A marked preoccupation with childhood is evident throughout the works of Graham Greene; it receives most obvious expression in his concern with the idea that the course of a man's life is determined during his early years, but many of his other obsessive themes, such as betrayal, pursuit, and failure, may be seen to have their roots in general types of experience which Greene evidently believes to be common to all children.

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This is an examination of Graham Greenes use and characterization of journalists in three of his novels. Greene uses journalist characters as vehicles to critique the practice of journalism and the media in three novels in particular: <i>Stamboul Train</i> (1932), <i>Its a Battlefield</i> (1934), and <i>The Quiet American</i> (1955). This study examines the influence and manifestation of journalism and, more broadly, the mass media in these three novels. Through an analysis of Greenes journalist protagonists, this study investigates the complex relationship between writer and subject, his portrayal of the mass media, and the various themes attached to Greenes conception of journalism and the role of the journalist in society. In these novels, Greene critiques the function of journalism in society, the responsibility of the journalist in a democratic society, and the misuse of this power by journalists and editors alike. Observing and participating in the world, Greenes journalist protagonists find themselves in situations where they must choose between involvement and neutrality, attachment and detachment, and, often, damnation and salvation. As a renowned journalist himself, Greene travelled to troubled places to report on revolution, social change, individual and collective suffering, thereby experiencing situations both physically dangerous and morally disturbing. I argue that Greene ultimately adopts a less stringent view of journalistic observation, understanding that knowledge itself is an interpretive achievement. His observations in this regard are crucial to an understanding of Greene and increasingly important in a media dominated world where the role of the journalist is increasingly critical.

This is an examination of Graham Greenes use and characterization of journalists in three of his novels. Greene uses journalist characters as vehicles to critique the practice of journalism and the media in three novels in particular: <i>Stamboul Train</i> (1932), <i>Its a Battlefield</i> (1934), and <i>The Quiet American</i> (1955). This study examines the influence and manifestation of journalism and, more broadly, the mass media in these three novels. Through an analysis of Greenes journalist protagonists, this study investigates the complex relationship between writer and subject, his portrayal of the mass media, and the various themes attached to Greenes conception of journalism and the role of the journalist in society. In these novels, Greene critiques the function of journalism in society, the responsibility of the journalist in a democratic society, and the misuse of this power by journalists and editors alike. Observing and participating in the world, Greenes journalist protagonists find themselves in situations where they must choose between involvement and neutrality, attachment and detachment, and, often, damnation and salvation. As a renowned journalist himself, Greene travelled to troubled places to report on revolution, social change, individual and collective suffering, thereby experiencing situations both physically dangerous and morally disturbing. I argue that Greene ultimately adopts a less stringent view of journalistic observation, understanding that knowledge itself is an interpretive achievement. His observations in this regard are crucial to an understanding of Greene and increasingly important in a media dominated world where the role of the journalist is increasingly critical.

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Thesis (B.A.)--Haverford College, Dept. of English, 2009. / Includes bibliographical references.

The main catalyst of the narrative in The Heart of the Matter (1948) is pity and faith of the main protagonist. This thesis deals with Greene's unique conception of pity and faith. It is particularly faith and pity which represent keystones in number of Greene's novels. In The Heart of the Matter, Greene's personal and religious interests culminate. The theoretical part of the thesis provides a brief and comprehensive overview of Greene's life, his religious and political views, his unrelenting interest in human experience and at the same time, it aims to place him in the context of the 20th century. The central part of the thesis is dedicated to the detailed analysis of the novel along with the interpretation of key concepts and ideas.

This thesis argues that the espionage fiction of Graham Greene, Ian Fleming and John le Carré published between 1945 and 1979 illustrates a number of discontinuities, disjunctions and paradoxes related to space, sovereignty and national identity in post-war Britain. To this effect, the thesis has three broad aims. Firstly, to approach the representations of space and sovereign power in the work of these authors published during the period 1945-1979, examining the way in which sovereign power produces space, and then how that power is distributed and maintained. Secondly, to analyse the effect that sovereign power has on a variety of social and cultural environments represented within spy fiction and how the exercise of power affects the response of individuals within them. Thirdly, to establish how the intervention of sovereign power within environments relates to the creation, propagation and exclusion of national identities within each author’s work. By mapping the application of sovereign power throughout various environments, the thesis demonstrates that the control of environment is inextricably linked to the sovereign control of British subjects in espionage fiction. Moreover, the role of the spy in the application of sovereign power reveals a paradox integral to the espionage genre, namely that the maintenance of sovereign power exists only through the undermining of its core principles. Sovereignty, in these texts, is maintained only by weakening the sovereign control of other nations.

kandidat examen

In this master’s thesis, I shall examine Graham Greene’s place in criticism of the British novel by focusing on The Third Man and The Quiet American. In terms of theoretical approach, I shall focus on a close, critical reading of the texts employing elements of cultural, historical, psychological, and genre criticism. With the films, I shall focus on lighting and shot formation along with the abilities of the directors and actors. These works have not been studied jointly before as literature or as film or as a combination thereof. Nevertheless, such study proves worthwhile. My thesis is also the first lengthy comparison of the two film versions of The Quiet American. Given that Phillip Noyce’s 2002 film is so new, little lengthy criticism exists. Even though Joseph Mankiewicz’s 1957 film has been available for over forty years, no serious scholarship exists on it. My thesis will fill this critical lacuna.