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Martyrdom and American Gay History: Secular Advocacy, Christian Ideas, and Gay AssimilationKrutzsch, Brett January 2015 (has links)
Martyrdom and American Gay History: Secular Advocacy, Christian Ideas, and Gay Assimilation" is an analysis of gay martyr discourses from the 1970s through 2014. In particular, the dissertation examines the archives, narrative representations, memorials, and media depictions of Harvey Milk, Matthew Shepard, Tyler Clementi, and AIDS. The project's primary focus is to investigate the role of religious rhetoric in facilitating American gay assimilation. Discourses of gay martyrdom reveal that secular gay advocates habitually employed Protestant Christian ideas in order to present gay Americans as similar to the dominant culture of straight Christians, a strategy that became increasingly prevalent by the end of the twentieth century after gays were blamed for spreading a national plague through sexual licentiousness. In turn, discourses of gay martyrdom expose the recurrence of Christian ideas in promoting, while concurrently foreclosing, the parameters of gay social inclusion. "Martyrdom and American Gay History" also questions the politics of martyrdom and analyzes why some deaths have been mourned as national tragedies. Milk, Shepard, and Clementi, the three most commonly-invoked gay martyrs, represent a narrow fraction of gay Americans that only includes white, middle-class, gay men. The dissertation demonstrates that discourses of gay martyrdom have promoted assimilation, not diverse sexual freedoms or capacious possibilities for queer lives. Ultimately, Protestant Christian dominance in the United States has been obfuscated whenever Christianity has been depicted primarily as an antigay monolith. Discourses of gay martyrdom reveal the role of Protestant Christian dominance in secular gay advocacy, and the ways in which Christian ideas have shaped and foreclosed possibilities for acceptable gay American citizens. / Religion
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Christian, Philadelphian, and Gay-Affirming Responses to AIDS, 1982-1992Cox, Whitney January 2016 (has links)
Christian, Philadelphian, and Gay-Affirming Responses to AIDS, 1982-1992" is an analysis of primary source material from Christian congregations and extra-denominational religious groups, particularly with regards to the way these groups used scripture and theological language to construct a counter-narrative to the prevailing discourse that painted AIDS as God's punishment on sinners. These materials show the way these groups represented themselves both within their own communities and outward, providing a textual record of the way leaders and laypersons alike discussed AIDS and its meaning. This work begins by considering the complicated factors at play: the particular history of Philadelphia and its relationship to its gay communities, historical and contemporary attitudes of Christianity toward sin and disease, and the particular biomedical and political realities of AIDS. It then follows the epidemic through several Philadelphian Christian communities from 1982 to 1992, demonstrating changing Christian attitudes toward sickness and sexuality as reflected in the rhetoric from these organizations, as understandings of AIDS went from the apocalyptic to the wearily optimistic. This dissertation demonstrates that while AIDS was never the whole of gay life in the United States, not even during the years it was most frightening and least understood, the crisis it introduced necessitated gay-affirming articulations of Christian theology – ones that persisted even as they became less necessary, as infection demographics shifted. This work's examination of these texts shows how marginalized Christian communities and their allies can use liberative Christian rhetoric to push back against language of oppression supported by the dominant Christian paradigm. / Religion
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The evolution of the gay male public sphere in England and Wales, 1967-c.1983Smith, Charles January 2015 (has links)
This thesis is a reassessment of gay male politics in England and Wales during the period between the decriminalisation of homosexual acts in private in 1967 and the HIV epidemic of the early 1980s. It looks beyond the activities of the revolutionary Gay Liberation Front and its offshoots which have dominated previous accounts. Instead it considers a broader range of social and political organisations which developed for gay men in the seventies: including reformist NGOS such as the Campaign for Homosexual Equality, the gay club scene, and publications such as Gay News. Through a detailed consideration of these less formally radical enterprises it argues that the seventies saw the creation of a broadly Habermasian 'public sphere' of gay male life. The gay male public sphere was a set of social spaces, political campaigns, and communications media which were explicitly aligned to a gay male identity and had no direct precedent in previous queer public cultures. However, this was not precisely analogous to gay men 'Coming Out' as the GLF understood the term. Participation in the gay male public did not necessarily involve openly declaring your sexuality to all possible audiences. It was also not necessarily a radical challenge to the state and existing society and, this thesis argues, gay male politics in the seventies was characterised as much by people who wanted to work within existing systems as it was by those who wanted to overturn them. This thesis also considers the limits that were placed on the gay male public sphere, through an account of the operation of the Sexual Offences Act and Mary Whitehouse's prosecution of Gay News for blasphemous Libel. As such it is a contribution to debates about the nature and extent of Britain's postwar 'Permissive Society'.
