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Elegans, grace och kanoner : Utförsåkningens pionjärfas i svensk skidlitteratur 1926 – 1939Thorné, Samuel January 2018 (has links)
No description available.
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Male and Female College Presidents: Leadership Behaviors, Attitudes, and Demographic CharacteristicsWheeler, Karen J. January 1988 (has links)
No description available.
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Career Advancement Strategies Utilized by Selected Women College and University Administrators in a Midwestern StateAnglis, Christina M. January 1990 (has links)
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The Caribbean at an arm's length: American imperial spectatorship in the Underwood & Underwood 1901 stereotour of Puerto RicoJanuary 2021 (has links)
archives@tulane.edu / The stereoscopic 3D images of Puerto Rico produced and distributed between 1900-1910 by the Kansas-based photographic company Underwood & Underwood are notable visual documents of the first years of the American occupation of the archipelago. While these images rely on visual imperial discourses of 17th and 18th-Century travel books, sketches and paintings of the British West Indies, they reveal a shift in aesthetics and innovations in the representations of space, landscape, territory, and inhabitants. Understanding that Underwood & Underwood’s stereoviews of Puerto Rico operated as aesthetic objects and recognizing their cultural and historical specificity, I focus on how the company negotiated technological and artistic discourses of the time, endowing stereography a privileged space in the production of knowledge. I argue that Underwood & Underwood constructed a mode of vision which embodied progress and the modern scientific transformation of Puerto Rico’s natural world and people into available resources for the American empire. On the one hand, they marketed their products as “modern,” proclaiming not only new ways of seeing but also new ways of knowing. On the other hand, the tactile quality of the stereoscopic viewing experience opened the imaginative possibility of establishing virtual bodily presence in space—a specific quality of the medium that suggested to viewers that they were virtually inhabiting the scenes. Within the context of the nascent American empire, these images created an imagined sense of participation in America’s contested annexation: viewers of these Puerto Rican scenes act as both witnesses and supervisors in the process of colonization, and the stereoviews commodify the island’s people and nature even as they operate as commodities themselves. / 1 / Maria Alejandra Pautassi Restrepo
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The Impact of Gender on Resident Evaluations of Faculty Performance in Emergency MedicineBeaulieu, Allison M. 26 October 2022 (has links)
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Conflict Management Styles of Women Administrators in the 12 State Universities in OhioNeff, Ellen K. January 1986 (has links)
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The First Year? Gendering 1968Hackleman, Leah January 1995 (has links)
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College Presidents' Achieving Styles and Their Perceptions of Gender Role IdentityOverland, Wanda January 1996 (has links)
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Feminists In Student Affairs: Negotiating The Process Of ChangeRosser, Virginia Jane January 2003 (has links)
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Who You Calling A Feminist?: Creating New Feminisms In Popular Music, 1986-1994King, Torey January 1998 (has links)
No description available.
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