part describes the association of "baráčníci" in detail in term of their symbolism. Then follows a brief characteristic of the sub region Blata. Next part focuses on activities of "baráčníci" particularly in this area. Attention is given to Soběslavská chasa mladá as potential successors of the association Baráčnická obec Vitoráz Soběslav. The conclusion. summarizes the acquired knowledge and outlines options following development in future.
6	Bäckadräkten : Ty själen har inget kön Humble, Gunilla January 2024 (has links) This essay presents how a newly created non-binary folk costume named Bäckadräkten will change and challenge traditions regarding Swedish folk costumes from the eighteenth century. Bäckadräktens background as a tool to invent a new type of non-binary folk costume is presented. Different parts of Bäckadräktens clothing as a non-binary dress is compared to traditional folk costumes regarding male and female dressing as a mean of status concerning marriage and age. Traditionally folk costumes usually derive from a specific region in contrast to Bäckadräkten with its background from the queer or non-binary community. Bäckadräkten can be used in different ways, colours and materials. It can be seen as a new type of folk costume for everyone who wants one and can be used in full scale or just as a part combined with other types of dresses. The founder of Bäckadräkten is the artist Fredy Clue and they want it to be a folk costume for everyone, not only non-binary or queer. The analysis regarding Bäckadräkten is made by using ANT Action Network Theory and Queer Theory and focus on non-binary. The view of Bäckadräkten as a rhizome with a big and growing connected network is discussed. Seven people has been interviewed about their view regarding both folk costumes and Bäckadräkten. Ethnology Bäckadräkten queer non-binary gender neutrality folk costume ANT Action Network Theory rhizome. Etnologi. Bäckadräkten queer ickebinär genusneutral folkdräkt ANT Aktör-nätverksteori Ethnology Etnologi
7	”Blåtrya af wallmar och en gammal struttmössa” : Kontinuitet och förändring i Leksands mansdräkt 1770–1870 / "Blåtrya of wallmar and an old struttmössa” : Continuity and change in the male folk costume of Leksand 1770–1870 Gullback, Johanna January 2021 (has links) This master's thesis explores the continuity and change of the men's folk costume in Leksand parish, Dalecarlia, between 1770–1870. It also investigates societal changes as a reason for these changes and uses the theory of local cultural identity and tradition as explanatory models for continuity and change. Primary sources include probate inventories, extant garments, depictions and written records from the time. The investigation reveals that the probate inventories show both continuity and change in the men's clothing possessions. New garments and materials appear during the latter period, 1850–1870, but the combined sources suggest a parallel usage with the more traditional garments and materials, for some time. The lack of dating of the extant garments made the use of depictions crucial, to be able to see the small changes the garments have gone through over the years. In general, the extant garments and depictions show continuity as well as small changes. The new garments and materials can be seen as the beginning of a transition into non-local, fashionable costumes. When comparing how this transition manifested in the neighbouring parish, Åhl, differences in time and process can be seen. Further comparisons are also made to other areas of Sweden, to highlight differences and similarities. Folk costume Peasant clothing Men’s clothing Leksand Dalecarlia Probate inventories Textile studies Local cultural identity Tradition Folkdräkt Leksandsdräkt Mansdräkt Leksand Bouppteckningar Textilvetenskap Lokal kulturell identitet Tradition Other Humanities not elsewhere specified Övrig annan humaniora

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