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The Global ETD Search service is a free service for researchers
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Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 9 of 9 (0.016 seconds)Spelling suggestions: "subject:"glinka"" "subject:"hlinka""
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Il bel canto russo: Incorporating Principles from the Old Italian School of Singing to Russian Lyric Diction Utilizing the Songs of Mikhail Glinka (1804 -1857)McGee, Michael Anthony 08 1900 (has links)
Mikhail Glinka (1804-1857) is widely recognized as a founding father of Russian classical music, but in fact, his music represents a bridge: it establishes a distinctive Slavic sound built on the Italian roots of Glinka's musical inspiration. As a young man, Glinka traveled abroad, which included three years spent in Italy, where he gained extensive exposure to and familiarity with what modern scholarship refers to as the Old Italian School of Singing. This influence makes his songs an ideal introduction to Russian lyric diction while reinforcing the tenets of sound vocalism. This study explores four Glinka melodies: "Doubt ," "To Molly," "The Lark," and "Cavatina." Previously published only in their original keys, the songs are presented here transposed into keys suitable for a young bass and a young baritone singer, with the melody line placed in the bass clef and corresponding IPA transcriptions beneath the original Cyrillic text. Following both an introduction that contextualizes Glinka as a composer enamored of 19th-century Italian opera and a discussion of technical and stylistic aspects regarding the production of sound in that same era, there is a brief examination of Russian lyric diction intended to inspire further study of this unique and rewarding singing language. The study concludes by offering commentary on the application of technical and stylistic aspects of the Old Italian School of Singing to the aforementioned melodies.
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Glinkas Bearbeitungen von Aljab'evs Romanze Die NachtigallGrönke, Kadja 13 February 2017 (has links) (PDF)
Die traditionelle Vorliebe der Russen für vokale Formen führte Anfang
des 19. Jahrhunderts zur Entstehung der sogenannten \"russischen
Romanze\" (einem nationalen Äquivalent zum deutschen Kunstlied).
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M.I. Glinka's songs and romancesHuberman, Lily. January 1971 (has links)
Thesis (M.A.)--University of Wisconsin, 1971. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [56]-70).
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M.I. Glinka's songs and romancesHuberman, Lily. January 1971 (has links)
Thesis (M.A.)--University of Wisconsin, 1971. / Title from title screen (viewed Oct. 6, 2009). Includes bibliographical references (p. [56]-70).
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Glinkas Bearbeitungen von Aljab'evs Romanze Die NachtigallGrönke, Kadja 13 February 2017 (has links)
Die traditionelle Vorliebe der Russen für vokale Formen führte Anfang
des 19. Jahrhunderts zur Entstehung der sogenannten \"russischen
Romanze\" (einem nationalen Äquivalent zum deutschen Kunstlied).
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The Conductors' Entries in M.I. Glinka's Manuscript Score of Kamarinskaya: The History of the Early PerformancesPetrova, Galina 17 July 2017 (has links)
Nikolaj Findeisen in Russia was the first to investigate and describe M.L Glinka's manuscripts, which are kept in the Tsar's Public Library.
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Glinka und BeethovenMartinov, Ivan 14 January 2020 (has links)
No description available.
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The History and Usage of the Tuba in RussiaGreen, James Matthew January 2015 (has links)
No description available.
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"Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera"Alston, Ray S. 13 September 2018 (has links)
No description available.
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