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Obraz homosexuálního jedince v časopisu Hlas / Representation of homosexuals in the Journal HlasKazbalová, Kateřina January 2009 (has links)
Diploma thesis "Media representation of homosexuals in the journal Hlas" deals with the ways in which gay people are represented in the journal Hlas (1931-1938) whereas Hlas was a journal aimed directly at the homosexual minority. This thesis employs the qualitative analysis method to uncover the regularities of the representation of homosexuals. It concentrates on the description of the homosexuals themselves, their characteristics and qualities, as well as relation between the homosexual minority and society.
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Homosexualita z pohledu římskokatolické církve a organizací v České republice, které se hlásí za práva gay a lesbických osob / Homosexuality in terms of Roman Catholic churches and organizations in the Czech Republic, which is reported for the rights of gay and lesbian peopleMORAVCOVÁ, Jana January 2011 (has links)
The work deals with the phenomenon of homosexuality from the perspective of the Roman Catholic Church and organizations in the Czech Republic, represented by the SOHO / Gay Initiative and South Bohemian Lambda, which are espoused to the rights of gay and lesbian people. The first part describes the basic concepts that define homosexuality. It deals with historical perceptions of homosexuality in the line of historical period of humanity, to present a comprehensive empirical evidence. The second part describes the ideological background and practical approaches of the Roman Catholic Church. It deals with the interpretation of the Scripture's texts, and knowledge of Magisterium of the Church's documents in relation to homosexuality. The theme of the third part is the recognition of organizations in the Czech Republic SOHO / Gay Initiative and South Bohemian Lambda. Describe the ideological foundations and practical approaches to gay and lesbian individuals in Czech society. The final chapter compares, based on current empirical knowledge, the homosexual orientation and the ideological resource of selected organizations also reflects the tension in the way of experiencing the gay and lesbian individuals in the Czech society.
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Are We There Yet? Gay Representation in Contemporary Canadian DramaBerto, Tony 16 August 2013 (has links)
This study acknowledges that historical antipathies towards gay men have marginalised their theatrical representation in the past. However, over the last century a change has occurred in the social location of gay men in Canada (from being marginalised to being included). Given these changes, questions arise as to whether staged representations of gay men are still marginalised today. Given antipathies towards homosexuality and homophobia may contribute to the how theatres determine the riskiness of productions, my investigation sought a correlation between financial risk in theatrical production and the marginalisation of gay representations on stage. Furthermore, given that gay sex itself, and its representation on stage, have been theorised as loci of antipathies to gayness, I investigate the relationship between the visibility and overtness of gay sex in a given play and the production of that play’s proximity to the mainstream.
The study located four plays from across the spectrum of production conditions (from high to low financial risk) in BC. Analysis of these four plays shows general trends, not only in the plays’ constructions but also in the material conditions of their productions that indicate that gay representations become more overt, visible and sexually explicit when less financial risk was at stake. Various factors are identified – including the development of the script, the producing theatre, venue, and promotion of the production – that shape gay representation. The analysis reveals that historical theatrical practices, that have had the effect of marginalizing the representations of gays in the past, are still in place. These practices appear more prevalent the higher the financial risk of the production. / The author would like to sincerely thank Ann Wilson, Ric Knowles, Matthew Hayday, Alan Shepard, Sky Gilbert, Daniel MacIvor, Michael Lewis MacLennan, Conrad Alexandrowicz, Chris Grignard, Edward Roy, Brad Fraser, Cole J. Alvis, Jonathan Seinan, David Oiye, Clinton Walker, Sean Cummings, Darrin Hagin, and Chris Galatchian. / SSHRC, The Heather McCallum Scholarship, Lambda Prize for achievement in lesbian, gay, bisexual and trans-gendered studies.
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THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958Edmundson, Joshua R 01 June 2016 (has links)
The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history.
Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage in and encourage hateful and discriminatory practices against the LGBT community. Then, when the magazine was banned by the Post Office, the editors and staff took the federal government to court. As such, ONE, Incorporated v. Olesen became the first Supreme Court case in U.S. history that featured the taboo subject of homosexuality, and secured the 1st Amendment right to freedom of speech for the gay press. Thus, ONE magazine and its founders were an integral part of a small group of activists who established the foundations of the modern LGBT equality movement.
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