Submitted by Viviane Lima da Cunha (viviane@biblioteca.ufpb.br) on 2016-12-21T11:40:50Z No. of bitstreams: 1 arquivototal.pdf: 1555797 bytes, checksum: 063ae5f4dd1ed3591350e393890fa193 (MD5) / Made available in DSpace on 2016-12-21T11:40:50Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1555797 bytes, checksum: 063ae5f4dd1ed3591350e393890fa193 (MD5) Previous issue date: 2015-07-16 / Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq / The origin of mythic narrative is recognized in all ancient traditions. During this period its relationship with the sacred was intrinsically present in everyday acts, without any distinction between the sacred and the profane because their activities were conditioned with divine in such a way that in the early stages the relation of the cultivation of plants and everything that came from the groud, the earth for the survival, was a depiction, a portrayal of Mother when she was related to fertilizing streghth. This way we find the Mother as a divine portrayal, the same way as there is also an identification of animals in such a way when they are food, nourishment. Their sacrifice indicated a sacral idea and that episode ocurred in a ritual, ceremony. Our main objective was to analise the mythic serpent in four semitic texts: the hymn to Ptah; The Gilgamesh epopee; The Elish enema and , The hebraic myth of creation. Therefore we historically contextualized the semitic traditions, especially the Egiptian, the Mesopotamia, (Sumerian, Babylon) and Israel. Consequently, we have also started a research on the mythic serpent on these traditions in evidence. The myths about the origin give us support to understand the serpent archetype, as we have seen that its symbolic representation indicates the polarities as well as a cyclical journey. To do só it was applied the yunguian analitic instrumentation when it develops the archetype concept, mainly in the title: “The archetypes and the collective unconsciousness.” Methodologically, it was used the comparative and symbolic hermeneutics of Mircea Eliade, mainly in its titles “The sacred and the profane” and “The myth of the eternal return”, as well as an effort to interlace the vision that leads, indicates according to Carlo Ginsburg in the interpretative understanding of critique hermeneutics, in other words, throughout the clues found in the texts. / Reconhecemos nas tradições antigas a origem das narrativas míticas. Neste período a relação com o sagrado estava intrinsecamente presente no cotidiano, não havia distinção entre o sagrado e o profano, pois suas atividades se condicionavam ao divino de tal modo que nos primórdios a relação da criação das plantas, tudo o que surgia da terra para a sobrevivência era representada pela Mãe quando a associavam ao poder fecundante. Deste modo encontramos a Mãe como representação divina, assim como também há uma identificação dos animais quando são reverenciados pela sua força e também quando são o alimento. O seu sacrifício indicava uma sacralidade e este episódio se dava ritualmente. Nosso objetivo foi analisar a serpente mítica em quatro textos semíticos: o hino a Ptah, a Epopeia de Gilgamesh, o Enuma Elish e o Mito hebraico da criação. Portanto contextualizamos historicamente as tradições semitas, especificamente o Egito, a Mesopotâmia (Suméria, Babilônia) e Israel. Por sequência pesquisamos a serpente mítica nestas tradições e por fim descobrimos o arquétipo da serpente nas tradições que destacamos. Os mitos de origem nos dão respaldo para compreensão arquetípica da serpente, pois vemos que a sua representação simbólica indica as polaridades assim como uma jornada cíclica. Para tanto aplicamos a instrumentação analítica junguiana quando desenvolve o conceito de arquétipo, principalmente na obra: “Os arquétipos e o inconsciente coletivo”. Metodologicamente utilizamos da hermenêutica simbólica e comparada de Mircea Eliade principalmente em suas obras: “O sagrado e o profano” e “O mito do eterno retorno” e buscamos entrelaçar a visão indiciária conforme Carlo Ginsburg com a intelecção interpretativa da hermenêutica crítica, ou seja, através das pistas interpretamos os textos.

Grâce à la présence et à l’instrumentalisation de la Mare de Déu, l’abbaye et le massif de Montserrat sont devenus, au fil des siècles, un symbole religieux et un bastion du christianisme, puis les gardiens des traditions, de la culture et de l’identité catalanes. Le mythe fondateur religieux, lié à la Vierge de Montserrat, est associé au mythe fondateur de la Catalogne, lié au comte de Barcelone Guifré le Velu, de sorte que religion et identité nationale sont étroitement imbriquées dès la fin du Moyen Âge. Beaucoup d’autres légendes sont élaborées à cette époque, mais la relation entre les Catalans et la Mare de Déu de Montserrat prend une orientation particulière et s’exerce dans un cadre à part.L’universalité de la pensée mythique permet une instrumentalisation politico-religieuse de l’image mariale tout au long de l'histoire de la Catalogne, jusqu’à aujourd’hui. Le XIXe siècle marque une étape majeure dans l’instrumentalisation de la Moreneta et sa liaison avec le sentiment identitaire. Le massif de Montserrat devient le symbole de la patrie catalane et la Vierge de Montserrat se transforme en Vierge de la Patrie. Le régime franquiste signifie une rupture profonde. La Moreneta, dans un premier temps, protège l’action de suppléance intellectuelle et culturelle accomplie par les Bénédictins de Montserrat, puis l’engagement politique devient total. Avec l’arrivée de la démocratie, la Catalogne se réapproprie son passé, et un nouveau rôle se dessine pour la Mare de Déu de Montserrat. / Thanks to the presence and implementation of the Mare de Déu, the abbey and the mountain of Montserrat became, in the course of the centuries, a religious symbol and a bastion of christianity, and, later on, the guardians of the catalan traditions, culture and identity. The religious founding myth, linked to Montserrat Virgin, is associated with Barcelona Count Guifré le Velu, so that religion and national identity have remained closely interlinked since the end of the Middle Ages. Numerous other legends were created at the same time, but the relationship between Catalan people and the Mare de Déu of Montserrat takes a special orientation and grows in a specific place.The universality of the myths enables a political and religious implementation of the marian image throughout the history of Catalonia, until nowadays. The XIXe century marks a major step in the implementation of the Moreneta and Her connection with the sense of identity. The Montserrat mountain becomes the symbol of the Catalan mother country and the Virgin of Montserrat is transformed into the Virgin of the mother country. The pro-Franco regime meant a deep change. At first, the Moreneta protectd the intellectual and cultural substitution carried out by the Montserrat Benedictines, then their political commitment became total. With the arrival of democracy, Catalonia has been recovering its past, and a new role has been emerging for the Mare de Déu of Montserrat.