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Robert Dessaix and the aestheticisation of Australian gay men /Hughes, Greg. January 2002 (has links) (PDF)
Thesis (M. Phil.)--University of Queensland, 2002. / Includes bibliographical references.
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Bona to vada your dolly old eke! : a case study of the differences of English use between homosexual and heterosexual people in written discourseLeung, Yiu Hung Humphrey 01 January 2002 (has links)
No description available.
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The intermediate decade : male homosexuality in American popular fiction of the 1930'sCaucutt, Jason Steven 31 January 2004 (has links)
In the short period between 1931 and 1934 a flurry of gay-themed novels was published
which were blatantly marketed as novels exploring the "twilight world" of homosexual
men. In the subsequent seventy-odd years these titles have received very little attention,
being entirely forgotten or sometimes erroneously grouped with postwar gay pulp fiction.
Furthermore, almost without exception, the 1930s novels portray a concept of
homosexuality which does not quite fit into the postwar view of sexual orientation or gay
isolation.
Section I explores how titles like A Scarlet Pansy, Strange Brother, and Twilight Men, all
show a view of homosexuality that was immersed in gender norms and class differences
much more than psychology or the modern concept of sexual orientation. In many cases,
masculine or feminine behavior denotes status more than does the actual gender of one's
sexual partner. Words like "homosexual" and "heterosexual" had a "highly clinical"
sound to most 1930s ears (to quote a character in Better Angel). That is not to say,
however, the readership of these novels were unfamiliar with "the love that dare not
speak its name". In fact, it seems many novels took for granted their readers' knowledge
of urban, working-class "fairy culture" and were seeking either to shock or, conversely,
elicit sympathy by depicting non-flamboyant protagonists as well as stock pansies. In contrast to postwar treatments, the novels of the 1930s never depict gay men as
existing in confused isolation. Section II explores how the novels oflen treat the gay shadow world as an elite, artistic club-albeit one filled with sinful excesses and
potential dangers. Finally, after 1935 the tone of gay-themed novels changed abruptly, as
the public's "pansy craze" abated. Older notions of"gender inversion" and ''Nature's
intermediates" faded and homosexuality became more associated with psychological
affliction with societal implications / History / M.A.
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The intermediate decade : male homosexuality in American popular fiction of the 1930'sCaucutt, Jason Steven 31 January 2004 (has links)
In the short period between 1931 and 1934 a flurry of gay-themed novels was published
which were blatantly marketed as novels exploring the "twilight world" of homosexual
men. In the subsequent seventy-odd years these titles have received very little attention,
being entirely forgotten or sometimes erroneously grouped with postwar gay pulp fiction.
Furthermore, almost without exception, the 1930s novels portray a concept of
homosexuality which does not quite fit into the postwar view of sexual orientation or gay
isolation.
Section I explores how titles like A Scarlet Pansy, Strange Brother, and Twilight Men, all
show a view of homosexuality that was immersed in gender norms and class differences
much more than psychology or the modern concept of sexual orientation. In many cases,
masculine or feminine behavior denotes status more than does the actual gender of one's
sexual partner. Words like "homosexual" and "heterosexual" had a "highly clinical"
sound to most 1930s ears (to quote a character in Better Angel). That is not to say,
however, the readership of these novels were unfamiliar with "the love that dare not
speak its name". In fact, it seems many novels took for granted their readers' knowledge
of urban, working-class "fairy culture" and were seeking either to shock or, conversely,
elicit sympathy by depicting non-flamboyant protagonists as well as stock pansies. In contrast to postwar treatments, the novels of the 1930s never depict gay men as
existing in confused isolation. Section II explores how the novels oflen treat the gay shadow world as an elite, artistic club-albeit one filled with sinful excesses and
potential dangers. Finally, after 1935 the tone of gay-themed novels changed abruptly, as
the public's "pansy craze" abated. Older notions of"gender inversion" and ''Nature's
intermediates" faded and homosexuality became more associated with psychological
affliction with societal implications / History / M.A.
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HomonormUnknown Date (has links)
“Homonorm” is a collection of short stories that explores the gay male experience
and challenges gender expectations. Through an exploration of form and content, each
story serves to illuminate different issues in the gay community and in society. Where
one story explores the issue of youth obsession with magical realism, the other tells the
story of a gay artist’s sexual awakening and struggle with HIV and AIDS through a series
of still-life photographs. This eclectic collection serves to break the stereotype of gay
fiction and undo the gender norms for men through fantastical situations and a-typical
forms of fiction to underscore the idea that life and community are varied and so too
should be the representations of these two groups. / Includes bibliography. / Thesis (M.F.A.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection
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Calling home queer responses to discourses of nation and citizenship in contemporary Canadian literary and visual culture /Pearson, Wendy G. January 2004 (has links)
Thesis (Ph. D.)--University of Wollongong, 2004. / Title from PDF title page (viewed on Mar. 6, 2006). Includes bibliographical references (p. 299-323). Also issued as a print manuscript. Print manuscript includes ill. omitted from online version.
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La enseñanza de temas homosexuales en la literatura: El fomento de un multiculturalismo más completo en los estudios de la literatura española / The Teaching of Homosexual Themes in Literature: The Promotion of a More Complete Multiculturalism in the Study of Spanish LiteratureCobb, Vaughn Aaron 12 November 2013 (has links)
Indiana University-Purdue University Indianapolis (IUPUI) / A variety of minority groups are present in the readings of Spanish and Latin American literature classes; however, there is a lack of representation of homosexual themes in the readings. This paper takes a look at what homosexual themes are present in the literature anthologies in current use, and then suggest a teaching unit and methodology for how one can implement these topics into a literature class. The paper provides a sound basis for teachers who are trying to introduce these issues into their classes. [Language - Spanish]
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